| 100 |
Entertainment Weekly
A conventionally heightened series of escapes and clashes and hide-and-seek gambits, yet the way the film has been made, nothing that happens seems inevitable -- which is to say, anything seems possible. There's a word for that sensation. It's called excitement.
|
| 90 |
The New York Times
This is high-speed action realism carried off with the dexterity of a magician pulling a hundred rabbits out of a hat in one graceful gesture. The crowning flourish is an extended car chase through the streets and tunnels of Moscow that ranks as one of the three or four most exciting demolition derbies ever filmed.
|
| 90 |
Washington Post
Spy movies just got thrilling again.
|
| 90 |
Los Angeles Times
Rarely does pop come with such sizzle.
|
| 90 |
Salon.com
As a piece of craft, and with the exception of "Harry Potter and the Prisoner of Azkaban," it's miles beyond any studio film this summer.
|
| 90 |
Slate
The sequel is simply a tour-de-force of thriller filmmaking.
|
| 88 |
Baltimore Sun
Greengrass has a fine sense of pacing, keeping events moving. It's rarely hard to guess what's going to happen next, but events unfold with such gusto that there's barely time to notice that.
|
| 88 |
USA Today
Taut, tightly paced and thrilling, with some of the best chase sequences -- whether by foot, taxi or Jeep -- in recent memory.
|
| 88 |
Chicago Tribune
Close to perfect example of an expertly designed and executed thriller.
|
| 88 |
Charlotte Observer
Trumping its predecessor with a tauter plot, a lower body count and just as many edge-of-the-seat jolts.
|
| 88 |
Rolling Stone
If you've forgotten the kick you get from watching a globe-trotting, butt-kicking, whiplash-paced action movie done with humor, style and smarts, take a ride with The Bourne Supremacy.
|
| 83 |
Seattle Post-Intelligencer
Delivers the expected adrenaline-driven thrills with a fresh eye and a refreshing attitude.
|
| 80 |
The Onion (A.V. Club)
Goes through its airport-thriller paces with dazzling kinetics and style.
|
| 80 |
Chicago Reader
Staff (Not credited)
The action sequences are expert studies in controlled chaos.
|
| 80 |
Dallas Observer
Plot matters more here than spectacle; the film's real climax involves no demolition, but rather two characters in a room quietly discussing devastating events in their past.
|
| 80 |
Empire
Chris Hewitt
The Bourne Supremacy builds on and exceeds the original, delivering, quite simply, one of the finest big-budget thrillers in years.
|
| 75 |
Portland Oregonian
Solid summer entertainment set in a recognizably real world.
|
| 75 |
Boston Globe
The way Greengrass lets you feel the violence is impressive. Most movie heroes punch through armies without scraping their knuckles, but Bourne's a believable wreck by midpoint.
|
| 75 |
New York Post
The strapping Damon's lived-in performance makes us happy to follow Bourne wherever he may go.
|
| 75 |
Chicago Sun-Times
That the director, Paul Greengrass, treats the material with gravity and uses good actors in well-written supporting roles elevates the movie above its genre, but not quite out of it.
|
| 75 |
The Globe and Mail (Toronto)
Leah McLaren
Directed by Paul Greengrass, the unflinching eye behind "Bloody Sunday," The Bourne Supremacy not only lives up to the promises of the novel by Robert Ludlum, but in many ways manages to improve on the first film.
|
| 75 |
Miami Herald
Achieves an assaultive intensity that adds a level of visceral excitement to car chases, mano-a-mano showdowns -- even simple conversations. It's a style that takes some getting used to -- the images flit by at near-subliminal speeds -- but proves tremendously effective.
|
| 70 |
Variety
The action is confusing at first and the hyperventilated editing style at times goes beyond the pale, so pic ultimately emerges as an erratic but not unworthy sequel to its gritty, genre-invigorating predecessor.
|
| 70 |
Wall Street Journal
Supremacy certainly works on its own terms, but those terms are limiting. It's an entertainment machine about a killing machine.
|
| 70 |
Film Threat
Pete Vonder Haar
Supremacy is, minor quibbles aside, a worthy successor to “The Bourne Identity.”
|
| 70 |
Film Threat
Over all, though, the picture fires on all pistons. The globetrotting's a good time-I can't think of another spy film that's featured as delightful an assortment of seamy international undersides.
|
| 70 |
The New Yorker
Putting it mildly, this style of shallow, panting composition isn't the way I’d like movies to go, but, of its kind, The Bourne Supremacy is incredibly skilled--much more exciting than its predecessor.
|
| 67 |
Austin Chronicle
All herky-jerky camera movements and no pussyfooting around with the interior lives of these characters.
|
| 63 |
ReelViews
A serviceable thriller - no more, no less.
|
| 63 |
Philadelphia Inquirer
Supremacy has thrills, but without Potente's presence, it loses its soul.
|
| 60 |
Village Voice
The loss of the first film's hurtling who-am-I? story engine is keenly felt, and too much time is spent observing the characters get on and off planes, trains, and automobiles.
|
| 60 |
The Hollywood Reporter
Like its various post-Cold War European locations, the film remains chilly and distant.
Every time you feel like you're finally grabbing hold of something involving, the picture once again spins frustratingly out of reach.
|
| 60 |
TV Guide
A refreshing alternative to the hypertrophied spy thrillers in which exaggerated action sequences, over-the-top super-villainy and high-tech gadgetry trump character and plot.
|
| 60 |
LA Weekly
Joe Donnelly
In Supremacy, Damon is left to play basically one droning, humorless note, which, unfortunately, he does with his eyes closed.
|
| 50 |
Premiere
What’s missing here is the amnesiac hook that made "The Bourne Identity" such a sleeper hit.
|
| 50 |
New York Daily News
The movie is mostly a series of frenetic clashes, dubious near misses and car chases. It lacks the human interest and snowy splendor of the first movie, directed by Doug Liman.
|
| 50 |
San Francisco Chronicle
Almost everything that made "The Bourne Identity" refreshing -- the wit, the irony, the suspense, the novelty of its premise -- is gone in The Bourne Supremacy, and what's left is the spectacle of Matt Damon, with perfect posture and senses primed like a cat, making his way through a routine action thriller.
|
| 50 |
Christian Science Monitor
This time it's just chasing, fistfighting, and shooting. A disappointment from the director of "Bloody Sunday."
|
| 40 |
Washington Post
I had some trouble with the plot, but I'm not the only one -- so did the screenwriter.
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