Metacritic Film

American Outlaws

Starring Colin Farrell, Scott Caan, Ali Larter, Timothy Dalton, Gabriel Macht, Will McCormack, Gregory Smith, and Kathy Bates

MPAA RATING: PG-13 for western violence

Warner Bros.
Western
105 minutes | Color
USA
Released In Theaters August 17, 2001

When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is rightfully theirs. In the course of their vendetta, they will become the object of the biggest manhunt in the history of the Old West and, as their fame grows, so will the legend of their leader, a young outlaw by the name of Jesse James. (Warner Bros.)

WRITTEN BY
Roderick Taylor (also story)
John Rogers

DIRECTED BY
Les Mayfield

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

25 / 100

Critic Reviews

80 Los Angeles Times
It's a handsome and skillful retelling of a legend that imaginatively draws on conventions of both the western and the gangster movie to create an energetic yet thoughtful contemporary action-adventure.
70 Chicago Reader
Jas lots of action, drama, comedy, and corn -- and few pauses, which is striking.
67 Seattle Post-Intelligencer
A pretty dreadful affair -- ludicrous as history and a veritable gallery of visual cliches.
63 Boston Globe
At least hits a certain adrenaline level, and the stunts have panache. If you crave the ''Young Guns'' approach to the Old West, here it is again.
50 Baltimore Sun
It's a sad day for film lovers when the best thing that can be said about a Western is that it's pleasant.
50 Charlotte Observer
The best work comes from Timothy Dalton as the grizzled, Scots-accented head of the Pinkertons.
50 TV Guide
While movies like "The Long Riders" (1980) and "The Great Northfield, Minnesota Raid" (1972) aim to be serious considerations of the outlaws' lives and legends, this picture just wants to have fun.
50 USA Today
A weak whinny of a horse opera tailor-made for those who can't quite locate "Young Guns" or "The Long Riders" in their video store.
40 The New York Times
May be simple, but it's also simple-minded; this is, after all, a movie determined to transform its Rebel soldier heroes into men of the people, making it as neglectful of politics as last summer's "Patriot," which evaded that nasty issue of slavery during the America Revolution.
38 New York Post
Repackage clichés and stereotypes with attractive young performers in a simple-minded script that panders to the teen audience.
33 Entertainment Weekly Staff (Not credited)
Bogusly wholesome six-gun dud.
30 New Times (L.A.)
So desperate are the filmmakers to create a "hip" western that they try to cram it with action sequences that aren't very exciting.
25 San Francisco Chronicle
This plot leaves ample room for viewers to sweat the small stuff, like whether Trevor Nunn's score is more Marines ad or deodorant commercial.
25 Chicago Sun-Times
For years there have been reports of the death of the Western. Now comes American Outlaws, proof that even the B Western is dead.
25 Chicago Tribune
Not only does American Outlaws distort history, but the filmmakers have created a dull, one-dimensional pop icon out of James' complex character and legend.
25 New York Daily News
Dalton, using a Scottish brogue coarse enough to take his tongue with it, is hootably bad, and Kathy Bates, playing Ma James, is pure ham.
25 Miami Herald
The dumbest, most risible retelling ever made of the exploits of legendary bank robber Jesse James.
25 Philadelphia Inquirer
As a western, American Outlaws is an utter failure. As the basis of a "Mad TV" parody, it is an unintentional hoot.
20 Variety
Sadly symbolizes the decline of the Western. The 36th bigscreen version of the exploits of the James-Younger Gang is one of the least convincing.
20 Salon.com
No drama, no lyricism, just cornpone. It's too bad, because outlaws are, by their very nature, glamorous movie subjects.
20 Washington Post
Some stories are eternal. They will not go away. They are told and retold for generations. Take the story of Jesse James --it is not one of them.
20 Austin Chronicle
Instead of true grit and gutshot black-hatters, director Les Mayfield has crafted what may well be the world's first Tommy Hilfiger Western.
20 Mr. Showbiz
Should be shot at sunrise. Or strung up by the neck from a tall tree. Or at least run out of town by a big posse.
20 LA Weekly
Occasionally the Woo-inflected action sequences - particularly a horse stampede through town on hanging day, and an escape from a moving train - rouse the film from its anti-historic, even mythophobic torpor.
10 Village Voice
Les Mayfield's unintentionally wry American Outlaws just smells -- of filmmaking manure as well as yard-sale revisionism.
0 Washington Post
There's no escaping the hackneyed plot or Mayfield's conventional hand. So don't go.

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