| 100 |
San Francisco Chronicle
Why such a structurally scattered movie should hang together at all is a mystery. That it does more than that, that it works brilliantly, is a miracle, or at the very least the product of unquantifiable causes.
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| 91 |
Seattle Post-Intelligencer
For all its unevenness, Bobby is a powerful, poignant movie and its ending -- played over a long excerpt of one of RFK's most compassionate speeches, voiced with none of the cliches of political rhetoric -- was, for me, the movie year's single most devastating sequence.
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| 91 |
Christian Science Monitor
It's a sideways view of a national trauma. The large cast includes standout performances from such unlikelies as Demi Moore, playing an alcoholic crooner, and Estevez himself, as her long-suffering husband. Everyone in this film is powerful.
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| 83 |
Baltimore Sun
The film's impact and poignancy are undeniable.
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| 75 |
Premiere
Alll in all, however, Estevez has pulled together the best political drama, fiction or otherwise, in recent memory.
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| 75 |
TV Guide
Though Estevez's achievement doesn't quite live up to his ambitions -- the climax of Altman's "Nashville" (1975) evokes the same brutal loss of innocence to more shattering effect -- it still contains enough powerful moments to balance the weaker sections.
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| 70 |
Variety
Emilio Estevez's Bobby is a passionate outcry for peace and justice in America that becomes deeply involving by the final climactic scene.
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| 70 |
Chicago Reader
So keenly felt and so deeply imagined I couldn't help but be moved, even grateful for its bleeding-heart nostalgia.
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| 70 |
Washington Post
Bobby, even if it suffers from a few silly scenes, gets more right than it does wrong.
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| 67 |
Austin Chronicle
Josh Rosenblatt
The movie isn't about Kennedy; rather, Kennedy is the sun around which all the other planets of the film revolve. And like some epic Louis B. Mayer picture from the Thirties, Bobby has a thousand stars in its galaxy, some of them great (Fishburne, Rodríguez), some of them not (Wood, Hunt), and one of them brilliant (Hopkins).
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| 63 |
New York Daily News
This is simply too vast a task for a filmmaker as inexperienced as Estevez. Compared with, say, Robert Altman's similar but far more complex "Nashville," Bobby mostly comes off as a Hollywood public service announcement: passionate, righteous and strikingly removed from reality.
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| 63 |
USA Today
Despite its flaws, its intriguing premise leaves us haunted by thoughts of "What if?"
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| 60 |
The Hollywood Reporter
Whether or not Bobby Kennedy was the man his supporters believed him to be, the film makes a persuasive case that something important in America was silenced when he was gunned down.
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| 60 |
The New York Times
When you hear his (Robert Kennedy's) patient, meditative speeches, from which every note of demagoguery or pandering has been purged, you glimpse the film Mr. Estevez set out to make -- the one you may wish you were watching.
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| 60 |
New York Magazine
Despite the clunkiness, Estevez's commitment to his father's generation’s idealism (and its murder) commands respect.
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| 60 |
Empire
A remarkable ensemble in an uneven patchwork of loss, longing and the urgent necessity of a societal rethink.
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| 58 |
Portland Oregonian
For all its flaws, though, Bobby is still moving. Not so much with its indifferent characters, but rather with the overall mood of a common hope crushed into shapeless grief. That painful historical moment is worth revisiting, as is the image of the man whose death occasioned it.
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| 58 |
Entertainment Weekly
Bobby coasts along on a dread, and sorrow, it doesn't earn.
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| 50 |
The Onion (A.V. Club)
The film has virtually nothing to say about the man, or about much of anything, really. It's a sketchbook trying to pass as a tapestry.
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| 50 |
ReelViews
The resulting finished project is a series of skits performed by famous people doing favors for a friend, and it works about as well as one might expect from such an endeavor.
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| 50 |
Salon.com
Just when you think you've got a handle on the central characters in Bobby, yet more of them appear: The thing is a little like the stateroom scene in "A Night at the Opera."
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| 50 |
The Globe and Mail (Toronto)
Fascinating, even when it's fascinatingly bad.
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| 50 |
The New Yorker
Estevez has made a vague gesture at a large, metaphoric structure without having the dramatic means to achieve it. His choreography of the panic and misery in the hotel after the shooting is impressive, and some of the actors do fine in their brief roles. But his script never rises above earnest banality, and we are constantly being taught little lessons in tolerance and humanity:
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| 50 |
Newsweek
You don't have to have lived through the period to find this wrenching. And you don't have to doubt Estevez's sincerity to find it emotionally opportunistic.
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| 50 |
Philadelphia Inquirer
Bobby has its heart in the right place (on its sleeve). But it doesn't have its screenplay anywhere - or at least, anywhere near the heft that its subject demands.
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| 40 |
Wall Street Journal
Tests your patience to the breaking point -- maybe beyond.
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| 40 |
Los Angeles Times
It's an ambitious film drenched in sincerity and oozing with nostalgia that, despite the energy provided by its title icon via archival footage, falls flat dramatically in nearly every other way.
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| 40 |
Village Voice
Jim Ridley
Bobby can be seen clearly for what it is--an "Airport" movie with the assassination of Robert F. Kennedy as the central calamity and an all-star cast deployed like multiple George Kennedys.
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| 40 |
LA Weekly
The only character who emerges as more than an ideological mouthpiece, and nearly saves the movie, is the Ambassador's resident hairstylist, who masks her faded beauty with a thick coat of eye shadow and an overteased hairdo. I kept wondering who this deeply sad, earthy actress was, making so much out of so little, until I realized it was Sharon Stone in the most naked performance she's ever given without taking her clothes off.
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| 25 |
Rolling Stone
Estevez means well. But having your heart in the right place is no excuse for insipid ineptitude.
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| 25 |
New York Post
One of the year's worst movies.
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