| 100 |
San Francisco Chronicle
It's a tribute to Day-Lewis that he can play a character like Danny -- cautious, withdrawn, inarticulate -- and endow him an eloquence and grace that aren't dependent on language. Without him, The Boxer might still be a powerful tale of loyalty and love, with a core of moral complexity; with Day-Lewis in the lead, it approaches greatness.
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| 90 |
The Onion (A.V. Club)
Through quietly fiery performances by Day-Lewis and Watson, as well as novel-like depth and complexity, The Boxer not only avoids these pitfalls but emerges as a thoroughly engrossing movie.
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| 90 |
The New York Times
Mr. Day-Lewis, looking wearily rugged and battling his way through several plausible boxing matches, once again breathes fire into the character of a high-minded loner, and his vitality lends real force to the film's moral arguments.
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| 83 |
Entertainment Weekly
Writer-director Jim Sheridan, co-screenwriter Terry George, and Sheridan's favorite actor (and Oscar winner for My Left Foot) Daniel Day-Lewis reunite in The Boxer with a mellower political message that translates, roughly, into ''Can't we all just get along?''
|
| 80 |
Salon.com
In some ways, this is the most conventional of Sheridan's movies. But it never feels sentimental because of the grittiness of his approach.
|
| 80 |
Washington Post
If you view it passively, as a well-crafted melodrama set in danger among passionate antagonists, The Boxer is rewarding enough. If you attack it intellectually, you see the degree to which it is informed by ideas and realize the power of its argument.
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| 80 |
Empire
Ian Nathan
Amid a cacophony of cack-handed hijacks of Irish politics for Hollywood gain, Jim Sheridan's clear, intelligent directorial voice once again hits the strident notes of realism.
|
| 80 |
New York Magazine
David Denby
The movie's acts of violence and betrayal may be familiar, but the filmmakers' obvious contempt for people given over to fanaticism is enormously welcome -- a call for the most elementary kind of sanity.
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| 78 |
Austin Chronicle
Director Jim Sheridan, who has collaborated with writer Terry George on In the Name of the Father and Some Mother's Son clearly understands the weariness that inevitably consumes not only long, seemingly irresolvable conflicts but stories about them.
|
| 75 |
Chicago Sun-Times
Although it seems to borrow the pattern of the traditional boxing movie, the boxer here is not the usual self-destructive character, but the center of maturity and balance in a community in turmoil.
|
| 75 |
ReelViews
The two actors, Daniel Day-Lewis and Emily Watson (Breaking the Waves), give such forceful performances and interact so well that it's impossible not to be mesmerized by their interaction.
|
| 70 |
Newsweek
What holds the movie together is the fiercely self-contained commitment of Day-Lewis's performance and the palpable chemistry between him and Watson.
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| 70 |
Variety
Intelligently conceived and well- acted, this compact, straightforward drama about two ordinary people caught in the ongoing political crossfire packs enough punch to command audience interest, but won't light up critics or the B.O. to the extent achieved by the team's previous outings, "My Left Foot" and "In the Name of the Father."
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| 70 |
Washington Post
Where the movie succeeds-and succeeds wonderfully-is when it stays a heartbeat away from politics. For two-thirds of the movie, it's an involving, boxing saga and romance.
|
| 70 |
Dallas Observer
It can't compare to what might have been: a full-scale performance by Daniel Day-Lewis as an Irish raging bull--a rebel with a cause. There are still traces of greatness in what he attempts, and it's more than enough to make the movie worth a lingering look.
|
| 63 |
The Globe and Mail (Toronto)
There is little chance for the movie's talented stars, Day Lewis and Emily Watson (Breaking the Waves) to establish and develop their characters, beyond their set-piece declarations of love.
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| 60 |
Chicago Reader
As personal and political agendas mix, with deadly results, director Jim Sheridan parallels the moderated violence of boxing with the unchecked violence of terrorism.
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| 60 |
TV Guide
Unfortunately, the film never really catches fire, despite uniformly high-caliber performances; Day-Lewis, surely one the finest actors of his generation, is excellent.
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| 50 |
San Francisco Examiner
Most disappointing is the fact that the movie ends so abruptly that you can't help wondering what the whole story amounts to, moving as it is.
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