Metacritic Film

At First Sight

Starring Val Kilmer, Lee Rosen, Raisa Ivanic, Mira Sorvino, Kelly McGillis, Daniel Franco, Steven Weber, and Nathan Lane

MPAA RATING: PG-13 for scenes involving sexuality and nudity, and for brief strong language

Metro-Goldwyn-Mayer
Drama
128 minutes | Color & B/W
USA
Released In Theaters January 15, 1999

The story of a young woman architect (Sorvino) who falls in love with a blind man (Kilmer). She encourages him to undergo a radical operation to restore his sight, but ultimately his truest vision comes from the love he finds in his heart. (MGM)

WRITTEN BY
Steve Levitt
Oliver Sacks (story)

DIRECTED BY
Irwin Winkler

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

40 / 100

Critic Reviews

80 Los Angeles Times
An exceptionally touching and provocative love story. [15 January 1999, Calendar, p. F-4]
75 Chicago Tribune
More of a physical achievement in moviemaking than a piece of storytelling, but I do recommend it on that basis. [15 January 1999, Friday, p.A]
75 San Francisco Chronicle
The sweetest little movie about a neurological disorder that we're ever likely to see.
63 ReelViews
Offers solid entertainment, it's too uneven to be considered memorable.
50 Washington Post
A love boat afloat on the vast cinematic ocean that sloshes back and forth between the stinko and the fabulous.
50 Chicago Reader
Val Kilmer, clearly pleased to be entering the Oscar disability sweepstakes, does what he can as the hunk who learns how to see.
50 Christian Science Monitor
The movie takes fascinating material and transforms it into a routine soap opera.
50 Chicago Sun-Times
Its moments of fascination and its good performances are mired in the morass of romance and melodrama that surrounds it.
50 San Francisco Examiner
It's a movie drenched in narcissism and wish-fulfillment, almost a textbook on how to make a formulaic, romantic film.
50 Rolling Stone
May be only loosely true, but it is thoroughly Hollywood.
50 The Globe and Mail (Toronto)
Director Irwin Winkler (Night and the City)is rarely better than pedestrian in handling this story. At worst, the dramatic elements are plain clumsy.
42 Entertainment Weekly
Here's a romance without a spark of excitement.
40 Variety Lael Loewenstein
Although it's notoriously difficult to play a romance involving one partner's disability or illness without resorting to sentimentality, Kilmer acquits himself admirably.
40 The New York Times
The pace is so plodding and the dialogue so unwaveringly banal … that the film can't rise to the extraordinary sensations it means to capture.
40 TV Guide
For all the tear-jerking plot twists, it's a glumly dry-eyed affair.
38 USA Today
If "You've Got Mail" jangled your nerves with its Starbucks-fueled cuteness, here's a romance that goes down like instant decaf. [15 January 1999, Life, p.18E]
30 Austin Chronicle
Director Irwin Winkler and his cast obviously hope to shed light on the boundaries of love, and instead come up with a walloping case of the preachies.
30 The Onion (A.V. Club)
It's drainingly mediocre.
30 LA Weekly
Even when the film does strike some genuinely heart-tugging notes, they’re invariably shattered by such ham-fisted lines as “You really are blind.” At times, it’s enough to make you wish you were deaf.
20 Washington Post
It's sheer piffle, a disingenuous romance with Val Kilmer and Mira Sorvino that's all sap and no sizzle.
20 Village Voice
The film slips into a coma early on and never awakens.

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