Metacritic Film

40 Days and 40 Nights

Starring Josh Hartnett, Shannyn Sossamon, Monet Mazur, Maggie Gyllenhaal, Emmanuelle Vaugier, Keegan Connor Tracy, and Vinessa Shaw

MPAA RATING: R for strong sexual content, nudity and language

Miramax Films
Romance
94 minutes | Color
USA
Released In Theaters March 1, 2002

After his latest relationship disaster, Matt, a guy who's never been able to finish anything, decides to go where no man's gone before and make a vow: No sex. Whatsoever. For 40 straight days. (Miramax)

WRITTEN BY
Rob Perez

DIRECTED BY
Michael Lehmann

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

53 / 100

Critic Reviews

80 Wall Street Journal
It's very funny, terrifically lively and, considering how awful it might have been, surprisingly tender in its portrait of a young guy who learns sensitivity the hard way.
80 Los Angeles Times
Can be taken as a mildly risque frothy date movie, but there's serious subtext for those who choose to look beneath surface sheen.
80 LA Weekly
Hartnett's pitch-perfect sexual panic can be hilariously funny.
80 Washington Post
It's funny! It's not Shakespeare's "Twelfth Night" or anything, but it's pretty darned good!
80 Chicago Reader
This is smooth and at times even sensual -- a well-oiled machine.
75 Chicago Sun-Times
Hartnett shows here a breezy command of his charming, likable character. It is a reminder of his talent and versatility.
75 Miami Herald
The quality writing, delivered by likable Hartnett and his talented co-stars, makes up for the sometimes flat production. A richly humorous background is provided by well-played eccentric minor characters.
70 Variety
A self-described abstinence comedy that is funny, sexy and silly in equal measure.
70 Washington Post
The movie is both exhilarating and depressing. The trouble is, I can't figure out which is more important.
67 Seattle Post-Intelligencer
Mostly fun to watch, buoyed by some strong dialogue and performances by the supporting cast.
67 Entertainment Weekly
A kinder, gentler teensploitation comedy, but Hartnett's Matt, at least, invites the audience to graduate to something better.
63 USA Today
Within a certain narrow range, Hartnett shows some comic flair -- though not enough to carry the picture over its considerable rough spots.
63 New York Daily News
A curious entry in the current wave of raunchy youth comedies. It's refreshingly free of scatological humor, but even while aiming higher, it can't raise its focus above the belt.
60 The Onion (A.V. Club)
Runs more smoothly and stylishly than the average teen comedy.
60 Film Threat
Any romantic comedy that lacks Meg Ryan can’t be faulted too hard.
60 Rolling Stone
Yup, director Michael Lehmann, far from the glory days of "Heathers," has made a movie about a hard-on, in which he relentlessly pounds a flaccid premise.
50 Baltimore Sun
Eventually becomes cliched, predictable and crude. And that's a real sin.
50 TV Guide
This is a smart and witty romantic farce that mixes sweet and sexy with surprising aplomb.
50 New York Magazine
Sets out to demonstrate that life is about more than having sex. Inadvertently -- I think -- it ends up showing us just the opposite. As if we didn't already know.
50 Chicago Tribune
This pretty but witless movie is well-produced, slickly directed -- full of jokes about hot dudes and hot babes pitched right at the "American Pie" crowd.
50 The Globe and Mail (Toronto)
All this holding back is a bad idea, especially as the subject of an entire movie.
50 Philadelphia Inquirer
It's rare that a movie is so graceful and so gross.
50 San Francisco Chronicle Carla Meyer
Builds up comic force in its first half. But then it blows it, leaving the audience feeling unsatisfied.
50 Boston Globe
The film's biggest problem, however, is its naive inability to understand that sex comedies, to amuse, must be about more than sex.
50 Portland Oregonian
Strictly for boys -- grown-up boys -- the more boyish and less grown-up the better.
50 New Times (L.A.)
Even Hartnett, designated Next Big Thing last year, seems like he's barely trying.
50 ReelViews
If you're desperate to give something up for Lent, make it movies like this one.
40 The New York Times
Mildly amusing but wholly unnecessary comedy.
40 Austin Chronicle
Doesn't do much to further distinguish Lehmann's career. As for those of us waiting for the year's first worthwhile date movie, the wait continues.
40 Village Voice
Roughly splits the difference between "Six Days, Seven Nights" and "9 1/2 Weeks." Which is something like the nth-order derivative of an infinite regression.
30 The New Yorker
The sensibility of the movie is naggingly adolescent -- less erotic than squeamish and giggly. [11 Mar 2002, p. 92]
30 Salon.com
It's too mild to be crass; it's clumsy. Lehmann has made what amounts to an anti-sex sex comedy, the first youth sex comedy made to be enjoyed by those creepy abstinence teens.
0 New York Post
So eyeball-gougingly awful that you're tempted to give up movies for Lent.

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