| 60 |
Washington Post
Joe Brown
Landis's handling of the cop business is unnecessarily laborious, but Murphy's patented insincerity is winning. And a few of the slapstick set pieces are genuinely thrilling, especially a riotous nighttime chase scene.
|
| 50 |
ReelViews
The comedy is mostly restricted to one-liners, some of which aren't funny. And the action is uninspired, barely tapping the vast potential of an amusement park chase film.
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| 50 |
San Francisco Chronicle
The Beverly Hills Cop formula shows serious signs of wear in its third outing as Eddie Murphy tries desperately to hold onto his tough-guy, mock-grin edge while screenwriters and director John Landis do little more than stir-fry lame gags with furious but tiresome fusilades of gunfire. [25 May 1994, p.E1]
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| 50 |
TV Guide
Staff (Not Credited)
Beverly Hills Cop III is a flat-out action comedy in which the action is unimpressive and the comedy so mild it seldom hits the mark; for a series only into its third installment, Beverly Hills Cop III is shockingly toothless.
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| 40 |
Empire
It's now become Hollywood gospel that if a high concept film is reasonably successful, then make a sequel and if that raises any interest at all, then, hey why not try one more. It's a shame that here the studios just don't know when to stop with this episode ruining the name of what was once an enjoyable franchise.
|
| 38 |
The Globe and Mail (Toronto)
Christopher Harris
There is, admittedly, something splendidly subversive about putting the movie's arch-villains into a children's theme park - the ultimate symbol of both apple-pie family values and the whole U.S. entertainment industry. There are no real worms in this apple, however; like most flicks conceived as marketing vehicles, it's hollow at the core. [27 May 1994, p.D3]
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| 33 |
Entertainment Weekly
Though not quite the fiasco of revved-up gunplay that Beverly Hills Cop II was, this new movie, directed by John ''Rock-'em Sock-'em'' Landis, is just a clunky action thriller, with occasional comic moments rationed out to the audience like stray crumbs.
|
| 25 |
Boston Globe
Although the limits on Beverly Hills Cop III are pretty obvious, it's not a total write-off. Still, it's time to stop making movies about Murphy's Motown cop and start making one about Serge. [25 May 1994, p.69]
|
| 25 |
Christian Science Monitor
Staff (Not Credited)
Beverly Hills Cop III is perhaps the dumbest of the cop trio. There are no surprises, there's no real police work to unravel, and there are no mysteries. It's all very predictable with lots of gunplay, noise, and blood. [3 Jun 1994]
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| 12 |
Rolling Stone
Whatever juice is left in the "Cop" franchise or in the once unstoppable career of Eddie Murphy peters out ignominiously in this poor excuse for a sequel.
|
| 10 |
Village Voice
Evette Porter
The formula has stayed the same, but Murphy isn't the Foley of 10 years ago. The only thing that remains is his patented Chic-let grin. [7 Jun 1994]
|
| 10 |
Time
Beverly Hills Cop III is just going through the motions, without comic conviction, surprises or suspense. [6 June 1994, p.66]
|
| 10 |
Los Angeles Times
There's a fundamental lack of human feeling in Beverly Hills Cop III that makes you want to avert your eyes from the people around you when the lights come up. Attending this movie makes you feel like an accomplice to the corruption. [25 May 1994, p.1]
|
| 10 |
The New York Times
Caryn James
Beverly Hills Cop III is a generic action movie, an Eddie Murphy film with only a trace of Eddie Murphy.
|
| 10 |
Washington Post
Desson Howe
De Souza's script is an uninspired, long-winded we-know-whodunit. Although Landis's comic routines provide occasional relief, they're tired reprises from previous "Cop" films.
|
| 0 |
Austin Chronicle
Beverly Hills Cop III is made with so little spark, humor, and internal logic that it makes me better appreciate these other recent Murphy movies where the actor/comedian at least stretched his persona and attempted something apart from the action comedy mold.
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