Metacritic Film

Contender, The

Starring Joan Allen, Gary Oldman, Jeff Bridges, Sam Elliott, and Christian Slater

MPAA RATING: R for strong sexual content and language

DreamWorks
Suspense/Thriller
126 minutes | Color
France / USA
Released In Theaters October 13, 2000

Sex secrets from a U.S. Senator's (Allen) past come to light as she is nominated for Vice President.

WRITTEN BY
Rod Lurie

DIRECTED BY
Rod Lurie

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

59 / 100

Critic Reviews

100 Chicago Sun-Times
One of those rare movies where you leave the theater having been surprised and entertained, and then start arguing.
88 Charlotte Observer
Supplies the three key elements of the best political thrillers: suspense, credibility and the feeling that you're really sitting in the Oval Office.
88 Chicago Tribune
It's an intelligent and informed look at the preposterous ways our leaders are often picked and sabotaged.
83 Portland Oregonian
An assured and gripping political drama filled with remarkable performances and razor-sharp writing and editing.
75 New York Post
Excellent performances in an entertaining if less than totally plausible story.
75 San Francisco Examiner
The sort of smutty scandalmongering the average moviegoer can really get behind.
75 New York Daily News
Lurie has made an impressive contribution to the bulging library of political film, and he has showcased some performances sure to get Oscar consideration.
75 Miami Herald
Heavy-handed and manipulative, it also proves formidably engrossing.
75 San Francisco Chronicle
Thoroughly engrossing.
75 Philadelphia Inquirer
A sharp, intricate political drama.
70 Los Angeles Times
It does move right along and it's enlivened by stronger, more enjoyable acting than this kind of picture usually provides.
70 Newsweek
Silly as it is, The Contende has a lurid zest that keeps you hooked, and a rambunctiously good cast.
70 Washington Post
As entertainment of a tawdry but compelling sort, The Contender certainly delivers.
70 LA Weekly
What Lurie has made is "The West Wing" without the constraining niceties of prime time.
70 The New York Times
A cast that chews the scenery with such obvious enjoyment that you're happy to put up with its tin-eared oratory and preposterous plot turns for the sake of a good ride.
70 Slate
Has a nonsensical twist ending that almost wrecks it, but until then it has enough fast, hyperliterate venality to make it great fun.
70 TV Guide
This smart political thriller gets pulses pounding with no pyrotechnics and only one car crash. And it's a doozy.
67 Austin Chronicle
A potpourri of issue-oriented drama enlivened by superlative performances and smart dialogue.
67 Entertainment Weekly
Engages in the cinematic equivalent of not inhaling.
63 Baltimore Sun
Misfires by constantly tossing out liberal feel-goodisms.
63 USA Today
Compelling and provocative -- though not memorable.
60 Chicago Reader
Bridges and Allen are so bracingly good that you're encouraged to overlook how manipulative the proceedings are.
60 Rolling Stone
Until The Contender slips into partisan politics and platitudinous piety, it's a lively, entertaining ride.
60 Washington Post
I can recommend the first two-thirds of this movie with great enthusiasm.
60 Variety
The large, talented cast elevates the film above the trappings of its loquacious debates, particularly Allen.
58 Seattle Post-Intelligencer
Annoyingly shallow, filled with one-note characters, and not half as daring as it seems to think it is.
55 Mr. Showbiz
It's a polished, beautifully made movie with a rotten heart.
50 Christian Science Monitor
The story is so calculated that it ultimately bears little relation to the real world.
50 Boston Globe
Wonderfully cast and slickly directed, but so crudely written.
40 Film.com
The film's very premise, while initially promising, doesn't hold up to lengthy scrutiny.
40 Film.com
A sophomore writing-directing effort from former film critic Rod Lurie.
40 Village Voice
Graceless writing and shameless plot contrivance.
20 Dallas Observer
The most offensive movie of the year.
20 Film.com
The film looks horrendous, poorly composed and staged, and the rhythm staggers.
20 Salon.com
The most gutless and naive political drama of recent memory.

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