Metacritic Film

Bread and Tulips

Starring Licia Maglietta, Bruno Ganz, Marina Massironi, Giuseppe Battiston, and Felice Andreasi

MPAA RATING: PG-13 for brief language, some sensuality and drug references

First Look Pictures Releasing
Romance
104 minutes | Color
Italy / Switzerland
Released In Theaters July 27, 2001

This masterpiece of hope-fulfilled traces a married woman's hesitant first steps from a complacent nuptial bed to a giddy and lighthearted freedom she had never experienced and hardly even knew existed. (First Look Pictures)

WRITTEN BY
Doriana Leondeff
Silvio Soldini

DIRECTED BY
Silvio Soldini

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

68 / 100

Critic Reviews

100 San Francisco Chronicle
A movie about serendipity and spontaneity.
88 Chicago Sun-Times
It may be that a relationship like the one here between Rosalba and Fernando is impossible in real life. All the more reason for this movie.
80 New Times (L.A.)
A charming little film, filled with eccentric characters and ingratiating performances.
80 Chicago Reader Fred Camper
The first half of the film, in which Maglietta gradually discovers herself as something other than a servant, is genuinely engaging.
80 The New York Times
Soldini's amiable new comedy suggests that an older, better Italy of imagination, rationality and civility survives on the fringes of a modern nation obsessed, like most others, with consumerism, empty prosperity and easy pleasure.
80 Washington Post
Nicely done, sweet, delicately comic and a complete delight.
75 New York Post
An utterly beguiling tale.
75 Philadelphia Inquirer
Actresses such as Maglietta are why movies were invented: You never get tired of her mercurial personality or of her infinitely compelling face.
75 Baltimore Sun
Soldini's consistently understated touch, and a poignant turn by Licia Maglietta as the confused and bemused main character, turns Bread and Tulips into a character study worth studying.
75 Boston Globe
Manages the right balance of fairy tale and joyous self-discovery. And the Venice locations don't hurt.
75 Christian Science Monitor
Maglietta gives a magical performance in this lightweight but flavorsome comedy.
70 LA Weekly
Maglietta, whose soulful countenance and offhand grace are soothing to behold, and Ganz, who says more with a shrug and sigh than most poets do with a sonnet.
70 Los Angeles Times
Too lethargic and strung-out for its own good. Thankfully, it casts a pleasant, amusing and touching spell anyway, but more energy and a markedly shorter running time might have turned a sunny diversion into something more special.
67 Seattle Post-Intelligencer
A sweet-spirited, extremely well-cast little comedy.
67 Austin Chronicle
It's an endearing romantic daydream, but misses the bus where matters of reality are concerned.
63 New York Daily News
As escapist fantasies go, this easygoing romance is a modest winner.
60 Mr. Showbiz
For some viewers, this will seem a trial of predictability and unrelenting sweetness; for others, it's more than enough.
50 Miami Herald
It's all very sweet, but the film goes in too many directions.
50 Village Voice
A happy ending is never at issue here -- it's clear where she's going, but there's little clue where she's been.
50 TV Guide
Characters' eccentricities feel contrived and the wackiness seems forced, though the film's amiable ambling does keep the viewer intrigued, if not charmed.
40 Washington Post
A little too shopworn and pokey to be more than a respectable European diversion.

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