Metacritic Film

Man of the Century

Starring Gibson Frazier, Susan Egan, and Anthony Rapp

MPAA RATING: R for language

Fine Line Features
Comedy
80 minutes | BW
USA
Released In Theaters October 29, 1999

A fast-paced, fast talking, farcical comedy starring Johnny Twennies (Frazier), a young newspaper reporter in modern day Manhattan who is absolutely convinced that he is living in the 1920's. (Fine Line Features)

WRITTEN BY
Gibson Frazier
Adam Abraham

DIRECTED BY
Adam Abraham

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

44 / 100

Critic Reviews

75 San Francisco Chronicle Mick LaSalle
Sharp and irresistible, and there's no other movie like it.
70 Rolling Stone Peter Travers
A lighter-than-air comedy than runs on pure fizz.
70 Film.com Tom Keogh
The film's bemused but genuine respect for the ingenious obviousness of a bygone cinematic language is quite moving.
67 Seattle Post-Intelligencer William Arnold
A kind of homage to that more simple and elegant time.
50 Entertainment Weekly Owen Gleiberman
A premise masquerading as a movie.
50 Newsweek Andrea C. Basora
Charming cinematic bauble.
50 LA Weekly Stefan Thiel
Though the story is often silly to the point of ridiculous, its goofy tone and charming characters, especially Frazier's Johnny, create a lovely idealization of a long-gone era.
50 Film.com Elizabeth Weitzman
It's really too bad the film remains so resolutely flimsy, because the novice cast is so clearly delighted to be putting on a show, their glee is contagious enough to carry us along -- for a while.
50 Christian Science Monitor David Sterritt
Funny dialogue, crisp black-and-white cinematography, and a well-chosen cast of mostly stage-trained actors raise this eccentric fantasy a notch above the ordinary.
50 New York Daily News Jack Mathews
Almost corny enough to be hip.
40 TV Guide Ken Fox
Mimics the kind of comedy that doesn't date particularly well to begin with.
40 Village Voice Dennis Lim
Good-natured but labored, the film clings to its lone gimmick with increasing desperation.
30 Chicago Reader Jonathan Rosenbaum
Essentially a one-trick pony.
30 The New York Times Stephen Holden
Amusing one-joke film.
25 New York Post Lou Lumenick
Grows tiresome rather quickly.

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