Metacritic Film

Beauty Shop

Starring Queen Latifah, Alicia Silverstone, Andie MacDowell, Alfre Woodard, Mena Suvari, Kevin Bacon, and Djimon Hounsou

MPAA RATING: PG-13 on appeal for sexual material, language and brief drug references

MGM / UA Distribution Company
Comedy
105 minutes | Color
USA
Released In Theaters March 30, 2005

When Gina (Queen Latifah) gets fed up with her egotistical boss (Bacon) and buys a rundown salon, she inherits a motley group of headstrong stylists, a colorful clientele, and a sexy electrician (Hounsou). It's a rocky road to fulfilling her dreams, but you can't keep a good woman down. (MGM)

WRITTEN BY
Kate Lanier
Norman Vance Jr.
Elizabeth Hunter (story)

DIRECTED BY
Bille Woodruff

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

53 / 100

Critic Reviews

75 Seattle Post-Intelligencer
The script is full of brassy lines.
75 Chicago Sun-Times
The beauty of the "Shop" movies is that they provide a stage for lively characters.
75 Philadelphia Inquirer
lLght and likable - a low-budget "Steel Magnolias" without pretense.
75 Chicago Tribune
The diversity of the Beauty Shop ensemble is a large part of what makes it so much fun to watch;
75 San Francisco Chronicle
At its warmhearted center, Beauty Shop is a workshop in how to walk around like Oprah with a feeling of confidence and entitlement.
75 Premiere
For the most part, what it aims to do-amuse and uplift-it does wonderfully.
70 The New York Times
Beauty Shop extends the popular "Barbershop" franchise to Atlanta and provides a sassy feminine counterpart to its cozy men's-club vibe.
70 Variety
A sunny and sassy comedy that somehow manages to breathe fresh life into familiar stereotypes and stock situations.
70 Los Angeles Times
For all the vivid, amusing characters that surround Gina, Beauty Shop rightly belongs to Latifah, who comes into her own as a star and an actress in this film.
63 USA Today
The plot progression can be guessed early on, but the film is more about humor and heart than a clever story.
63 Boston Globe
Formulaic but extremely good-natured comedy.
63 New York Post
A cut above what you'd expect from the spinoff of a sequel.
63 Miami Herald
Has nothing new to say, but it has a lot of fun covering the same old territory.
60 Empire
This has the power to unite a female audience ready and willing to overlook its supposed weaknesses.
60 Chicago Reader
As in the other two movies, the plot is a thin cardboard box used to carry an assortment of observational doughnuts--in this case, estrogen-fueled shop talk about race, men, and the politics of looking good.
58 Entertainment Weekly
It's a boisterous and amiable movie but not, in the end, a very funny one.
50 Washington Post
Spends too much time being convivial and not enough time looking for the kind of real conflict that begets a good comedy.
50 Austin Chronicle
There's an amiability that permeates the movie and carries it through most of the rough patches and split ends.
50 Washington Post Jennifer Frey
Mildly amusing and occasionally laugh-out-loud funny, with much of its humor playing off foolish white folks and gay stereotypes.
50 New York Daily News
The story and humor are so tame the movie barely merits No More Tears.
50 The Hollywood Reporter
Plays like a pilot for a TV sitcom. It sets up enough story threads for an entire season yet nothing much actually happens during the 105-minute running time.
50 Village Voice
Breezy, sporadically funny.
50 The Onion (A.V. Club)
Beauty Shop's shtick gets old and tired pretty quickly, but a breezy tone and air of easygoing likeability carry it a long way.
40 TV Guide
Queen Latifah's warmly formidable presence drives this amiable but poky comedy.
40 Dallas Observer
A spin-off of a sequel... It doesn't even try to be different, because it assumes the moviegoer wants only the same-ol' and then offers even less.
38 The Globe and Mail (Toronto)
The results are so listless, dated and characterless.
38 Baltimore Sun
The residents of Beauty Shop never quite gel. Instead of camaraderie, the feeling is one of bare tolerance.
30 LA Weekly
The script is painfully underbaked, and director Bille Woodruff (Honey) continues to raise a question: How can someone from a music-video background have absolutely no sense of rhythm, timing or pacing?

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