Metacritic Film

Day Without a Mexican, A

Starring Maureen Flannigan, John Getz, Eduardo Palomo, Caroline Aaron, Yareli Arizmendi, and Muse Watson

MPAA RATING: R for language and brief sexuality

Televisa Cine
Comedy  |  Drama
100 minutes | Color
USA / Mexico / Spain
Released In Theaters May 14, 2004

In this satire, California wakes up one morning to find that one third of its population has disappeared. A strange thick pink fog surrounds the state and communication outside its boundaries is completely cut off. As the day goes by, we discover that the characteristic that links the 14 million disappeared is their Hispanic background. (Televisa Cine)

WRITTEN BY
Sergio Arau
Yareli Arizmendi
Sergio Guerrero

DIRECTED BY
Sergio Arau

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

30 / 100

Critic Reviews

63 Miami Herald
The intended satire doesn't deliver the kind of punch you may expect, but it nevertheless poses many what-ifs.
50 Chicago Tribune Achy Obejas
Never really moves beyond its premise. It never takes us to a place of real understanding.
50 Dallas Observer
Using humor to make a serious point, Arau suggests that without the millions of Hispanics...life in the Golden State would screech to a halt.
50 TV Guide
For the first hour director Arau and his co-writer and wife, actress Arizmendi, negotiate the story's tricky mix of comedy, social satire and science fiction with surprising aplomb.
40 Variety
Darkly amusing idea delivers an early salvo that fades as the film swings across a range of styles and tones director Sergio Arau gamely tries to corral. Even at its half-realized level, pic will anger some as it amuses others.
40 The Hollywood Reporter
Plenty of salient points to make in this satirical cautionary tale, there's still not enough to sustain the expanded running time.
30 LA Weekly
A terrific premise is mangled to a pulp, then beaten to death in this forced mockumentary.
30 Los Angeles Times Kevin Crust
Much of the humor is overly familiar, and the broader elements feel strained when it veers toward melodrama in its final third.
25 San Francisco Chronicle John McMurtrie
Doesn't know what it wants to be: either a goofball satire or a heavy-handed social-message movie.
25 New York Post
Approach is too heavy-handed to have much effect. Rod Serling probably could have turned the premise into an enjoyable episode of "The Twilight Zone."
20 Austin Chronicle
Its narrative conceit will entertain for a while, but eventually you will long to disappear with the rest of the Mexicans.

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