Metacritic Film

Butterfly

Starring Fernando Fernan Gomez, Manuel Lozano, and Uxia Blanco

MPAA RATING: R for a strong sex scene

Miramax Films
Drama
93 minutes | Color
Spain
Released In Theaters June 16, 2000

Explores the extraordinary relationship between a shy young boy, Moncho (Lozano), and his incredibly compassionate teacher, Don Gregorio (Gomez), who teaches Moncho to find his way in a world that is increasingly frightening. (Miramax Films)

WRITTEN BY
Jose Luis Cuerda
Rafael Azcona
Manuel Rivas

DIRECTED BY
Jose Luis Cuerda

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

69 / 100

Critic Reviews

100 Philadelphia Inquirer
Manages the rare feat of being both bleak and deeply rewarding.
90 Chicago Reader
Some delicately interwoven and unresolved subplots help make the young character's rite of passage wholly, disturbingly compelling.
88 Baltimore Sun
A movie of unforced nobility and quiet pleasures, Butterfly works on all sorts of levels.
88 Chicago Tribune
May be a bit sentimental for some, but I found its patient examination of how the forces of optimism can be overwhelmed by a wave of cruelty to be both moving and wise.
88 Christian Science Monitor
A powerful ending lends a strong emotional charge to this prettily filmed drama, but too much of the story is taken up with romantic clichés about the everyday challenges of childhood.
88 San Francisco Chronicle
Has a saccharine quality but also offers a memorable performance by famed Spanish actor Fernando Fernan Gomez.
80 Time
A savory cocktail with a bitter twist.
80 Los Angeles Times
A beautiful, harrowing film of understated power and perception that affords Fernando Fernán Gómez, the Spanish cinema's great, weathered veteran, yet another of his unforgettable performances.
80 Dallas Observer
The movies' time-honored old-man-and-boy theme has rarely been used to such great advantage.
75 Entertainment Weekly
Diverges to become something quite powerfully unnerving and guilt-ridden.
75 Chicago Sun-Times
Because the film marches so inexorably toward its conclusion, it would be unfair to hint at what happens, except to say that it provides a heartbreaking insight into the way that fear creates cowards.
75 New York Post
Butterfly doesn't require much knowledge of history to appreciate, but it really isn't suitable for very young audiences either.
75 Seattle Post-Intelligencer
Outside national borders, this naive vantage point is an entry into a country's history and culture, explaining without seeming patronizing.
75 Miami Herald
An exploration of how fear and mob rule can poison even the purest of souls.
70 Mr. Showbiz
The story is a pleasant one despite its pointed righteousness.
70 Washington Post Michael O'Sullivan
The film's climax was only one of several moments that left me utterly verklempt, without ever knowing that my buttons were being pushed.
70 The New York Times
Delicate, quietly devastating.
67 Austin Chronicle
It's a rare film that can make us look so deeply into the dark soul of the seemingly benign.
60 Village Voice
It's boilerplate Miramax: a sentimental import with lovingly photographed Euro locale.
58 Portland Oregonian
The film isn't terrible, it's just trying too hard.
50 LA Weekly
The family flags palpable agony... provides the movie's only earned emotional tension.
50 TV Guide
Though beautifully photographed, acted and written (the three source stories are skillfully blended into a single narrative), this leisurely, bittersweet look at a child's loss of innocence ends rather abruptly and inconclusively.
20 Film.com
In the end, Butterfly is an infuriating film because it's so very contrived, so annoyingly phony.

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