Metacritic Film

There Will Be Blood

Starring Daniel Day-Lewis, Paul Dano, Ciaran Hinds, and Kevin J. O'Connor

MPAA RATING: R for some violence

Paramount Vantage
Drama
158 minutes | Color
USA
Released In Theaters December 26, 2007

When Daniel Plainview gets a mysterious tip-off that there's a little town out West where an ocean of oil is oozing out of the ground, he heads there with his son, H.W., to take their chances in dust-worn Little Boston. In this hardscrabble town, where the main excitement centers around the HOLY ROLLER church of charismatic preacher Eli Sunday, Plainview and H.W. make their lucky strike. But even as the well raises all of their fortunes, nothing will remain the same as conflicts escalate and every human value--love, hope, community, belief, ambition, and even the bond between father and son--is imperiled by corruption, deception, and the flow of oil. (Paramount Vantage)

WRITTEN BY
Paul Thomas Anderson

DIRECTED BY
Paul Thomas Anderson

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

92 / 100

Critic Reviews

100 Newsweek David Ansen
There Will Be Blood is ferocious, and it will be championed and attacked with an equal ferocity. When the dust settles, we may look back on it as some kind of obsessed classic.
100 Premiere Glenn Kenny
There Will Be Blood is, in fact, not a historical saga; rather, it's an absurdist, blackly comic horror film with a very idiosyncratic satanic figure at its core.
100 The Hollywood Reporter John DeFore
Daniel Day-Lewis stuns in Paul Thomas Anderson's saga of a soul-dead oil man.
100 The New Yorker David Denby
An enthralling and powerfully eccentric American epic.
100 Variety Todd McCarthy
Boldly and magnificently strange, There Will Be Blood marks a significant departure in the work of Paul Thomas Anderson.
100 Slate Dana Stevens
For a story that's all about the harnessing of fateful chthonic forces, Paul Thomas Anderson has dug deeper than ever before, and struck black gold.
100 Entertainment Weekly Lisa Schwarzbaum
For bleakness, the movie can't be beat -- nor for brilliance.
100 The New York Times Manohla Dargis
The film is above all a consummate work of art, one that transcends the historically fraught context of its making, and its pleasures are unapologetically aesthetic. It reveals, excites, disturbs, provokes, but the window it opens is to human consciousness itself.
100 Film Threat Zack Haddad
This may be an extremely bold statement to make, but there hasn’t been such an amazing character study in film since “Citizen Kane.” I honestly can’t praise it enough. From the opening to the ghastly ending, this film will sit in the depths of your stomach for some time to come.
100 Village Voice J. Hoberman
This is truly a work of symphonic aspirations and masterful execution.
100 Wall Street Journal Joe Morgenstern
Daniel Day-Lewis's portrayal is not just the performance of the year -- there will be injustice if he doesn't win an Oscar -- but a creation of awesome proportions.
100 The Onion (A.V. Club) Nathan Rabin
Anderson's uncompromising masterpiece will continue to resonate as a harrowing cautionary warning to a country with oil pumping through its veins, clouding its judgment and coarsening its soul.
100 Time Richard Schickel
One of the most wholly original American movies ever made.
100 Chicago Tribune Michael Phillips
Day-Lewis... the role of a lifetime.
100 Washington Post Ann Hornaday
A searing, apocalyptic and finally breathtaking drama.
100 LA Weekly Scott Foundas
With There Will Be Blood, Paul Thomas Anderson has taken a stab at making The Great American Movie -- and I daresay he’s made one of them.
100 Seattle Post-Intelligencer William Arnold
An unusual, visually hypnotic, American Gothic historical epic that traces the rise and tragic fall of a Western mining magnate of the Gilded Age.
100 Boston Globe Wesley Morris
There Will Be Blood" is anti-state of the art. It's the work of an analog filmmaker railing against an increasingly digitized world. In that sense, the movie is idiosyncratic, too: vintage visionary stuff.
100 New York Magazine David Edelstein
