| 100 |
Chicago Sun-Times
It is not a "dirty movie," and in fact takes spirituality and morality more seriously than most films do. And in the bad lieutenant, Keitel has given us one of the great screen performances in recent years.
|
| 100 |
San Francisco Chronicle
Not only more crazy than “Reservoir Dogs,'' but it also feels more real. [1 Jan 1993, Daily Notebook, p.D1]
|
| 91 |
Entertainment Weekly
Staff (Not Credited)
For all its scenes of degradation (five minutes of which have been shorn for an R-rated cut; we recommend the original NC-17 version), Bad Lieutenant is a deeply moral movie. It's not pretty-it's not even very realistic-but it does matter.
|
| 90 |
Variety
Staff (Not Credited)
Abel Ferrara's uncompromising Bad Lieutenant is a harrowing journey observing a corrupt NY cop sink into the depths, with an extraordinary and uninhibited performance by Harvey Keitel in the title role.
|
| 80 |
Chicago Reader
There's an undeniable formal elegance in the way Ferrara, who coauthored the script with Zoe Lund, frames and holds certain shots, and Keitel certainly gives his all in this 1992 entry in the Raging Bull redemptive sweepstakes.
|
| 80 |
Empire
Ian Nathan
Abel Ferrara out-sleazes even his own grubby oeuvre with this powerful if overbearing study of a soul swallowed by depravity.
|
| 78 |
Austin Chronicle
What it lacks in charm, it compensates for with audacity and single-mindedness of vision.
|
| 75 |
The Globe and Mail (Toronto)
Pick your cliche - searing, rivetting, haunting - Keitel delivers a performance to rival Brando's in "Last Tango In Paris."
|
| 75 |
Chicago Tribune
For Keitel, this is the Scorsese film that Scorsese never gave him, in which he gets to elbow Robert De Niro away from center stage and take the best part for himself. He seizes the opportunity: Bad Lieutenant immediately becomes one of the defining roles of his career. [22 Jan 1993, Friday, p.C]
|
| 70 |
TV Guide
Staff (Non Credited)
Harvey Keitel gives an astonishing performance here... Though hardly a film for all sensibilities, Bad Lieutenant has the courage of its own convictions, and follows them to the bitter end.
|
| 70 |
Washington Post
Ferrara is clearly drawing an equation between the criminals' actions and The Lieutenant's, and as trite (and potentially shameless) as this may sound, it actually works.
|
| 70 |
Los Angeles Times
It's a film enthralled by its own lower depths… Although Bad Lieutenant is structured as a redemptive thriller, it functions primarily as a freak show with religioso overtones. [30 Dec 1992, Calendar, p.F-7]
|
| 70 |
The New York Times
Mr. Ferrara has his saving graces, too, the chief one being raw talent, which he continues to display while telling even the most far-fetched story.
|
| 60 |
Time
A serious film about the gnawing of conscience and the thirst for redemption, but the tone is so dispassionately vile it may leave viewers shaken or sick. [16 Nov 1992, p.95]
|
| 50 |
ReelViews
As good as the lead actor is, he's not enough to save this picture from landing on the scrap-heap of uninspired, derivative, and grotesquely distasteful character studies. Ferrara is definitely no Martin Scorsese.
|
| 50 |
USA Today
It's the first film to include both a cameo appearance by Jesus and a full-frontal nude shot of Harvey Keitel dancing in a drugged stupor. [20 Nov 1992, Life, p.4D]
|
| 40 |
Washington Post
Despite a glut of luridness, the story line feels essentially flat, as Keitel stumbles through New York in an immoral, unchanging haze. It is only the strength of Keitel's performance that gives his personality human dimension.
|
| 30 |
The New Yorker
Michael Sragow
Yes, you get to see Harvey Keitel's penis; the only surprise is that Jesus keeps His under wraps.
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