Metacritic Film

Any Given Sunday

Starring Al Pacino, Dennis Quaid, James Woods, Lauren Holly, Ann-Margret, and Cameron Diaz

MPAA RATING: R for strong language and some nudity/sexuality

Warner Bros.
Drama
162 minutes | Color
USA
Released In Theaters December 22, 1999

Professional football provides the action-packed backdrop of Oliver Stone's look at contemporary society through the dynamic prism of professional sports. (Warner Brothers)

WRITTEN BY
Daniel Pyne
John Logan
Oliver Stone

DIRECTED BY
Oliver Stone

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

52 / 100

Critic Reviews

88 Chicago Tribune
There's scarcely a scene in which the actors, action and sound track aren't cranked up to maximum intensity.
75 Entertainment Weekly
The film's cumulative effect is as exhausting as it is exciting.
75 Miami Herald
If this rousing, technically dazzling movie doesn't get you going, then you probably didn't like football to being with.
75 USA Today
Though there are helmets deeper than this movie, you do have to admire the level of screen showmanship .
75 Philadelphia Inquirer
A turbocharged and pungently enjoyable take on the sport so many observers see - Stone, of course, included - as a reflection of the darker side of American life.
75 San Francisco Chronicle
Features convincing, often soaring, performances by a savvy cast that must have gotten adrenaline shots administered by Stone himself.
75 Baltimore Sun
A kinetically charged gridiron drama that is enormous fun to watch.
75 Christian Science Monitor
The characters are hardly original...but Stone puts them into play with his usual fever-pitch gusto, producing what's probably the most heart-pounding gridiron movie ever made.
75 Chicago Sun-Times
It's a close call here. I guess I recommend the movie because the dramatic scenes are worth it. But if some studio executive came along and made Stone cut his movie down to two hours, I have the strangest feeling it wouldn't lose much of substance and might even play better.
70 Film.com
Big, bold, brash and occasionally brilliant.
70 LA Weekly
The director has created a slick, newer-than-new, faster-than-fast entertainment to end all entertainments.
70 Variety
(Stone's) most accessible and purely enjoyable film in years.
70 TV Guide
Stone handles his huge ensemble cast extremely well.
70 Film.com
The kind of minor work that may very well speak greater volumes about (Stone's) thoughts and feelings right now than another masterpiece would.
63 Boston Globe
Far too long, but its rambunctiousness is engaging, propelled by Stone's virtuosic quick-cutting.
63 New York Post
A testosterone- and cliché-fueled epic that will have some hoping for sudden death as it stumbles toward the three-hour mark.
63 New York Daily News
While the football sequences are carefully constructed, the sensation we get from the blizzard of images and teeth-jarring sound effects is of having our head used as the football.
60 Newsweek
Stone creates such a sizzling, raunchy, vital world that the cliches almost seem new.
58 Portland Oregonian
Though intermittently entertaining, it's too long and rarely insightful in new or meaningful ways.
50 Salon.com
Stone is an undeniably stylish director, and his talent for conveying intense emotion is well put to use here. But more often Stone's in-your-face technique is as exhausting as his steroid-enhanced players.
50 Los Angeles Times
This energetic and diverting sports soap opera throws a few head fakes in the direction of an iconoclastic examination of the dark side of professional football.
50 Time
Ends up less than the sum of its many, often interesting parts.
50 Seattle Post-Intelligencer
As always with Stone, the film has some gritty performances and a certain likable audacity.
45 Mr. Showbiz
Crammed with interesting ideas, visuals, and people, but Stone buries it all in a s--tstorm of technique.
30 Austin Chronicle
Just watching the trailer for Oliver Stone's new football epic a few weeks back left me with a grating headache; watching the whole sweaty film practically put me in the ICU.
30 TNT RoughCut
Oliver Stone must learn that edgy photography does not substitute for a story with substance.
30 Village Voice
Like a visual concussion.
30 Washington Post
It's about as deep as electronic white noise.
30 The New York Times
For much of the movie, the kinetic furor of the game sequences helps camouflage the weaknesses of a screenplay that is a mechanically contrived series of power struggles.
30 Chicago Reader
By the time the manic camera slows down to reveal the back stories of the characters, everyone's motives are either moot or redundant.
25 San Francisco Examiner
A football epic on performance enhancers that may be more flagrantly flawed, more shockingly predictable and just plain cornier than its rickety predecessors.
10 Dallas Observer
A football film made by a man who apparently has seen little of the game outside of movies, and not very good ones at that.

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