| 90 |
Chicago Reader
David Kehr
Impeccably crafted and utterly impersonal, Lasse Hallstrom's adaptation of John Irving's novel has many of the qualities Oscar is known to appreciate.
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| 88 |
Baltimore Sun
The Cider House Rules is about many things -- chance, passivity, free will and self-invention -- but ultimately it comes back to Larch, who emerges as a toweringly noble figure even in his weakest moments.
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| 88 |
Charlotte Observer
To adapt it for a 130-minute movie, Irving ruthlessly cut away subplots, eliminated supporting characters and pared down the traits of the ones that remain.
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| 88 |
Christian Science Monitor
Leaves out portions of John Irving's novel that would have given it more balance and perspective, but the acting by Maguire and Caine is first-rate by any standard.
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| 88 |
New York Daily News
Lewis Beale
"I write 19th-century stories; they're supposed to affect you emotionally," says Irving, explaining why Tinseltown keeps knocking at his door.
|
| 88 |
Boston Globe
It's filled with vivid characters and action. Beneath its modesty of gesture, it's one of the year's richest, most humane films.
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| 88 |
Chicago Tribune
A deliberately old-fashioned picture that succeeds in nearly everything it tries to do.
|
| 83 |
Entertainment Weekly
Lasse Hallström calms Irving's typically busy 1985 best-seller with a balm of the Swedish director's typically soothing lyricism.
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| 83 |
Seattle Post-Intelligencer
Many will find the subject matter disturbing, but it's clearly one of the holiday season's richest and most daring movie entries.
|
| 80 |
Los Angeles Times
That Irving adapted his novel to the screen himself and, even more, that Hallström directed it, makes Cider House a far better film than other film adaptations of Irving's work.
|
| 80 |
Variety
A touching, old-fashioned charmer that ultimately satisfies.
|
| 80 |
The New York Times
The author's fantastical world of wonders and the director's tender-hearted compassion mesh into what is easily the finest film realization of an Irving novel.
|
| 80 |
Mr. Showbiz
Richard T. Jameson
Hallström, a past master at cockeyed coming-of-age chronicles ("My Life as a Dog," "What's Eating Gilbert Grape"), has a near-genius for unpatronizing tolerance, and for seeing beauty in the world and nature and seasons without turning them into postcards.
|
| 80 |
TNT RoughCut
This is a warm, accessible story with delightful characters and a nice metaphor about following your own rules.
|
| 80 |
Washington Post
More honest than any conventional morality tale. Here there are no heroes and no real villains; the good guys are all flawed and even bad guys are sometimes capable of the noblest of acts.
|
| 80 |
Film.com
Part of the appeal of John Irving's writing is its sense of bounty, the way the world is offered up as a horn of plenty. The Cider House Rules movie, by contrast, feels narrowed down to small slices of experience.
|
| 80 |
Time
A small epic with subtle strengths.
|
| 80 |
Film.com
Always consistently watchable, but you get the feeling that in the novel --- the treacle is cut with the nasty edge that Irving's writing is capable of.
|
| 80 |
Dallas Observer
Rich in story, character, and design, The Cider House Rules is obviously a collaborative effort, but above all it is a triumph for director Hallström.
|
| 75 |
San Francisco Examiner
What remains of the book's psychological underpinnings -- there are enough here to leave a permanent dent in the couch of any Freud-loving shrink
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| 75 |
San Francisco Chronicle
Has that Dickensian spirit wherein simple acts of kindness can bring an audience close to tears.
|
| 75 |
Philadelphia Inquirer
He (Irving) has been able to capture the quirky tone of the popular novel.
|
| 70 |
LA Weekly
It's Tobey Maguire, doing fine, subtle work, who holds it all together -- he puts a human touch to what is otherwise expertly wrought hokum.
|
| 70 |
Village Voice
This adaptation of John Irving's novel--- is as paternalistic, puffed-up, and dull as a congressional debate about abortion rights.
|
| 70 |
Washington Post
The movie is pure pro-choice agitprop, as it tracks Homer's conversion to the cause of choice and posits the heroism of the abortionist. Pro-lifers will hate it on that point alone.
|
| 67 |
Portland Oregonian
Has many affecting moments, but you may tire of the tugging on your heart strings.
|
| 67 |
Austin Chronicle
Oddly, most of the elements needed for a good movie are present here, but when added together they equal less than the sum of the parts.
|
| 63 |
New York Post
A major disappointment, The Cider House Rules pales by comparison with the gutsier, more full-bodied adaptation of Irving's "The World According to Garp."
|
| 63 |
USA Today
This being Irving, the story straddles the sweet and the creepy.
|
| 50 |
TV Guide
Hallstrom's leisurely adaptation of John Irving's unconventional coming-of-age novel is so well crafted and intelligent that it feels churlish to point out that it's easier to admire than actually like.
|
| 50 |
Chicago Sun-Times
The story touches many themes, lingers with some of them, moves on and arrives at nowhere in particular. It's not a story so much as a reverie about possible stories.
|
| 50 |
Miami Herald
Feels like the shell of a wonderful story.
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