Metacritic Film

Baise-moi (Rape Me)

Starring Raffaëla Anderson, Karen Lancaume, Delphine MacCarty, Lisa Marshall, Estelle Isaac, Hervé P. Gustave, and Marc Rioufol

MPAA RATING: X

FilmFixx
Suspense/Thriller
77 minutes | Color
France
Released In Theaters June 1, 2001

Several sexually active young women on a rampage screw a lot of unfortunate men and blast a lot of people out of the water.

WRITTEN BY
Coralie Trinh Thi
Virginie Despentes (also novel)

DIRECTED BY
Coralie Trinh Thi
Virginie Despentes

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

35 / 100

Critic Reviews

70 LA Weekly
A small revolution tucked inside clichés and willful artistic ineptitude.
63 Boston Globe
You won't feel raped by it, but you well may feel that it's too ideologically earnest for the porn crowd and too hard-core for serious audiences.
60 Mr. Showbiz
The naked, artless display of nerve and rebellious bile is altogether unique in modern movies.
60 TV Guide
Tthough it comes wrapped in a stylish French mantle of feminist rage and sexual empowerment, the picture ultimately belongs squarely in the tradition of rape revenge pictures.
58 Seattle Post-Intelligencer
Seeks to shock and to outrage, and so far it's done both quite nicely.
50 New York Post
Some may find it titillating; more will find it offensive and deeply disturbing.
50 Rolling Stone
Certainly blunt, and since Anderson and Bach are veterans of the porn trade, there is no skimping on the sex.
50 Philadelphia Inquirer
Strictly for adventurous moviegoers, a peculiar experience -- a polemic that is at once watchable and repellent.
50 Chicago Tribune
Fast-moving shocker, but it's a dull shocker, so morally dead that it deadens you to watch it. After a while you couldn't care less if anyone is slaughtered or raped -- including the heroines.
50 San Francisco Chronicle
It's a bizarre hybrid: one part feminist screed, one part French art film and one part skin flick.
40 New Times (L.A.)
A vicious, hard-core version of "Thelma and Louise," going nowhere near the Grand Canyon but leaving a trail of carnage in their wake.
40 The New York Times
Ms. Depentes and Ms. Thi -- push such chic amoralism to its logical conclusion, composing a numbing alternation of pornographic scenarios and brutal killings. The result is like something you'd see momentarily unscrambled on a hotel television set, but with better music and a little more of a story line.
40 Village Voice
Wit is in short supply -- although this journey to the end of the night derives a certain amount of punkish energy from its crude editing, cruddy-looking close-ups, strident soundtrack, and overall volatility.
40 Los Angeles Times
As has happened before in less extreme circumstances, filmmakers with purportedly serious intentions punish their viewers for watching their envelope-pushing depiction of sex on the screen by presenting it in the most profoundly negative context imaginable.
30 New York Magazine
Sordid Thelma & Louise-ish spree, which also has certain affinities with Breathless but would be better termed Affectless.
30 Slate
The filmmakers have separated themselves from all the emotions of filmmaking except anger.
25 Miami Herald
The movie's only value is in unwittingly defining more clearly how played out the whole transgressing-boundaries-as-art thing has become.
25 New York Daily News
The sex may be real, but the violence and acting are comically phony, resulting in something that, while intended to shock, merely revolts.
25 Chicago Sun-Times
It alternates between graphic, explicit sex scenes and murder scenes of brutal cruelty. You recoil from what's on the screen.
20 Salon.com
Didactic, clumsily directed and abysmally acted, never lets go of its intellectualized approach long enough to deliver any real kinetic thrills.
10 Variety Lisa Nesselson
This hard-core pic is a half-baked, punk-inflected porn odyssey masquerading as a movie worth seeing and talking about.
0 Austin Chronicle
It's pornography of the most depressing sort.

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