Metacritic Film

Double Jeopardy

Starring Tommy Lee Jones, Ashley Judd, Bruce Greenwood, Annabeth Gish, Spencer Treat Clark, and Roma Maffia

MPAA RATING: R for language, a scene of sexuality and some violence

Paramount Pictures
Suspense/Thriller
105 minutes | Color
USA / Canada / Germany
Released In Theaters September 24, 1999

Framed for the murder of her husband, Libby Parsons (Judd) survives the long years in prison with two burning desires sustaining her -- finding her son and solving the mystery that destroyed her once-happy life. Standing between her and her quest, however, is her parole officer (Jones). (Paramount Pictures)

WRITTEN BY
David Weisberg
Douglas Cook

DIRECTED BY
Bruce Beresford

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

40 / 100

Critic Reviews

75 San Francisco Chronicle
There's something heartening about a film that aspires to do nothing but entertain -- and does.
75 San Francisco Examiner
Entertainment made well enough that you can overlook its absurdities.
70 Dallas Observer
A solo "Thelma and Louise" crossed with a gender-reversed "The Fugitive" with a dry twist of "Fletch."
67 Seattle Post-Intelligencer
Loaded down with credibility problems.
63 Chicago Sun-Times
Not a successful thriller, but with some nice dramatic scenes along with the dumb mystery and contrived conclusion.
63 New York Post
There are a few ingenious zig zags in its otherwise by-the-numbers plot...but what keeps you interested... is the sheer movie-star presence of the actors in the lead roles.
63 Boston Globe
Judd is pretty much on her own - an assignment she mostly can handle with aplomb.
55 TNT RoughCut Matt Kelsey
Jones' pursuit of Judd follows the tried-but-true plotline of winding cat-and-mouse chases that lead to big climaxes.
50 Film.com
A generally dumb movie with a smart, appealing, gutsy leading lady.
50 Charlotte Observer
On a simplistic level, the movie works as a revenge fantasy...Yet anybody who thought about the movie for two minutes would have to conclude it couldn't happen.
50 Baltimore Sun Milton Kent
It's just too bad that you can see everything coming from a mile away.
50 Miami Herald
Bad in a good way if you appreciate this sort of silly thriller.
50 Film.com
An adequate popcorn matinee flick that's anchored by Judd's wonderful lead performance -- a performance that is better than the film earns or deserves.
50 Los Angeles Times
For all its familiar conventions and hoary improbabilities, Double Jeopardy is a relatively efficient model of its kind.
50 Philadelphia Inquirer
Preposterous, if diverting, revenge fantasy that rivals Rambo in sheer narrative chutzpah and vigilantism.
50 Variety
Despite fine casting...familiarity sets in and lack of surprises directly lessen what could have been emotionally gripping.
40 Salon.com
An intermittently engaging thriller.
40 TV Guide
Whether this riot of unrepentant trashiness strikes you as tediously ridiculous or brainlessly amusing is probably a matter of mood.
40 The New York Times
Would-be Hitchcockian cat-and-mouse games...are more memorable for their settings...than for their sense.
40 LA Weekly
All promise and no payoff.
38 New York Daily News
So riddled with plot holes and implausible actions, you can't help feeling insulted by it.
38 Chicago Tribune
So nonsensical you don't understand why anyone would actually make it.
33 Portland Oregonian
A carnival of stupid coincidences, paper-thin characterizations, and inept staging, lighting and montage.
33 Entertainment Weekly
This toothless thriller...feels like a strained reworking of ''The Fugitive.''
30 Austin Chronicle
Predictable piffle, a comically unbelievable story that leaves almost no impression except what a sham our legal system is.
30 Rolling Stone
Judd is slumming again in ths lame suspense yarn that could barely pass as a TV quickie without the bankable names of Judd, Tommy Lee Jones and director Bruce Beresford.
30 Film.com Moira Macdonald
Seems to be an exercise not unlike the phone-booth stuffing of the '50s; namely, let's see how much plot we can fit into a movie before it bursts.
30 Chicago Reader
In this inept thriller...the script is a coloring book, and the director's careful to stay within the lines.
20 Washington Post
Beginning with an intriguing premise, which it manages to squander in record time, it turns out to be a thinly imagined, thinly acted, silly exercise in car crashes, chases and nasty outbursts of generic violence.
11 Mr. Showbiz
It has no subtlety, no shadings, and no suspense, and might as well not have a screenplay.

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