| 100 |
Chicago Sun-Times
Roger Ebert
Spellbinding.
|
| 100 |
Seattle Post-Intelligencer
William Arnold
Penn's direction is amazingly sharp and intuitive, full of masterful touches that give an epic dimension and scope to the parable.
|
| 100 |
Baltimore Sun
Michael Sragow
A genuine odyssey: a journey to self-knowledge.
|
| 91 |
Entertainment Weekly
Owen Gleiberman
The beauty of Into the Wild, which Penn has written and directed with magnificent precision and imaginative grace, is that what Christopher is running from is never as important as what he's running TO.
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| 91 |
The Onion (A.V. Club)
Scott Tobias
There's a bittersweet quality to McCandless' story that Penn captures intuitively.
|
| 90 |
Village Voice
Scott Foundas
To these eyes, Into the Wild is an unusually soulful and poetic movie that crystallizes McCandless in all his glittering enigma, and allows us to decide for ourselves whether he was the spiritual son of Thoreau, Tolstoy, and John Muir, or the boy most likely to become Theodore Kaczynski.
|
| 90 |
Film Threat
Pete Vonder Haar
If nothing else, Into the Wild is a beautiful film. Penn meticulously shot in the actual locations McCandless visited, and Eric Gautier's cinematography is breathtaking, many scenes are framed in such a way as to almost Hirsch entirely, further emphasizing how solitary his trek actually was.
|
| 90 |
Washington Post
Ann Hornaday
Sean Penn sings a powerful and poetic hymn to America with Into the Wild, his sweeping, sensitive and deeply affecting adaptation of Jon Krakauer's best-selling book.
|
| 88 |
Philadelphia Inquirer
Carrie Rickey
They are the only misstep in Penn's otherwise sure-footed journey to what he reveals as the heart of lightness.
|
| 88 |
ReelViews
James Berardinelli
Into the Wild is a beautifully made motion picture and some of the segments (especially those with Hal Holbrook and those that transpire around "the magic bus" in Alaska) are powerful.
|
| 88 |
Rolling Stone
Peter Travers
Penn, in tandem with the superb cinematographer Eric Gautier (The Motorcycle Diaries), captures the majesty and terror of the wilderness in ways that make you catch your breath.
|
| 88 |
USA Today
Claudia Puig
Captivating and multifaceted.
|
| 88 |
TV Guide
Ken Fox
Flawed but refreshingly intelligent.
|
| 88 |
Charlotte Observer
Lawrence Toppman
Penn, one of Hollywood's most famous iconoclasts, must have felt instinctive sympathy with someone who told the whole world in general to leave him alone.
|
| 83 |
Portland Oregonian
Shawn Levy
Feels like a lost film from the '60s in the very best way: unstructured and intrepid and free. As a result, it's sometimes a little indulgent and overlong. But, like its hero, it's never less than sincere in its search for truth and beauty, even as it stares death in the eye.
|
| 80 |
Empire
Dan Jolin
With the whole of America as his backdrop, Penn pulls off his most ambitious movie yet. The result is a beautiful and thought-provoking road movie.
|
| 80 |
Los Angeles Times
Kenneth Turan
Though Penn's fierce identification with the protagonist is a key source for the film's accomplishments, Into the Wild succeeds on screen because Hirsch ("Alpha Dog," "The Lords of Dogtown") throws himself into the part without reservation, projecting an appealing openness and life force that brings a special poignancy to his fate.
|
| 80 |
The New York Times
A.O. Scott
Though the film’s structure may be tragic, its spirit is anything but.
|
| 80 |
Wall Street Journal
Joe Morgenstern
From seductive start to shattering finish, the film is as stirring, entertaining and steadfastly thrilling as it is beautiful.
|
| 75 |
San Francisco Chronicle
Mick LaSalle
A big leap forward for Penn as a director and deserves to be one of the most talked about films of the season.
