| 100 |
Entertainment Weekly
Owen Gleiberman
To call Match Point Woody Allen's comeback would be an understatement - it's the most vital return to form for any director since Robert Altman made "The Player."
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| 100 |
Chicago Sun-Times
Roger Ebert
One reason for the fascination of Woody Allen's Match Point is that each and every character is rotten.
|
| 100 |
Philadelphia Inquirer
Steven Rea
Whether it's simply the change of locale, or a change in Allen's psyche, something is up in Match Point. With a dark view of humankind, and of the vagaries of chance - bad luck, good luck, dumb luck - the filmmaker has crafted a wicked, winning gem.
|
| 100 |
San Francisco Chronicle
Mick LaSalle
Allen's most satisfying film since "Bullets Over Broadway" (1994) and his most compelling since "Crimes and Misdemeanors" (1989).
|
| 91 |
Seattle Post-Intelligencer
William Arnold
An unpredictable, unusual, consistently engrossing drama of a kind that has almost disappeared from Hollywood.
|
| 91 |
Portland Oregonian
Shawn Levy
It's a sexy thriller, tautly constructed, deeply acted and heartfelt, despite a cool and knowing tone.
|
| 90 |
The New York Times
Dana Stevens
The gloom of random, meaningless existence has rarely been so much fun, and Mr. Allen's bite has never been so sharp, or so deep. A movie this good is no laughing matter.
|
| 88 |
New York Post
Kyle Smith
Its many pleasures derive from the way this drama unfolds unexpectedly from the characters rather than imposing itself on them.
|
| 88 |
New York Daily News
Jami Bernard
What fans want are good movies. This one isn't particularly funny or romantic, but it's gripping and tragic. It asks some nasty, yet profound, questions about human desire and behavior.
|
| 88 |
ReelViews
James Berardinelli
Not only could one argue that this is the best "serious" work the director has ever attempted, but it's presented in a way that even the most seasoned Allen fan will have difficulty recognizing the iconic filmmaker's fingerprints.
|
| 88 |
Rolling Stone
Peter Travers
Woody Allen's best movie in years means to trip us up: Sexual sizzle. London instead of Manhattan. Brit actors. Dark humor with a sting that leaves welts. You bet it's a change. And it looks good on the Woodman.
|
| 88 |
Charlotte Observer
Lawrence Toppman
Allen, rejuvenated by foreign settings, makes us appreciate posh parts of England as he always did Manhattan. (Credit cinematographer Remi Adefarasin for showing us how seductive upper-crust London can be.)
|
| 88 |
Premiere
Peter Debruge
Woody's a master wordsmith, and here he's crafted a bit of audience-friendly fare that's smart without feeling exclusionary. It's a portrait of elite society--and the hangers-on who wish to penetrate it--made in an surprisingly accessible way.
|
| 88 |
Miami Herald
Rene Rodriguez
Match Point begins to recall Hitchcock as it unfolds, although it wouldn't be right to call it a thriller. This is still very much a Woody Allen movie, populated by upper-class characters who chatter about literature and fine art, frequent museums and designer boutiques and accidentally run into each other on the street with uncanny regularity.
|
| 83 |
Christian Science Monitor
Peter Rainer
Rhys-Meyers and Johansson work well together - they both know how to project glossiness and guile.
|
| 80 |
Variety
Todd McCarthy
Well-observed and superbly cast picture is the filmmaker's best in quite a long time.
|
| 80 |
Film Threat
Jeremy Mathews
Allen covers it all with intelligent dialogue and unexpected moments of clever visual storytelling.
|
| 80 |
Empire
Adam Smith
Even for non-Allen fans this has all the appeal of a good story well told and capped with a deliciously vicious little twist.
|
| 80 |
Washington Post
Desson Thomson
A sort of romance noir -- spruced up in pressed white linens -- this British-made film is elegant, uncompromising and oh-so- veddy nasty.
