| 100 |
Newsweek
Creepily beautiful, acted with relish, Barton Fink is a savagely original work. It lodges in your head like a hatchet. [26 Aug 1991]
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| 100 |
Washington Post
What "Raising Arizona" was to baby lust, "Barton Fink" is to writer's block -- a rapturously funny, strangely bittersweet, moderately horrifying and, yes, truly apt description of the condition and its symptoms.
|
| 100 |
Rolling Stone
Stimulating entertainment, as rigorously challenging and painfully funny as anything the Coens have done. But it's necessary to meet the Coens halfway. If you don't, Barton Fink is an empty exercise that will bore you breathless. If you do, it's a comic nightmare that will stir your imagination like no film in years.
|
| 100 |
The New York Times
Vincent Canby
An unqualified winner. Here is a fine dark comedy of flamboyant style and immense though seemingly effortless techniqe...It's an exhilarating original. [21 Aug 1991]
|
| 90 |
Variety
Staff (Not Credited)
Scene after scene is filled with a ferocious strength and humor. Michael Lerner's performance as a Mayer-like studio overlord is sensational.
|
| 88 |
Chicago Sun-Times
A black comedy in the tradition of David Lynch, Luis Bunuel and the Coens themselves...an assured piece of comic filmmaking.
|
| 88 |
The Globe and Mail (Toronto)
Jay Scott
This hip morality tale is by no means perfect - it's not the masterpiece "Miller's Crossing" was - but it is stylish, intelligent, witty and more than slightly creepy.
|
| 88 |
USA Today
Though less than the sum of its brilliant parts, the Coens' latest will still be must viewing in 32 years. [21 Aug 1991]
|
| 80 |
Empire
The allusions and illusions are just a treat until about two-thirds of the way in, when a genuinely shocking development takes the film off into psycho-horror that is almost as baffling as it is unsatisfying.
|
| 80 |
Chicago Reader
Very competently mounted and acted (there are also juicy parts for Judy Davis, Tony Shalhoub, and Jon Polito), this is basically a midnight-movie gross-out in Sunday-afternoon art-house clothing--an intriguing novelty that revels in effect while oozing with cryptic signifiers.
|
| 78 |
Austin Chronicle
For once, the Coen brothers' neurotic filmmaking style works to their advantage; it's giddily appropriate for a movie about a man who's losing his mind.
|
| 75 |
Entertainment Weekly
Barton Fink has an atmosphere of languid comic anxiety (it's like a cross between "Eraserhead" and "Angel Heart"), and it's fun to watch, if only because you have no idea what's coming next.
|
| 70 |
TV Guide
Staff (Not Credited)
Ultimately, however, the look, sound and feel of this macabre comedy fail to support any coherent theme...Much is denigrated, but little affirmed.
|
| 70 |
Time
[The Coens] are therefore entitled to patience, respect and, yes, perhaps a special gratitude for this movie, which never once compromises its fundamentally unpromising yet courageously aspiring nature. [26 Aug 1991]
|
| 60 |
Wall Street Journal
But even as the film's weaknesses make themselves more and more apparent, so does Mr. Turturro's virtuosity. [15 Aug 1991, p.A10(E)]
|
| 60 |
Los Angeles Times
Exhilarating and frustrating at the same time... the Coens' skill is such that you're not averse to following them anywhere, but every once in a while you can't help wishing they weren't so dead set against throwing the rest of us at least a hint of what's on their minds. [21 Aug 1991]
|
| 60 |
Washington Post
Like the mysterious, bound package Goodman gives Turturro (the contents are never revealed), the Coens isolate a small area of interest, bind it with psycho-atmospheric finesse, then wait for something significant to emerge. Even after a second viewing of this movie, it doesn't.
|
| 30 |
The New Yorker
Terrence Rafferty
It feels thin. It's an empty tour de force, and what's dismaying about the picture is that the filmmakers... seem inordinately pleased with its hermetic meaninglessness.
|
| 10 |
The New Republic
Billed as a comedy, but it could also be billed as a drama, a satire, an allegory, or a film (partially) noir. It wouldn't matter, or help... Not since Robert Altman has any American filmmaker been as overrated as this pair. [30 Sept 1991]
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