Critic Reviews
| 88 |
Chicago Tribune
It's not often that you see the craft of cinema so perfectly executed--or a group of fancy scoundrels so ruthlessly caught and skewered. Comedy of Power, like all of Chabrol's Hitchcockian films, is dark, smart and delicious.
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| 80 |
Film Threat
Matthew Sorrento
A well-designed vehicle for the director's long-time star, Isabelle Huppert, whose focused portrayal makes this film a well-honed character study.
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| 75 |
San Francisco Chronicle
In many ways a meandering film, a collection of good scenes.
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| 70 |
Chicago Reader
Richard M. Porton
One of Claude Chabrol's most satisfyingly astringent films in years.
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| 70 |
The New York Times
As ever, Mr. Chabrol’s style is delicate and precise. Comedy of Power is not his deepest or most ambitious film, and its stance of knowing resignation in the face of corruption can feel a little glib. But Ms. Huppert's ferocity compensates for the director's detachment; no French actress is as riveting to watch once the gloves come off.
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| 63 |
New York Daily News
Draggy for long stretches, and never funny, Comedy of Power is a showcase - as if she needed another - for Huppert's chameleon qualities. She's an actress who can make a phone-book reading interesting, and that is pretty much the challenge she meets here.
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| 63 |
TV Guide
Title notwithstanding, there's nothing particularly funny about this political drama from the tireless Claude Chabrol.
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| 63 |
Boston Globe
This movie can't commit to a genre, let alone a logical sequence or complete idea. But there is a wisdom in its blasé assessments and frivolous air: What's the point; where's the wine?
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| 60 |
Variety
While the picture may be too subtle and oblique in places for more general audiences, it remains enjoyable as a sardonic glimpse of unspoken codes at the intersection of politics and business.
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| 60 |
Village Voice
Jim Ridley
An enjoyable but curiously weightless trifle that lowers rather than raises the temperature of the affair. Comedy of Power has to be the most polite, untroubled conspiracy film since the genre first tapped a phone.
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| 50 |
The Hollywood Reporter
The movie is too parochial for a wide audience. The French judicial system is totally alien to Americans, for instance, plus the film is a talkathon.
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| 50 |
Entertainment Weekly
Chabrol has fashioned a mystery that caves in on itself, but unfortunately, it caves in on the audience, too.
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| 50 |
New York Post
At age 76, Chabrol seems to be just going through the motions, but anyone who has helmed 70 films ("Les Bonnes Femmes" and "La Ceremonie," for example) is entitled to an off day. Look for him to dazzle us next time out.
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