|
| 80 |
Los Angeles Times
Carina Chocano
It pretty much keeps its pulse steady, its blood cold and its nerves tamped down -- which, combined with cinematographer Remi Adefarasin's architectural Hitchcockian flourishes, lends a queasy, cool air to the proceedings.
|
| 75 |
The Globe and Mail (Toronto)
Liam Lacey
The movie is unexpectedly disciplined and enjoyable.
|
| 75 |
Chicago Tribune
Allison Benedikt
Match Point is fantastic to look at, sharply dramatic and Allen is--who knew?--a master of suspense.
|
| 75 |
USA Today
Claudia Puig
Proof that Allen, who many have dismissed with his last few forgettable films, is still a filmmaking force.
|
| 70 |
The Onion (A.V. Club)
Noel Murray
Just when the seemingly endless scenes of Johansson's nagging threaten to sink Match Point for good, the movie becomes the thriller that early reports promised.
|
| 70 |
Newsweek
David Ansen
Though the tale is told with crisp sangfroid and a wonderful twist, there's hardly a scene I haven't seen somewhere else.
|
| 70 |
Time
Richard Corliss
When they get to canoodling and conniving, you won't ask for your money back.
|
| 70 |
The Hollywood Reporter
Kirk Honeycutt
Switching into a dramatic gear, Woody Allen surprises but often struggles in this dark morality tale.
|
| 70 |
The New Yorker
David Denby
Allen's new movie, Match Point, devoted to lust, adultery, and murder, is the most vigorous thing he's done in years.
|
| 70 |
Slate
Stephen Metcalf
Match Point starts out crisply and deliciously, but in the end, it's a chess problem crossed with an ethics exam.
|
| 70 |
Chicago Reader
Jonathan Rosenbaum
An efficient genre piece with a few provocative metaphysical trimmings; the mainly English cast is effective.
|
| 70 |
The New Republic
Stanley Kauffmann
One aspect certainly is remarkable. The dialogue is, at least to an American ear, authentic. Allen doesn't mention any aid on the script, so we are to assume that he wrote it himself.
|
| 63 |
Boston Globe
Ty Burr
The question that should be asked is whether Woody Allen has made a good movie this time out, and the honest answer is "almost."
|
| 50 |
Austin Chronicle
Marjorie Baumgarten
Rather than providing a foil for Bill Murray in "Lost in Translation" or embodying the mostly silent model for the painter Vermeer in "The Girl With One Pearl Earring," Johansson actually has to emote prodigiously here, and she is just not up to the task.
|
| 50 |
Baltimore Sun
Michael Sragow
Johansson bequeaths the welcome sight of a talent in full bloom to this wilted, dark whimsy of a movie.
|
| 50 |
Dallas Observer
Robert Wilonsky
Match Point may well be a return to form but only for those who love "September" and "Interiors," movies populated by Bergman evacuees too inert and dreary to even crack a smile.
|
| 50 |
Wall Street Journal
Joe Morgenstern
The movie wears thin as its style turns from light parody into affectation, and the plot, which certainly generates lots of anxiety, eventually settles for facile irony.
|
| 50 |
Salon.com
Stephanie Zacharek
Match Point is a fatally neat exercise in detached craftsmanship, and maybe that's the best we can expect from Allen at this point.
|
| 50 |
LA Weekly
Ella Taylor
Match Point is a perfectly presentable, entirely unremarkable domestic melodrama parked queasily between opera and realism, two irreconcilable forms if ever there were.
|
| 50 |
TV Guide
Maitland McDonagh
This thin chronicle of bad behavior among the rich and self-obsessed is above all painfully derivative, borrowing wholesale from Theodore Dreiser's "An American Tragedy" and echoes Allen's own "Crimes and Misdemeanors."
|
| 50 |
Village Voice
Michael Atkinson
A modest and mildly pretentious mediocrity in the Woodman canon.
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