|
| 75 |
Chicago Tribune
Michael Phillips
It’s half-crock and half-sublime, which seems about right for its subject.
|
| 75 |
Boston Globe
Ty Burr
One such paradox, which Into the Wild doesn't note, is that those who flee civilization more often than not bring it with them. The bus in which Christopher McCandless died is now a tourist destination.
|
| 75 |
New York Post
Lou Lumenick
A gorgeously photographed and less intermittently fascinating 2 1/2-hour film.
|
| 75 |
Christian Science Monitor
Peter Rainer
Penn has a real feeling for the stray moments in life that suddenly rush up and overwhelm us with emotion. He also has an eye for beauty in the wilds, of which this film has many. And he's very good with actors. What he lacks is a sharper eye for the wooziness of romanticism, and that wooziness, despite some truly breathtaking moments, infuses Into the Wild.
|
| 75 |
Premiere
Glenn Kenny
Penn has often said that he dislikes acting and would prefer to direct full time. Into the Wild is impressive enough to give him license to do just that.
|
| 70 |
Variety
Dennis Harvey
Sean Penn delivers a compelling, ambitious work that will satisfy most admirers of the book.
|
| 67 |
Austin Chronicle
Josh Rosenblatt
The character never really comes alive, and I walked away from Into the Wild feeling that Penn was too in love with the idea of Christopher McCandless the free-spirited hero to excavate the soul of Christopher McCandless the lost man.
|
| 63 |
New York Daily News
Jack Mathews
Penn is projecting heroic qualities onto a young guy who simply got in over his head.
|
| 63 |
The Globe and Mail (Toronto)
Rick Groen
The result is a road movie with a lofty message that too frequently gets lost in its own thematic barrens.
|
| 63 |
Miami Herald
Rene Rodriguez
The movie tries its hardest to celebrate the impetuousness of its hero and the exhilaration of his accomplishments. Mostly, though, it just reminds you of the severity of his mistakes.
|
| 60 |
The Hollywood Reporter
Sura Wood
Penn opts for epic proportions and clutters his narrative with gimmicks. For the most part, it works. What's missing is the perspective and insight that would illuminated the inner dimensions of a driven young man who is preachy and downright irritating.
|
| 60 |
Salon.com
Stephanie Zacharek
If nature -- if life -- is as wild and precious as the movie makes it out to be, Hirsch needs to give us something, someone, to watch on-screen. We need to feel a presence before we can take the measure of an absence.
|
| 50 |
Newsweek
David Ansen
Penn's eye for landscapes is stunning, and his affection for outsider lifestyles is tangible. Hirsch, who carries the film on his increasingly emaciated shoulders, performs heroically, but there's an edge missing. The ideal casting would have been the young Sean Penn.
|
| 50 |
Time
Richard Schickel
I think the central mistake of this film derives from its lack of irony, a sense it refuses to impart that the world may not be exactly as the zealous Christopher perceives it to be. The film needs at least to entertain the possibility that its protagonist was driven less by high principle than by lamentable screwiness. And we need to leave it carrying some sense of tragic consequence with us. Instead, we're simply glad to be finished, at last, with this annoying man-child.
|
| 50 |
New York Magazine
David Edelstein
With all the narration and fits of slow motion, the movie seems like the work of a nervous chain-smoker. It lacks concentration--and with it, the potential for rapture.
|
| 50 |
The New Yorker
David Denby
Sean Penn’s Into the Wild is certainly visual--it’s entirely too visual, to the point of being cheaply lyrical.
|
| 50 |
Slate
Dana Stevens
It's hard not to feel that Penn is stacking the deck heavily in his favor and losing out on the chance for a more sober meditation on the ambiguity of McCandless' quest.
|
| 50 |
Chicago Reader
Andrea Gronvall
A murky screenplay leaves most of the humans ciphers, save for Hal Holbrook in an exquisitely calibrated performance as the avuncular desert retiree whose advice McCandless should have heeded.
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