| 100 |
TNT RoughCut
Graham Verdon
Myers gives us all of the exaggerated physical schtick of Jim Carrey plus the added bonus of wickedly clever writing that refuses to let you escape.
|
| 88 |
San Francisco Examiner
Austin is funny, extremely funny, because he is so ridiculous, and because Myers is a brilliant mimic who, like Martin Short, knows how to do ridiculous.
|
| 80 |
Variety
Leonard Klady
Definitely lives up to its promise of being smashing, groovy, baby.
|
| 80 |
Mr. Showbiz
Myers has hit upon a genuinely original schtick, and that fact alone is immeasurably groovy.
|
| 78 |
Austin Chronicle
Robert Faires
Austin Powers is the kind of movie Mel Brooks used to make -- extravagantly funny, with plenty of juvenile humor, but as much or more of it smart, delivered with a dead aim at a cultural milestone, affection for its victim, and style.
|
| 75 |
USA Today
His (Myers) affection for the era and its gaudy, bawdy movies inject this bit of fluff with giddy energy.
|
| 75 |
Entertainment Weekly
A little of this sort of thing goes a long way, but no one does it better than Myers.
|
| 75 |
Chicago Sun-Times
A funny movie that only gets funnier the more familiar you are with the James Bond movies, all the Bond clones and countless other 1960s films.
|
| 75 |
San Francisco Chronicle
Austin Powers sounded like a silly idea, but it turns out to be one of the best comedies of the year.
|
| 75 |
Chicago Tribune
The key to the film, however, is the joyous performance of Mike Myers, who plays both the Beatle-mopped Austin Powers and the bald-headed Dr. Evil.
|
| 70 |
Washington Post
John F. Kelly
We may not need as many Austin Powers movies as there are James Bond pictures, but one or two more might be nice.
|
| 63 |
ReelViews
There are times when Austin Powers drags. It can be difficult to sustain even the best humor for ninety minutes, and this film, for all of the laughs it offers, is far from the best.
|
| 60 |
The New York Times
Janet Maslin
As goofy and throwaway as the "Brady Bunch" movies, but it has the same winking appreciation of vintage kitsch.
|
| 60 |
Chicago Reader
What's really fun about this silly but spirited comedy isn't just the ribbing of "swinging London" fashion and social attitudes but the use of the compulsive zooms and split-screen mosaics of commercial movies of the 60s.
|
| 50 |
Christian Science Monitor
The drawn-out, lowbrow humor is either "love it" or "hate it," so it may not be your bag, baby.
|
| 50 |
TV Guide
Amiable, brightly colored spoof of '60s pop culture.
|
| 50 |
The Globe and Mail (Toronto)
The result is less a screenplay than a manic quote machine.
|
| 50 |
New York Daily News
Dave Kehr
A few well-timed laughs and a lot of filler.
|
| 50 |
Dallas Observer
Peter Rainer
What the movie mostly sends up is its star and screenwriter, Michael Myers. That's not all bad.
|
| 50 |
The Onion (A.V. Club)
Maria Schneider
It helps that Myers has Powers down pat. Still, the need to parody "Casino Royale" could have been taken care of in an eight-minute TV skit; instead, we're given nearly 90 minutes of someone else's party.
|
| 20 |
Los Angeles Times
John Anderson
The result is a comedy of errors. Errors, yes. Comedy . . . we're not so sure.
|
| 20 |
Washington Post
Piddling spoof.
|
| 20 |
Salon.com
Laura Miller
Without a genuinely charming central character to pull it together, the movie is a shamble of tedious passages punctuated by a few desultory chuckles.
|
| 20 |
LA Weekly
Mike Myers wrote the abominable script, plays both leads and is miscast in each.
|
| 10 |
Film.com
I see Austin Powers as Myers' desperate cry for help -- a plea to stop him before he does schtick again.
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