| 90 |
Rolling Stone
Elegant, funny and unexpectedly touching, this whodunit about a murder aboard the yacht of William Randolph Hearst represents a bracing comeback for Peter Bogdanovich.
|
| 90 |
Washington Post
An elegant drama about power and its frightening uses, The Cat's Meow is the bee's knees.
|
| 83 |
Entertainment Weekly
Peter Bogdanovich taps deep into the Hearst mystique, entertainingly reenacting a historic scandal.
|
| 80 |
Los Angeles Times
Relatively accurate as a period piece, looks great and boasts a bevy of vintage numbers, some original recordings and others performed in an authentic manner by Ian Whitcomb and His Bungalow Boys.
|
| 80 |
New Times (L.A.)
It's vastly enjoyable in a low-down, scandal-mongering way.
|
| 80 |
Chicago Reader
If it speaks with a quieter voice than many of Bogdanovich's early pictures, what it has to say seems substantially more personal and thoughtful.
|
| 80 |
Variety
Playful and sporty, with just a small twist of the knife, The Cat's Meow is good, uncomplicated fun.
|
| 75 |
Seattle Post-Intelligencer
The fact is no one has a better understanding of the corruption of ego and power, or is more qualified to encapsulate it in a defining moment of Hollywood Gothic.
|
| 75 |
Boston Globe
Could have been -- and should have been -- richer and more resonant. It's Hollywood Babylon Lite, only TV movie-deep. But at least it's tangy.
|
| 75 |
ReelViews
Isn't quite good enough to elicit a purr, but it represents better-than-average movie-making that doesn't demand a dumb, distracted audience.
|
| 75 |
San Francisco Chronicle
Bogdanovich takes a tale of old Hollywood and infuses it with velocity and enthusiasm.
|
| 75 |
Charlotte Observer
Bogdanovich adds touches to appeal to serious film fans.
|
| 75 |
Chicago Sun-Times
The film is darkly atmospheric, with Herrmann quietly suggesting the sadness and obsession beneath Hearst's forced avuncular chortles. Dunst is as good, in her way, as Dorothy Comingore in "Citizen Kane" in showing a woman who is more loyal and affectionate than her lover deserves.
|
| 70 |
Salon.com
If there were any justice in the world, The Cat's Meow would be the beginning of the rehabilitation of Davies' image.
|
| 70 |
Village Voice
A better-than-competent period evocation that allows the director to flaunt his knowledge (and perhaps vent some of his own bitterness) regarding Hollywood.
|
| 70 |
The Onion (A.V. Club)
Faithfully recreates a bygone era of larger-than-life filmmakers and stars.
|
| 70 |
Slate
Bogdanovich has been so smooth and loving in his directorial attentions that he has forgotten to give the tragical farce proceedings any terrible momentum.
|
| 70 |
The New York Times
A modest, restrained picture, as small and satisfying as one of Woody Allen's better recent efforts.
|
| 63 |
New York Post
But even if The Cat's Meow is unsubtle and overlong, in its jaundiced way it convincingly captures a fascinating period in Hollywood history.
|
| 63 |
Chicago Tribune
The movie leaves us with the image of rich folks frantically dancing the Charleston because if they stop, they'll have nothing. The point is as untrue as it is simplistic.
|
| 63 |
Philadelphia Inquirer
The film is better on mood than on message, sharply etching the professional desperation behind the forced gaiety.
|
| 63 |
The Globe and Mail (Toronto)
The result is good gossip, entertainingly delivered, yet with a distinctly musty odour, its expiry date long gone.
|
| 63 |
Miami Herald
For all its charms, sometimes feels as self-obsessed as the characters it slyly mocks.
|
| 60 |
TV Guide
Overall, the film feels a little stiff, perhaps because screenwriter Steven Peros adapted his own stage play. But the performances are a delight, especially Dunst's effervescent turn as Marion Davies.
|
| 60 |
Film Threat
While certainly an entertaining and intriguing film, one simply can't get past the notion that we're watching semi-famous actors pretending to be their more famous characters.
|
| 58 |
Portland Oregonian
Swell when it purrs, when the three top stars are in full form, but it spits and hisses and screeches too often to take full hold.
|
| 50 |
New York Daily News
Dunst makes Davies the most confident and interesting person aboard the Oneida and makes this voyage almost, but not quite, worth taking.
|
| 50 |
Baltimore Sun
This movie's biggest contribution to film history will be resurrecting Davies' reputation as a natural comedian stuck in deadly costume pictures because her lover wanted her placed on a pedestal.
|
| 50 |
Austin Chronicle
As a period mystery, however, it's as muddy and swirling as the actual record of that fateful, deadly weekend cruise.
|
| 50 |
Christian Science Monitor
Resembles the yacht where it takes place. Everything is arranged for fun, pleasure, and amusement. But the vehicle itself is heavy and cumbersome, and it takes a tad too long to get us where we're going.
|
| 40 |
Empire
Miles Fiedler
Curiously uninvolving. It never comes to life -- even after someone is found dead. Nevertheless, there are pleasures to be found in the performances, particularly in Eddie Izzard's lovelorn Chaplin and Edward Herrmann's paranoid Hearst.
|
| 40 |
LA Weekly
An inert, respectable bore.
|
| 40 |
Time
The result is tiresome and tone-deaf and a disappointing comeback for Bogdanovich.
|
| 30 |
Wall Street Journal
The script is dead in the water, and most of the misanthropic repartee rings resoundingly false.
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