Critic Reviews
| 75 |
The Onion (A.V. Club)
Sayar and Schnendar are likeable performers, and if Bilu and Hager had pushed the "private school for girls" side of Close To Home a little harder, they could have had a sharp satire on their hands. Instead, it's all played straight and close to the surface.
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| 75 |
TV Guide
It presents an image of today's Israeli army, composed of teenagers who are by now several generations removed from the founders' original vision and have begun to question whether tactics designed to keep the country safe will only lead to increased levels of fear, humiliation and deadly violence.
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| 75 |
New York Daily News
Filmmakers Vardit Bilu and Dalia Hagar don't seem as interested in taking sides as they do in exploring universal themes.
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| 75 |
Entertainment Weekly
One of the rare movies from Israel that refuses to spell out its politics, and you may wind up grateful for the ambiguity.
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| 75 |
The Globe and Mail (Toronto)
Kamal Al-Solaylee
The film is much more subversive for treading back and forth between the political and the personal, the Arab and the Israeli points of view.
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| 70 |
Salon.com
I won't argue for the cinematic virtues of this film; they don't exist. But as a pseudo-documentary portrait of real life behind the explosive headlines, it's absorbing.
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| 70 |
Los Angeles Times
Lael Loewenstein
Close to Home is a slender slice -- a sliver is more like it -- of a very rich cake.
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| 70 |
The New York Times
The movie, written and directed by Vidi Bilu and Dalia Hager, is really a study of people coping with excruciating boredom and the absurd aspects of military life.
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| 70 |
Variety
Mixes humor, tragedy, tenderness and political acumen into a well-observed coming-of-age format.
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| 60 |
Empire
A slyly subversive insight into the role of women in the Israeli military, this is a surprisingly compassionate satire that makes its political points without resorting to caricature.
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| 50 |
Village Voice
Ella Taylor
Though it clearly means to call into question the legitimacy of their work, the movie is formlessly episodic as it meanders from one day to the next, finally losing itself in a forest of coming-of-age clichés.
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| 50 |
The New Republic
In short, this squad is an ill-trained, slovenly bunch of soldiers. That such behavior exists, or can exist, in any army is surely commonplace, but that Israeli producers should want to make a film about the matter at this time is puzzling.
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| 50 |
Boston Globe
This movie just seems like a scattered excuse to make political points without saying much of anything. Worse, it also fails to show us, with any vividness, how Mirit and Smadar think and feel as women.
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