Metacritic Film

Butterfly Effect, The

Starring Ashton Kutcher, Amy Smart, Kevin Schmidt, Melora Walters, Elden Henson, Eric Stoltz, John Patrick Amedori, and William Lee Scott

MPAA RATING: R for violence, sexual content, language and brief drug use

New Line Cinema
Drama  |  Sci-fi  |  Suspense/Thriller
113 minutes | Color
USA
Released In Theaters January 23, 2004

Evan Treborn (Kutcher) has lost track of time. From an early age, crucial moments of his life have disappeared into a black hole of forgetting, his boyhood marred by a series of terrifying events he can't remember. Determined to do something now that he was incapable of doing then, Evan purposely travels back in time, his present-day mind occupying his childhood body, in an attempt to re-write history and spare his friends and loved ones these traumatic experiences. By altering the events of the past, Evan hopes to transform the present. (New Line Cinema)

WRITTEN BY
J. Mackye Gruber
Eric Bress

DIRECTED BY
Eric Bress
J. Mackye Gruber

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

30 / 100

Critic Reviews

75 ReelViews
The ending is weak, and may be the result of the filmmakers writing themselves into a corner and not wanting to conclude things in a burst of nihilistic excess. Yet, even though it's a cheat, it retains a degree of resonance.
63 Chicago Tribune
Kutcher delivers a credibly serious performance as Evan, and he's surrounded by a skilled supporting cast.
63 Chicago Sun-Times
There's so much flashing forward and backward, so many spins of fate, so many chapters in the journals, that after awhile I felt that I, as well as time, was being jerked around.
60 Film Threat Staff (Not credited)
A terrific story, years in the making, that clearly stays true to the uncompromising vision of its creators. The results are on the screen.
60 Dallas Observer
As a thriller, The Butterfly Effect is iffy and uneven, but as a portrait of a people, it's effective and intriguing.
58 Portland Oregonian
Isn't a complete waste of time. If Kutcher seeks to transition from national joke to lightweight actor, he's made a decent stab at it.
50 USA Today
Unpleasantness alone doesn't sink a movie. But miserable tidings intensify when there's not only a high ick factor but also floundering storytelling.
50 Washington Post
With a surprisingly unhappy, anti-Hollywood ending that will appeal to those who like things dark.
50 Miami Herald
Better than you might expect despite its awkward, slow beginning, drawing you in gradually and paying off in surprisingly effective and bittersweet ways.
50 The Globe and Mail (Toronto)
Somewhere, back in the mists of time, co-writers Eric Bress and J. Mackye Gruber must have flapped their gums in the fond hope of crafting a script; today, that whisper of hot air has swollen into a feature flick that rains down upon us a veritable torrent of inane plot.
50 San Francisco Chronicle
In its own ridiculous way, The Butterfly Effect is an entertaining movie, despite mediocre acting, lackluster direction and a story that's sometimes frustrating. It has the integrity of camp, maintaining an odd earnestness in the face of its own absurdity.
50 The Hollywood Reporter
An entertaining piece of supernatural nonsense whose sheer audacity disarms all (well, nearly all) skepticism.
50 TV Guide
Kutcher's performance isn't terrible, but the brilliant, bewildered, increasingly desperate Evan is the film's center, and grounding its flights of fantasy in rock-solid emotional reality is more than Kutcher can manage.
50 Charlotte Observer
The film works best as an extended "Twilight Zone" episode.
42 Seattle Post-Intelligencer
Ashton Kutcher wants to be taken seriously so badly it hurts. So does this metaphysical mess of a movie, a pseudo time-travel drama so complicated it takes more than half an hour just to establish the gimmick. And a gimmick it is.
42 Entertainment Weekly
Kutcher is the wrong actor to anchor a psychological freak-out.
40 Empire
Arguably worse than its sadistic absurdity is the depressing, limited scope.
38 Baltimore Sun
So, here's the problem with The Butterfly Effect: It's silly.
38 Philadelphia Inquirer
Profoundly knuckleheaded.
38 New York Post
So consistently silly and overwrought that it flirts with the elusive so-bad-it's-entertaining category.
30 Variety
This overwrought and egregiously self-serious thriller about the poisonous fruit borne of child abuse grows more ridiculous by the quarter-hour and is poised for a theatrical life span scarcely longer than that of its eponymous insect.
30 Village Voice
You have to, if not love, at least not mind a movie in which the very act of Ashton Kutcher reading is enough of a cosmic trauma to rip a hole in the fabric of space-time.
30 Austin Chronicle
My advice? Grab Mr. Peabody’s Wayback Machine and recast with Jimmy Dean.
30 Slate Michael Agger
Impressively sets a new standard for time travel gone awry.
30 Chicago Reader
Abysmal thriller.
25 Boston Globe
A film of singularly boneheaded conceits, Butterfly is populated by, and appears to have been made by, stoned college dudes more hung up on oh-wow twists than the need to make sense.
25 Rolling Stone
Nothing can save this repetitive bore. Dude, where's your memory?
25 Christian Science Monitor
As soon as I finish writing this review, I'm going to try traveling a few hours in the past. That way, I can improve my life by skipping this movie!
25 New York Daily News
If you approach this movie in the right frame of mind -- that is, with total contempt -- you can still enjoy it as a comedy.
20 LA Weekly
An undercooked allusion to chaos theory -- gives every appearance of having been conceived, planned and executed out of a high school locker room.
20 Los Angeles Times
As the requisite love interest, Amy Smart gives the film's only professional performance, while co-star Eric Stoltz, as the story's villain, walks somnolent through the scenery with what seems to be barely suppressed mirth. Given the deeply unpleasant plot machinations and amateurish direction, the actor's amusement is understandable.
20 The Onion (A.V. Club)
A bad-movie-lover's heaven, and a good-movie-lover's hell.
20 Salon.com
It's like receiving a box of Valentine's chocolates in which someone has deliberately hidden ground glass. Flee.
10 The New York Times
Inhabited by a genuine spirit of cruelty, both toward its characters and its audience.
10 Wall Street Journal
It's a terrible life, and a terrible movie.

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