Critic Reviews
| 75 |
Mr. Showbiz
Tries to have it both ways -- as a kitschy ode to bodybuilding culture and as a tragic story of a man who was persecuted for his dreams.
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| 70 |
TV Guide
Fanciful and highly entertaining docudrama.
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| 67 |
Austin Chronicle
There's an undeniable energy, originality and -- most hearteningly -- optimism here that makes Beefcake well worth your time, shortcomings and all.
|
| 63 |
Boston Globe
Jim Sullivan
It leaves you with an odd, sweet-and-sour taste - nostalgia painted in pastel colors, streaked with black smears.
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| 63 |
Chicago Tribune
Much to enjoy in this potpourri of silly fun and forbidden games, but a bit less ambition and a tad more focus might have helped.
|
| 60 |
Village Voice
Vince Aletti
Beefcake's messiness has real charm, and its tribute to Mizer is both appropriately complicated and poignantly sexy.
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| 60 |
The New York Times
A fascinating double-edged portrait of 1950s Los Angeles.
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| 60 |
Los Angeles Times
An illuminating and engrossing look at the life and times of pioneer Los Angeles physique photographer Bob Mizer
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| 60 |
Variety
As a mix of nonfiction and wafer-thin drama, however, it's a genial mess in which both elements emerge undercooked
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| 58 |
Seattle Post-Intelligencer
A heady, impressionistic mixture of biography, fantasy and social history in which it isn't always clear which is which.
|
| 50 |
Film.com
Like the melancholy remininces of an old relative who lived through an exciting, even harrowing time, but no longer possesses the mental faculties to really flesh out the tale they're spinning.
|
| 50 |
New York Daily News
This movie's attempt to reinvent Mizer as a First Amendment hero isn't as effective as its triumphant display of beefcake, which is, after all, the movie's raison d'etre.
|
| 40 |
Chicago Reader
Ultimately this is a sharp-focus issue movie, decrying intolerance as it explores the effects of labeling, the complexity of fetishizing, and the differences between business and crime.
|
| 38 |
New York Post
A campy docu-drama about the secretly gay world of 1950's muscle magazines.
|
| 20 |
LA Weekly
Chuck Stephens
Dull, tacky docudrama
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