Metacritic Film

Double Take

Starring Orlando Jones, Eddie Griffin, Vivica A. Fox, Brent Briscoe, Gary Grubbs, Raul Julia-Levy, Sterling Macer Jr., and Garcelle Beauvais

MPAA RATING: PG-13 for violence and language

Walt Disney Pictures / Buena Vista
Comedy
88 minutes | Color
USA
Released In Theaters January 12, 2001

This high-octane action/comedy finds successful New York investment banker Daryl Chase (Jones) suddenly on the run and having to switch identities with low-life petty thief Freddy Tiffany (Griffin). (Touchstone Pictures)

WRITTEN BY
George Gallo
Graham Greene (story Across the Bridge)
Guy Elmes & Denis Freeman (1957 screenplay Across the Bridge)

DIRECTED BY
George Gallo

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

25 / 100

Critic Reviews

75 Miami Herald
Frenetic, maddening, exhilarating, ridiculous, fascinating farce of an action-comedy-thriller-mystery-whatever.
75 Boston Globe
Gallo has delivered a clever suspense comedy that, thanks to a taut script, creative direction, and first-rate performances from its leads, gives Double Take more weight than one would expect from a genre crowd-pleaser.
63 Philadelphia Inquirer
Snappily written and even more snappily directed.
60 Los Angeles Times David Chute
An even-handed mixture of suspense and comedy that aims to play fair with the audience on both fronts.
50 San Francisco Chronicle
Decidedly lowbrow.
50 TV Guide
There's so much going on it's hard to keep track, and after a while you may be tempted to give up.
42 Seattle Post-Intelligencer
A bafflingly unfunny comedy.
38 USA Today
As buddy pics go, this is pretty much not even worth a single look, let alone a double take.
38 Chicago Tribune
We've since seen plenty of self-satisfied smart alecks, and Freddy, as written and played, brings nothing new to the party.
30 Salon.com
You get the feeling that everyone was in a good mood and the margaritas were pouring, but neither Gallo nor anybody else ever found a bottom line for this movie or its characters.
25 Portland Oregonian
If ever a film was fit only for straight-to-video release, it's this one.
25 New York Post
The often difficult-to-follow plot is sort of "Traffic" for nitwits.
25 Entertainment Weekly
Another racial cartoon buddy movie that eagerly flogs its best laugh -- indeed, its only laugh -- in the trailer.
25 Chicago Sun-Times
I realized there was no hope for the movie because the plot and characters had alienated me beyond repair. If an audience is going to be entertained by a film, first they have to be able to stand it.
25 New York Daily News
This dismally strained comedy defies laughs and doesn't contain an ounce of internal logic.
20 The New York Times
A shell game passing as entertainment.
20 Washington Post
Most of the comedy, such as it is, consists of the uppity Chase acting "street" and the ghetto-fabulous Tiffany putting on moneyed airs. But, if you've seen the trailers, you already know that.
20 Chicago Reader
Poorly paced action comedy.
20 LA Weekly
An ostensible action-comedy that can't seem to get either side of its genre equation right.
10 Variety
It's doubtful that anyone, even executors of Greene's literary estate, will be able to discern much of the source material in this frenetic trifle.
10 Mr. Showbiz
Who the heck green-lit this garbage heap anyway?
0 Film.com
It's not just bad, it's ugly. Not just stupid but really aesthetically displeasing. The sooner this movie disappears from sight, the better.

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