| 100 |
USA Today
An instant classic, an Oscar-worthy showcase for Jeremy Irons, and a tightrope ballet over dicey screen material… A subtle movie - and thus a disturbing one. Like “Vertigo,” “The Night of the Hunter,” “Repulsion” and a few others, it finds beauty in morbidity - then nags you to come back for a second dose. [23 Sept 1988]
|
| 100 |
Los Angeles Times
To think of a film this assured, this unified and this dizzyingly potent, you have to go back to "Blue Velvet." [22 Sept 1988]
|
| 100 |
Washington Post
For those who enjoy cinematic visits to other, darker worlds, this blood's for you. Watching Ringers is not unlike watching a critical operation -- unnerving but also enthralling. [23 Sept 1988]
|
| 100 |
The Globe and Mail (Toronto)
David Cronenberg's gelid masterpiece.
|
| 100 |
Entertainment Weekly
Staff (Not Credited)
A masterpiece.
|
| 90 |
Chicago Reader
An astonishing tour de force--especially for Irons, whose sense of nuance is so refined that one can tell in a matter of seconds which twin he is playing in a particular scene.
|
| 90 |
TV Guide
Staff (Non Credited)
Quietly devastating... Extremely unsettling, at times amusing, cold yet personal, Dead Ringers gradually and deliberately comes to horrify the viewer, rather than shocking outright.
|
| 90 |
The New York Times
What makes the performance(s) even better is that Mr. Irons invests these bizarre, potentially freakish characters with so much intelligence and so much real feeling. [23 Sept 1988, p.C10]
|
| 88 |
Chicago Tribune
It's almost too rich in ideas for its own good: The sense of concentration and proportion isn't there. But it remains an astonishing, magnetic, devastating piece of work. [23 Sept 1988]
|
| 80 |
Variety
Staff (Not Credited)
Cronenberg handles his usual fondness for gore in muted style.
|
| 80 |
Time
At times Dead Ringers also tilts out of coherence, with scenes that are dramatically stillborn. But Irons is splendid in both roles, and Cronenberg can create tour-de-force tableaux with his effortless black magic. [26 Sept 1988]
|
| 75 |
San Francisco Chronicle
A little abhorrent yet strangely appealing. I found it arty and pretentious, but still couldn't turn my eyes away from its almost hypnotic coolness and fascinating psychological horrors. [23 Sept 1988]
|
| 70 |
Washington Post
The movie is really almost tasteful considering [Cronenberg’s] stomach-churning capacities. He always does it for a higher purpose, though, which is why his films sometimes win wider audiences. This one probably won't cross over, because it's too queasy. [23 Sept 1988]
|
| 63 |
Chicago Sun-Times
The secret may be that Cronenberg approaches his trashy material with the objectivity of a scientist; it is his detached, cold style that makes the material creepy instead of simply sensational.
|
| 50 |
Christian Science Monitor
Is this misogyny, as some insist, or a critique of misogyny, as others say? Many moviegoers, grossed out by the film's gothic approach to medical matters, won't watch long enough to find out which is the answer. [30 Sept 1988]
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