Metacritic Film

Spy Kids 2: The Island of Lost Dreams

Starring Antonio Banderas, Carla Gugino, Alexa Vega, Daryl Sabara, Dale Dudley, Steve Buscemi, and Ricardo Montalban

MPAA RATING: PG for action sequences and brief rude humor

Dimension Films
Family/Kids
100 minutes | Color
USA
Released In Theaters August 7, 2002

When last we saw them, the Cortez kids had just joined the family business in order to win back their kidnapped parents. Now, Carmen and Juni are Level 2 OSS agents, about to set off on their own solo mission, or so they think. (Dimension Films)

WRITTEN BY
Robert Rodriguez

DIRECTED BY
Robert Rodriguez

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

66 / 100

Critic Reviews

88 The Globe and Mail (Toronto) Kevin Courrier
Blissfully entertaining sequel to last year's Spy Kids, Rodriguez is once again just as good -- if not better -- than the gadgets at hand.
88 Boston Globe Wesley Morris
Like a whacked pinata, it spills over with treasures - and one of the best things to fall out is Steve Buscemi, doing a riotously meek variation on the mad-scientist-with-cracked-lenses-and-lab-coat bit.
80 Film Threat K.J. Doughton
Rodriguez knows kids. No doubt kids will be clamoring to get acquainted with Spy Kids 2, the best sequel to emerge from a children’s franchise in the past several years.
80 Salon.com Stephanie Zacharek
Rodriguez is that rare filmmaker who doesn't draw a hard, fixed line between entertaining kids and grown-ups -- he knows that in order to understand what will delight kids, you have to know what will tickle adults as well.
80 The New York Times Dana Stevens
The movie is a gaudy, noisy thrill ride -- hyperactive, slightly out of control and full of kinetic, mischievous charm.
80 Washington Post Ann Hornaday
The Cortez family flies into action with the same testy family dynamics, silly humor and cool gadgetry that animated the first Spy Kids.
80 Los Angeles Times Kenneth Turan
Though it's longer and more elaborate than it needs to be, it shares its predecessor's smart but relaxed sense of humor, a sophisticated imagination and the ability to be sharp and playful without being malicious.
80 The Onion (A.V. Club) Scott Tobias
The rare sequel that magnifies the scope of the original without diminishing the fun.
78 Austin Chronicle Marrit Ingman
This is joyful filmmaking, imbued with an infectious, giddy enthusiasm.
75 New York Daily News Jami Bernard
It's a wonderfully silly family movie that holds its audience in high regard.
75 New York Post Lou Lumenick
Has enough heart and smarts to recommend it as one of the season's worthier family entertainments.
75 ReelViews James Berardinelli
Has once again caught lightning in a bottle and unleashed it on audiences, blending humor, adventure, and a lot of nifty special effects-enabled gadgets and creatures into a movie that provides 1 1/2 hours of unfettered entertainment for children, grandparents, and everyone in between.
75 Entertainment Weekly Lisa Schwarzbaum
The inventiveness is still superior and the network of fiends and family is extended.
75 Chicago Tribune Michael Wilmington
A children's movie done with genuinely youthful spirit and an easy self-kidding mastery of its own high-tech gadgetry.
75 Chicago Sun-Times Roger Ebert
The whole film has a lively Mexican-American tilt, from the Hispanic backgrounds of the young actors to the surprise appearance of none other than Ricardo Montalban, as Grandpa, in a wheelchair with helicopter capabilities.
75 USA Today Claudia Puig
Though slightly lacking in the warmth of the first, should no doubt please audiences.
70 Variety Robert Koehler
The moments of inspired originality are all too infrequent. There's enough eye candy and marvels on screen, however.
70 Chicago Reader J.R. Jones
The action is so relentless that after a while things start to feel hollow, but Rodriguez still seems to believe the moral articulated at the end of the first film -- that keeping a family together is the real adventure.
67 Seattle Post-Intelligencer Sean Axmaker
Rodriguez has the chops of a smart-aleck film school brat and the imagination of a big kid, and they come together to remake the world in the image of its young audience. It's more amusement park ride than adventure, which in this case is exactly the demographic he's reaching for.
63 Miami Herald Rene Rodriguez
What's lacking is the simplicity that made the original.
60 Village Voice Jessica Winter
The poised Vega and pleasingly phlegmatic Sabara are resolutely uncute performers, and the reach-out-and-touch-it gadgetry carries a homey scent of proactive nostalgia. Spy Kids 2 is an island of lost Circuit Cities.
50 Baltimore Sun Michael Sragow
In Spy Kids 2, Rodriguez tries to hold his family-spy saga together with the digital equal of rubber bands and chewing gum.
50 Philadelphia Inquirer Carrie Rickey
To the delight of gadgetheads and the dismay of the rest of us, Spy Kids' paraphernalia is better developed and considerably more fun than its story.
50 San Francisco Chronicle Mick LaSalle
Eye-catching and entertaining but less inspired than the original.
50 TV Guide Maitland McDonagh
There's way too much CGI gadgetry, some inventive, much simply flashy in the worst kind of video-game way. The kids are nearly lost in the glitz.
42 Portland Oregonian Shawn Levy
The plot is tired, the energy sputtering, the jokes less manic. "Spy Kids" was a shot out of nowhere; Spy Kids 2 feels like a shot from someplace tiresomely familiar.
40 New Times (L.A.) Robert Wilonsky
It's far more than merely disappointing that Spy Kids 2: The Island of Lost Dreams lacks the charm and wit -- and humanity --of its predecessor. It's dispiriting.
40 LA Weekly Ernest Hardy
This time around, writer-director Robert Rodriguez has stumbled badly, creating a clunky, gadget-happy film full of characters -- even returning ones -- about whom it is hard to care.
30 Washington Post Michael O'Sullivan
One overly busy (not to mention shopworn) story, which regurgitates everything from H.G. Wells's "The Island of Dr. Moreau" to the herky-jerky monsters of Ray Harryhausen to James Bond to "The Mummy."

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