| 91 |
The Onion (A.V. Club)
The overall effect is an endearing, successful addition to Ward's never-ending quest to assimilate every single populist song form of the 20th century.
|
| 80 |
Hartford Courant
Featuring 10 originals and three covers (including an unlisted version of 'Swing Low, Sweet Chariot'), the album is a showcase for Deschanel’s pipes and Ward’s clever musical arrangements.
|
| 80 |
All Music Guide
Deschanel's songs are simple and sad tales of heartbreak and missed connections, with hooky melodies and not a single artless moment to be found.
|
| 80 |
Billboard
Luckily, [the a bland name and album title are] the most awkward things about this surprisingly rewarding collection of dusky, mesquite-flavored torch songs.
|
| 80 |
Delusions of Adequacy
She & Him is the product of folk troubadour M. Ward and actress Zooey Deschanel and the results are a beautiful product.
|
| 80 |
Under The Radar
Never does it feel like the duo are tryinng to recreate classic songs one by one, instead they try to remind us of the feelings and the emotions that those songs elicit. [Spring 2008, p.84]
|
| 80 |
No Ripcord
Warm and elegant, careful but not calculated, Ward's production stands perfectly alongside his solo releases in terms of sound, style and impact.
|
| 74 |
Pitchfork
Deschanel is more convincing when she's on an extreme end of romance--either losing it or being swept into it--than when she's trying to rationalize it.
|
| 70 |
Prefix Magazine
Careworn and authentic, the prismatic scatter of songs on Volume One, filtered through the sepia tinge of Deschanel and Ward’s nostalgia, sound more like out-of-time gems than the loving recreations they are.
|
| 70 |
Rolling Stone
Deschanel's songs are simple, which is a smart move--what a drag if she were trying to sing serious torch songs--but She and Him don't fare so well with covers.
|
| 70 |
Slant Magazine
Volume One ought to provide plenty of replays for fans of either artist.
|
| 70 |
Spin
Both seem to be having a blast acting out their fantasies,, which makes Volume One consistent fun. [Apr 2008, p.102]
|
| 70 |
Tiny Mix Tapes
The songwriting is capable, it’s just somewhat predictable, and the lyrics are cheeky.
|
| 70 |
Village Voice
There's nothing offensive about anything on Volume One, which, with its catchy melodies, universally appealing lyrics, and mellow production, might just be a hit.
|
| 70 |
Dusted Magazine
Slight doubts about whether or not Zooey Deschanel is the best person to be singing these songs aside, Volume One is pretty much spot-on.
|
| 68 |
cokemachineglow
Like singer Zooey Deschanel, Volume One is endearing and unpretentious.
|
| 67 |
Austin Chronicle
Deschanel's voice inhabits so many chanteuses that she never reveals her own, save perhaps for unadorned closer 'Swing Low Sweet Chariot,' and at times even threatens a theatrical kitsch (especially the Hawaiian-cowpoke arrangement of the Beatles' 'I Should Have Known Better'), but Volume One is utterly enveloping in its charm.
|
| 60 |
PopMatters
Any listener looking to spend a reverb-drenched summer on the beach revisiting the golden age of AM radio could do far worse than spending the season with She and Him.
|
| 60 |
Sputnikmusic
She & Him's debut release is more like a collection of songs rather than a cohesive, fresh album, and as such, is a letdown for a singer that showed a lot of promise.
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