Anderson’s fearless, bighearted filmmaking is an antidote to the toxic cloud of Manifest Destiny. He has made a mad American classic.
100 Rolling Stone Peter Travers
In terms of excitement, imagination and rule-busting experimentation, it's a gusher.
100 Miami Herald Rene Rodriguez
The fact that that character happens to be so repellent -- and yet so endlessly fascinating -- is one of the film's many strokes of genius.
100 Austin Chronicle Marjorie Baumgarten
There Will Be Blood is not a movie that disappears quietly.
100 Empire Helen O'Hara
Uncompromising, intelligent and searing cinema. Along with The Assassination Of Jesse James... and No Country For Old Men, this is the best batch of Western-set dramas in decades. John Huston would have been proud.
91 Portland Oregonian Shawn Levy
It's first-rank filmmaking, through and through, even if it struggles to find closure.
91 Christian Science Monitor Peter Rainer
Sprawling yet cramped, There Will Be Blood may not be the best movie of the year, but it's certainly the strangest. It evokes passing comparisons to everything from "Giant" to "Citizen Kane" but it's impossible to pigeonhole.
90 Los Angeles Times Kenneth Turan
It's important to remember that Sinclair was as much a committed socialist as a novelist, someone who probably wrote for political purpose more than for dramatic effect. So while Day-Lewis' gorgeous acting largely disguises it, the people in "Blood" tend to be schematic and the film as a whole has a weakness for the didactic.
88 USA Today Claudia Puig
A searingly intense and artful tale that grabs hold of the viewer from its jarring and wordless opening scenes and doesn't let go.
88 Philadelphia Inquirer Steven Rea
Just a few barrels short of being a masterpiece.
88 The Globe and Mail (Toronto) Liam Lacey
That's not to say that There Will Be Blood isn't something exceptional; it's just that the movie is jarringly erratic, ranging from moments of delicacy to majesty to over-the-top bombast.
88 Chicago Sun-Times Roger Ebert
The kind of film that is easily called great. I am not sure of its greatness. It was filmed in the same area of Texas used by "No Country for Old Men," and that is a great film, and a perfect one. But There Will Be Blood"is not perfect, and in its imperfections we may see its reach exceeding its grasp. Which is not a dishonorable thing.
88 New York Daily News Jack Mathews
With a grating symphonic score by ­Radiohead's Jonny Greenwood and the constant sense of danger following Plainview, "Blood" does not release its grip on the audience until its last, bizarrely crazy minutes.
88 New York Post Lou Lumenick
Between D-Day, the sheer ambition of Paul Thomas Anderson's historical epic and Robert Elswit's dazzling cinematography, this is a must-see movie - even though its emotional temperature rarely rises above freezing and the climax goes way, way, way over the top.
75 ReelViews James Berardinelli
Unfortunately, the film's final third is poorly focused and, while there is a clear conclusion, it feels strangely hollow.
75 TV Guide Maitland McDonagh
Ambitious, deeply flawed and studded with sequences that achieve pure, majestic greatness.
75 Charlotte Observer Lawrence Toppman
It's mostly a disturbingly believable portrait of a psychopath whose true depths of rage are buried where none but he can see. The ironically named Plainview does not come into plain view until the last scene, and the lupine, scowling Day-Lewis is mesmerizing in the role.
70 Chicago Reader Jonathan Rosenbaum
This has loads of swagger, but for stylistic audacity I prefer Anderson's more scattershot "Magnolia."
50 San Francisco Chronicle Mick LaSalle
Anderson almost brings off a picture worthy of his grandiose ambition.
50 Salon.com Stephanie Zacharek
There are epic impulses everywhere you look in There Will Be Blood; what's missing is character development, focused storytelling and, most significantly (apart from that terrific opening sequence), any sense of raw, intuitive drama.
42 Baltimore Sun Michael Sragow
Anderson and Day-Lewis strip themselves of their natural talents for invention and poetry, as if any hint of romance, nobility or fun would soften the film.

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