Metacritic Film

AntiTrust

Starring Ryan Phillippe, Tim Robbins, Rachael Leigh Cook, and Claire Forlani

MPAA RATING: PG-13 for some violence and brief language

MGM
Suspense/Thriller
119 minutes | Color
USA
Released In Theaters January 12, 2001

A relentless suspense thriller that enters the hidden world where the rich and the brilliant collide, where a handful of bright, driven young men and women have the means to make or break the technology that will dominate the global economy. (MGM)

WRITTEN BY
Howard Franklin

DIRECTED BY
Peter Howitt

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

31 / 100

Critic Reviews

63 New York Daily News
Becomes a very conventional suspense film, replete with virtually every cliche of the genre, some used more than once.
63 USA Today
Robbins' performance as Winston is the best thing in the movie.
60 Los Angeles Times
It is ultimately more routine than provocative, despite the timeliness and seriousness of the issues it raises.
60 Wall Street Journal
I do wish Mr. Robbins's one-note co-stars had been worthy of his performance, and that some of the melodramatics hadn't been quite so slapdash.
60 Village Voice
It's a kick to see the Tim Robbins version of the man recently described by the Microsoft trial judge as "Napoleonic" installed in a disgustingly opulent Bond-villain HQ/pad, and the overwrought Boiler Room-meets-The Game scenario is not without its own schlocky pleasures.
58 Portland Oregonian
It's hooey, but it's hooey that picks up in the second half, not exactly redeeming itself but fitfully engaging.
50 The New York Times
The plot of Antitrust is intricate and uneven, overloaded with twists and not very jolting surprises.
50 TV Guide
Ironically, the filmmakers seem to think the audience for this movie about super-smart people is super-dumb.
50 Entertainment Weekly
While Robbins has a good time playing the boyish devil, the rest of the principals transmit on an awfully low baud rate.
50 Boston Globe
An example of a film that begins with a provocative idea and then runs itself into the ground with clumsy structuring.
50 Chicago Sun-Times
They might have been able to make a nice little thriller out of Antitrust if they'd kept one eye on the Goofy Meter.
50 San Francisco Chronicle
Taps into a fear hitherto unexplored by cinema: fear of Bill Gates.
50 Chicago Reader
Silly but fairly harmless.
50 Variety
Robbins is such a live wire that he's able to jumpstart his co-stars whenever they're interfacing onscreen.
38 New York Post
An inferior factory product, cranked out with little care and less imagination, that seems all the dumber because it's pretending to be smart and topical.
38 Philadelphia Inquirer
An unintentional high-tech hoot.
38 Charlotte Observer
Better than you might expect, if you didn't expect it to be any good.
30 Salon.com
Poops out before it ever really gets going.
30 Dallas Observer
This compression of logic--coupled with two hours of ham-fisted delivery--guarantees that Antitrust won't jangle your nerves but will intermittently split your sides with laughter.
30 LA Weekly
As a film, it essentially bites.
25 Seattle Post-Intelligencer
It's phony and forced, but mostly it's just silly. If there was once a satirical edge to this thriller, it's been programmed right out.
25 Chicago Tribune
A big techno-dud.
20 Austin Chronicle
A storyline that makes less sense than the current state of tech stocks on the Nasdaq.
20 Film.com
A crap film that's steeped in liberal paranoia, but it's also so ludicrous that it falls under the guilty-pleasure category.
20 Slate
Libel on one of the true visionaries of American business in the 20th century, a man unfairly demonized for doing what others strove to do but doing it faster and better.
10 Washington Post
It's too bad we don't have red, glowing DELETE buttons next to those soda cup holders. I could have done the world a favor.
10 Mr. Showbiz
Antitrust is anti-fun, anti-wakefulness, and anti-interesting.
10 Rolling Stone
Gives us good reason to believe that January really is the month Hollywood studios use to bury their cheesiest mistakes.
0 Miami Herald
Monumentally silly thriller.

CLOSE THIS WINDOW

©2009 CNET Networks Inc. All rights reserved.