| 100 |
Time
The result is mainstream moviemaking at its highest, most satisfying level.
|
| 100 |
San Francisco Chronicle
Inspiring and largely unsentimental, this is as much a love story as a tale of courage.
|
| 100 |
Chicago Sun-Times
Crowe brings the character to life by sidestepping sensationalism and building with small behavioral details.
|
| 90 |
Rolling Stone
Sadly, Howard blands out in the final third, using old-age makeup and tear-jerking to turn a tough true story into something easily digestible. Until then, you'll be riveted.
|
| 90 |
New Times (L.A.)
It's everything most movies this year have not been: deeply felt, genuine, gracious.
|
| 89 |
Austin Chronicle
So many things come together so beautifully in this movie based on the life of John Forbes Nash Jr. that you're likely to find yourself willing to benignly overlook its occasional biographical lapses and narrative sweetening.
|
| 88 |
New York Post
Gripping, smart and moving, without falling prey to sentimentality, it shows what can be achieved when mainstream filmmakers like Howard and Goldsman are genuinely inspired and determined to be honest.
|
| 88 |
Boston Globe
The film makes more apparent than ever that Howard is quite underrated as a filmmaker, possibly because he's been hidden in full view in the mainstream for so long.
|
| 88 |
Chicago Tribune
Though the role might seem a real stretch for an actor who just won an Oscar for his Charlton Heston turn as Maximus in "Gladiator," he and the movie ace the test.
|
| 88 |
ReelViews
The kind of expression of emotion that touches a deeper chord.
|
| 88 |
USA Today
This is one inspiring movie despite extremely tricky subject matter -- better than "Shine" and among the most affecting ever made about co-existing with mental demons.
|
| 88 |
Charlotte Observer
Howard has never been so grown-up in his handling of tough themes or so inventive in depicting states of mind. Goldsman has never been so down-to-earth or created so touching a character.
|
| 83 |
Seattle Post-Intelligencer
It's an absorbing, progressively unsettling and ultimately very inspiring biographical reflection that, in the interest of creating its subject's internal landscape, plays some chilling tricks on its audience.
|
| 83 |
Entertainment Weekly
Crowe sometimes summons up one of the most powerful depictions of mental illness I have ever seen with barely an eyelid flicker separating manifestations of sickness from utterly sane displays of creative concentration.
|
| 80 |
Slate
As Nash gets closer to Crowe's own age (and level of dissipation), the performance settles down and becomes first credible and then overwhelming. This is a stupendous piece of acting.
|
| 80 |
Variety
Consistently engrossing as an unusual character study and as a trip to the mysterious border-crossing between rarified brilliance and madness, this serious-minded but lively film is distinguished by an exceptional performance by Russell Crowe.
|
| 80 |
The New Yorker
Anthony Lane
Crowe astounds with his technical skill. [7 Jan 2002, p. 82]
|
| 80 |
Washington Post
A greatly ambitious undertaking, but from the commercial point of view quite insane. The movie is ridiculously fragile: It's like a Faberge egg, and even a twitch of foreknowledge will destroy the magic of the movie utterly.
|
| 80 |
Chicago Reader
Director Ron Howard's deftness in suggesting the subjective experience of Crowe's character, who's later diagnosed with schizophrenia, makes for inspirational narrative.
|
| 75 |
New York Daily News
This is another brilliant performance by Crowe, who is to body language what Meryl Streep is to accents.
|
| 75 |
Philadelphia Inquirer
What began as a bold and thrilling story descends into Hollywood cliché. But Crowe and Connelly's work rises above the mush. They make A Beautiful Mind go.
|
| 70 |
Wall Street Journal
Howard, and the screenwriter, Akiva Goldsman, have used the book as nothing more than their jumping-off point for an erratic work of fiction that's part mystery thriller and part Hollywood schmaltz.
|
| 60 |
Village Voice
It's doubly frustrating that after flirting with (and even upending) biopic conventions for much of its length, A Beautiful Mind finally gives in to them so readily.
|
| 60 |
Los Angeles Times
There is more to admire in A Beautiful Mind than you might suspect, but less than its creators believe. When the film does succeed, it almost seems to do so despite itself.
|
| 60 |
TV Guide
The success of this effect, which helps elevate the movie above a classy disease-of-the-week saga, rests firmly on Russell Crowe's performance, and it's a strikingly good and moving one.
|
| 60 |
LA Weekly
John Powers
While I don't doubt that Howard's done the best he can, it's sad to see a beautiful mind whittled down by such a plain one.
|
| 60 |
The New York Times
The movie can -- indeed, should -- be intellectually rejected, but you can't quite banish it from your mind.
|
| 50 |
Portland Oregonian
Crowe understands what's interesting about Nash: He's not a feel-good figure. It's a pity the same can't be said for Howard.
|
| 50 |
Washington Post
Instead of an originally conceived movie that reflects Nash's troubled but brilliant mind, we have one of those formulaically rendered Important Subject movies -- the kind that seem exclusively designed for Best Picture nominations.
|
| 50 |
Christian Science Monitor
While it's a splendidly acted film, A Beautiful Mind is also a wasted opportunity.
|
| 40 |
Newsweek
Too facile to resonate deeply. Shouldn't a movie celebrating Nash give you some idea what his mathematical work is about? Fishier still is the suggestion that the cure for paranoid schizophrenia is love.
|
| 30 |
Film Threat
Aside from all the known material on public record the filmmakers chose not to use, Howard isn't even capable of believably bringing this off.
|
| 20 |
Salon.com
It's not just our emotions that are being played on here, it's not just our intelligence being insulted because of Ron Howard and Akiva Goldsman's presumption that we won't have any interest in a character whom it's not always possible to like. It's John Nash's life, being turned into an Oscar machine and an easy way to jerk tears.
|
