| 100 |
Entertainment Weekly
Owen Gleiberman
I'm Not There lets you hear it again, more majestically than ever.
|
| 100 |
Village Voice
J. Hoberman
I'm Not There is the movie of the year.
|
| 100 |
Boston Globe
Ty Burr
The strangest thing about Todd Haynes's new movie isn't that he cast six actors to play the various faces and phases of Bob Dylan. It's that he needed only six.
|
| 100 |
Film Threat
Jeff Beresford-Howe
What Haynes has essentially done is create a film that is a Bob Dylan song, one of his best.
|
| 91 |
Portland Oregonian
Shawn Levy
This film insists on being taken on its own terms -- the sort of demand, in other words, that defines the best art.
|
| 91 |
Seattle Post-Intelligencer
Sean Axmaker
Faced with an artist defined more by his lyrics than his life story, Haynes delivers a song-cycle of a movie: vivid, exaggerated, contradictory impressions of a man who confounds a culture still looking to define him.
|
| 90 |
Salon.com
Stephanie Zacharek
One of the most inventive and joyous movies of the year.
|
| 90 |
Newsweek
David Gates
Brilliantly strange, often funny and ultimately heartbreaking film.
|
| 90 |
The New York Times
A.O. Scott
Among its many achievements, Todd Haynes’s I’m Not There hurls a Molotov cocktail through the facade of the Hollywood biopic factory.
|
| 88 |
Philadelphia Inquirer
Steven Rea
A loopy, surreal, beguiling collage of a film, the writer-director's meta-biopic embraces its subject.
|
| 88 |
Premiere
Glenn Kenny
Haynes's picture may not be perfect -- hell, I'm not even sure that perfection is a state it even aspires to -- but it's bold and individualistic and accomplished. A reason to take heart for the state of current American moviemaking.
|
| 88 |
Rolling Stone
Peter Travers
So what if nothing is revealed. Todd Haynes is a mischievous visionary who puts the music and the myth of Bob Dylan before us in I'm Not There and dares us not to revel in the troubadour's poetic, contentious, ever-changing essence. It's a feast for the eyes, the ears and the Dylanologist scratching around our minds and hearts.
|
| 88 |
Chicago Sun-Times
Roger Ebert
What Haynes does is take away the reassuring segues that argue everything flows and makes sense, and to show what's really chaos under the skin of the film.
|
| 88 |
Charlotte Observer
Lawrence Toppman
A lot of chaotic fun.
|
| 83 |
The Onion (A.V. Club)
Keith Phipps
An ingenious, maddening film inspired by the "many lives of Bob Dylan."
|
| 80 |
Los Angeles Times
Carina Chocano
A challenging film, one that I suspect can only benefit from multiple viewings. The success of its approaches varies, but its intent is unfailingly interesting.
|
| 80 |
Washington Post
Ann Hornaday
A fascinating experiment that, if the viewer is willing to surrender to Haynes's sometimes hermetic meditations on Dylan's life, heartily rewards the investment.
|
| 80 |
Empire
Staff (Not credited)
An extraordinary attempt to encapsulate the many faces of Bob Dylan that plays better to the convert than the sceptic. Like the nasal twang of the man in question, the film finally beguiles more than it irritates.
|
| 78 |
Austin Chronicle
Kimberley Jones
There’s an undeniable thrill to watching something so experimental and yet totally accessible to those of us who speak only layman’s Dylanese, and it’s Haynes’ warmest film yet.
|
| 75 |
Chicago Tribune
Michael Phillips
I appreciate Haynes’ craft and ambition. I love the Ledger/Gainsbourg scenes, which are sweet and sad and delicately shaded. And Blanchett’s inspired not-quite-impersonation of Dylan is reason enough to tussle with the rest of it.
|
| 75 |
New York Post
Staff (Not credited)
Bob Dylan would probably love I'm Not There, which may be all a Dylanist needs to know before seeing it. Non-devotees are in for puzzlement, if not exasperation.
|
| 75 |
TV Guide
Ken Fox
In the end it remains an academic exercise, though a dazzlingly ambitious one that’s well worth seeing.
|
| 75 |
The Globe and Mail (Toronto)
Liam Lacey
Even with new information provided in the film, however, his personality remains not so much elusive as cantankerous, particularly in contrast with the expansiveness of his songs. That gap gives I'm Not There something of a hollow centre.
|
| 70 |
Chicago Reader
Jonathan Rosenbaum
What emerges is a speculative, critical essay about the 60s, weighted down in spots by political correctness and a conflicted desire to mock Dylan's denseness while catering to his hardcore fans, but otherwise lively, fluid, and watchable.
|
| 70 |
Slate
Dana Stevens
Like the singer's gnomic comments to the press, the movie can be maddeningly slippery; like his music, it's fierce, thrilling, and unapologetically itself.
|
| 70 |
The Hollywood Reporter
Ray Bennett
The star of the show is undoubtedly Blanchett, who has great fun playing Dylan as a showboat who quite knowingly goes about creating his reputation for rebellious independence.
|
| 63 |
Miami Herald
Rene Rodriguez
Only devout Dylan fans will be able to derive much sense out of it. Dylan novices can only sit back and surrender to the ride Haynes offers: It's a strange, surreal trip.
|
| 63 |
New York Daily News
Jack Mathews
Some of it is brilliant, some is tedious and some is just plain incoherent.
|
| 50 |
Baltimore Sun
Michael Sragow
If any man should be more than the sum of his parts, it's an artist. But Todd Haynes' I'm Not There makes Bob Dylan less than the sum of his parts. It's like a tony art-school parlor game.
|
| 50 |
Variety
Todd McCarthy
Stylistically audacious in the way it employs six different actors and assorted visual styles to depict various aspects of the troubadour's life and career, the film nevertheless lacks a narrative and a center, much like the "ghost" at its core.
|
| 50 |
USA Today
Claudia Puig
It's not nearly as enjoyable as one of his rambling, meditative songs, though perhaps it is aspiring to be the cinematic equivalent. Give me "Tangled Up in Blue" any day over this incoherent, tangled trip.
|
| 50 |
New York Magazine
David Edelstein
Too often, it’s the MOVIE that isn’t there. What’s meant to be archetypal comes across as superficial.
|
| 40 |
The New Yorker
Anthony Lane
It makes “Yellow Submarine” look like a miracle of sober narrative.
|
| 40 |
Time
Richard Schickel
It doesn't work. It is just a mess -- though the sound track, full of Dylan songs is, of course, good to hear. But it is not better than the track on Martin Scorsese's "No Direction Home" documentary of two years ago.
|
| 25 |
San Francisco Chronicle
Mick LaSalle
Anyone can make a bad movie, but it takes a good filmmaker to make one as bad as I'm Not There.
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