| 80 |
Film.com
A pulsing, wooshing, visceral experience that amounts to great fun and an entirely disposable movie.
|
| 75 |
Chicago Sun-Times
Wesley Snipes understands the material from the inside out and makes an effective Blade because he knows that the key ingredient in any interesting superhero is not omnipotence, but vulnerability.
|
| 75 |
San Francisco Chronicle
Big as it is, Blade' is meticulous and subtle, not just in its camera technique but in the way it works its themes and creates a mood.
|
| 70 |
Salon.com
Blade in no way resembles a good movie, but its combination of music-video bombast, goth-rock sensibility, high-tech industrial production design, cold-blooded glossy magazine visuals, high-fashion club culture, horror movies, blaxploitation movies, Hong Kong movies and comic-book nihilism make it diverting trash.
|
| 70 |
The Onion (A.V. Club)
John Krewson
Sure, the story is pretty standard, and the dialogue is laughable or worse. But creative cinematography and non-stop, decently choreographed gratuitous violence make watching this comic-book movie—Blade is a minor, almost-forgotten Marvel comic—entertaining.
|
| 67 |
Austin Chronicle
"Interview With the Vampire" it's not, but marginally thrilling nonetheless, and besides, any film that features a house party in which the ceiling-mounted fire extinguishers expel freshets of crimson goo in place of H2O gets my vote.
|
| 63 |
ReelViews
By the time the film is well into its second hour, we begin to wonder whether there's ever going to be a variation on the carnage and mayhem. As it turns out, there isn't.
|
| 63 |
The Globe and Mail (Toronto)
Blade doesn't manage to work up a whole lot of suspense.
|
| 60 |
Washington Post
Blade's stomach-turning special effects, bone-crunching martial arts and cynical humor will more than satisfy any action-film addict's need for a fix of eye-popping escapist adrenaline.
|
| 50 |
New Times (L.A.)
At best, second-rate pulp, hampered by excessive length, a thematically meandering screenplay, and a general lack of excitement.
|
| 50 |
USA Today
Director Stephen Norrington is more keen on finding new ways to explode the fiends... than developing a credible story. So the movie flits from one gore-laden assault to another with little suspense.
|
| 50 |
Christian Science Monitor
For most of its two-hour running time it simply flings a barrage of horrors at the audience, enhanced with the most imaginative science-fiction atmospherics this side of "Dark City," which incidentally was a far more original picture.
|
| 50 |
Los Angeles Times
The noir atmosphere doesn't quite smother the dialogue's cheesy smell.
|
| 40 |
The New York Times
Although the opening scene suggests a dark urban satire, Blade quickly turns into a cartoonish futuristic action-adventure yarn in which Blade is the only thing keeping humanity from being exterminated by vampires in a hematological holocaust.
|
| 40 |
Variety
Though slick and diverting in some aspects, increasingly silly pic has trouble meshing disparate elements --- horror, superhero fantasy, straight-up action --- into a workable whole.
|
| 38 |
San Francisco Examiner
If only it wasn't such bloody nonsense.
|
| 38 |
Chicago Tribune
Often ridiculous, mostly poorly written and, surprisingly poorly acted too. No matter how many flashy scenes the filmmakers shoot, the bad lines just keep dripping down. [21 Aug 1998]
|
| 30 |
Washington Post
A vulgar attempt to revamp the undead genre by introducing computer-generated splatter and a casketful of themes from genetic tinkering to conspiracy theories.
|
| 30 |
TV Guide
The few good lines go to Kristofferson and the ever-amusing Kier, but Snipes's considerable energy is buried under an affectless, Terminator-style demeanor.
|
| 30 |
The New Yorker
Sarah Kerr
Adapted from the Marvel Comics series, this movie lacks the mournfulness that sustains a good horror strip; it's trashy, but too deafening and invasive to have the appeal of good pulp.
|
| 25 |
New York Daily News
Dave Kehr
Pure hackwork.
|
| 25 |
Entertainment Weekly
Staff (Not Credited)
The action involves lots of second-rate martial-arts choreography (made even less thrilling by the video's pan-and-scan job), while the psychological conflicts are filled with unconvincing angst.
|
| 20 |
LA Weekly
Working from a script by David S. Goyer ("Dark City") that lacks any sense of humor or character, Snipes seems unsure if he should vamp it up or play it straight, while Dorff just plain sucks.
|
