Metacritic Film

28 Days

Starring Sandra Bullock, Viggo Mortensen, Dominic West, Diane Ladd, Elizabeth Perkins, and Steve Buscemi

MPAA RATING: PG-13 for mature thematic elements involving substance abuse, language and some sensuality

Sony / Columbia Pictures
Drama
103 minutes | Color
USA
Released In Theaters April 14, 2000

For Gwen Cummings (Bullock), a successful New York writer living life in the fast lane, life is just an exercise in debauchery. That is, until Gwen's ungraceful display at her sister Lily's (Perkins) wedding, when she gets drunk, commandeers the limo and earns herself a DUI and 28 days in court-ordered rehab. (Columbia Tristar)

WRITTEN BY
Susannah Grant

DIRECTED BY
Betty Thomas

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

46 / 100

Critic Reviews

80 Rolling Stone
Count this rehab a success.
75 New York Daily News
Not without missteps and the occasional mouthful of sugar, but it grows on you.
75 Chicago Sun-Times
Bullock brings a kind of ground-level vulnerability to 28 Days that doesn't make her into a victim but simply into one more suitable case for treatment.
75 Entertainment Weekly
Bullock gives it her all; she's bristling and alive on screen in a way that she hasn't been since ''Speed.''
75 New York Post
Much less mawkish and predictable than you might expect.
70 TV Guide
Funny, thought-provoking and, yes, touching.
65 Mr. Showbiz
A reliably solid treat.
63 Charlotte Observer
If only Hollywood studios weren't so addicted to happy, oversimplified endings, the film might leave us shaken instead of slightly stirred.
63 USA Today
Far too familiar.
60 Dallas Observer
As ridiculous as it all is...it's somehow eminently watchable.
60 Film.com
A reminder of why Bullock became a movie star in the first place.
58 Seattle Post-Intelligencer
(Bullock's) performance, and the movie's serious side, soon get lost in an overly slick script.
50 Austin Chronicle
Sympathetic to the core but not to be believed.
50 San Francisco Examiner
Needs a gritty intervention.
50 Chicago Reader
Shows her transition to sobriety as many ensemble stories do--mainly through the development of other characters, the quirkier the better.
50 San Francisco Chronicle
Mostly it seems forced, pat and didactic.
40 The New York Times
Begins with such a flurry of promise that it comes as a sharp disappointment when this drug-rehab comedy skids out of control.
40 LA Weekly Judith Lewis
Has all the force of bubbles on air -- fun to look at, but exciting no emotion deeper than fleeting delight.
40 Newsweek
This is a movie afraid of its own shadows.
38 Baltimore Sun
Bullock's character goes through some changes, but she never turns into some unrecognizably serious actress.
38 Chicago Tribune Marc Caro
A cutesy, heavy-handed morality tale that contains nary a believable moment.
30 Village Voice
Thomas's fleet-footed approach suggests the anxious embarrassment of a director in an awful hurry to get it over with.
25 Portland Oregonian
So shapeless, pointless and witless a film that it can be explained only by surmising that the people who made it were bombed at the time.
20 Los Angeles Times
Too glib too often to make much of an impression any way you look at it.
20 TNT RoughCut
The saddest part about 28 Days is it's more fun when it's drunk.
10 Salon.com
Not even court-ordered rehab could save this stumbling drunk of a picture.

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