| 75 |
Christian Science Monitor
Anthony doesn't have a large emotional range as an actor, and neither does Lopez. Still, the musical numbers, which constitute a hefty portion of screen time, are thrilling.
|
| 75 |
Seattle Post-Intelligencer
A special film, one that refuses to package a person's life into a comfortably familiar genre.
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| 75 |
Philadelphia Inquirer
It's a soaring, crashing, blazing affair with pyrotechnic performances by real-life spouses Marc Anthony and Jennifer Lopez as Lavoe and his wife, Puchi. Like a plane disaster, it holds you in thrall of ¡ay, Dios mio! drama.
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| 70 |
Washington Post
A star isn't born in El Cantante as much as it's reconfirmed. She's still here, and she's still got it.
|
| 63 |
USA Today
The music is the uncontested highlight of El Cantante.
|
| 63 |
TV Guide
Biopic cliches hamstring producer-star Jennifer Lopez's pet project.
|
| 50 |
New York Daily News
The awkwardly told story of salsa legend Hector Lavoe, El Cantante doesn't even get the title right: It should have been called "La Esposa," since it's really less about the singer than his wife.
|
| 50 |
New York Post
A sizzling soundtrack and Jennifer Lopez's best performance since "Out of Sight" go only so far in El Cantante, a downer of a musical biopic that leaves no cliché unturned.
|
| 50 |
Chicago Sun-Times
If you're a fan of Hector Lavoe and Latin music, or Lopez and Anthony, you'll want to see El Cantante for what's good in it. Otherwise, you may be disappointed. The director (Leon Ichaso) and his co-writers haven't licked a crucial question: Why do we need to see this movie and not just listen to the music?
|
| 50 |
Baltimore Sun
"Everybody loved him. One woman understood him," goes the ad line. But the movie makes you wonder how anyone could love this screw-up and why anyone would have a problem understanding him.
|
| 50 |
Boston Globe
Ideally, it would give you a sense of an entire people knocking the planet off its axis with a shake of their hips. If only El Cantante were that movie. Instead, it's a curiously sludgy cross between a Doomed Star biopic and a J. Lo vanity project.
|
| 50 |
The New York Times
It may be best to approach El Cantante less as a movie than as a two-hour promotional video for a must-have soundtrack album.
|
| 50 |
The Hollywood Reporter
Unfortunately, the music is as irresistible as the tired story of a musician succumbing to substance abuse is resistible.
|
| 50 |
Entertainment Weekly
Anthony, with his famished thousand-yard stare, turns in a delicate -- perhaps too delicate -- performance more informed by the shadow of Lavoe's death than the spark of his art. And his shrill domestic scenes with Lopez feel small and squalid, as we wait restlessly for the band to play us out.
|
| 50 |
Chicago Tribune
Turns out to be nothing special. Well, the music is. The storytelling is not.
|
| 50 |
The Onion (A.V. Club)
Anthony delivers a respectable performance, but his character never comes into sharp focus. Consequently, Lavoe emerges as a supporting character in his own story.
|
| 50 |
Miami Herald
It's whenever the music stops that the movie runs into trouble.
|
| 42 |
Portland Oregonian
Lopez can't decide if she's playing Lavoe's victim or enabler -- the movie sort of half blames her -- and neither of her characters is likable. The music's lovely, though.
|
| 40 |
Variety
A virtual template of every imaginable cliche of the musical biopic, picture suffers from a lack of narrative and character focus
|
| 40 |
Austin Chronicle
Unfortunately, there's little more than formula in Ichaso's El Cantante.
|
| 40 |
Salon.com
Before long, El Cantante disintegrates into a stylized jumble -- even a straightforward jumble would have been preferable.
|
| 38 |
Premiere
Ichaso seems far too interested in what led to Lavoe's downfall rather than what made him great.
|
| 30 |
Village Voice
Robert Wilonsky
Focusing almost solely on Lavoe's addictions (drugs and women, ho and hum), El Cantante is a garish, dispiriting bit of work--a mountain of biopic clichés snorted through the lens of a fidgety camera that never pauses long enough for us to get to like (or even know) the man responsible for making the Nuyorican sound a mainstream American commodity in the 1970s and early '80s.
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| 25 |
San Francisco Chronicle
The film doesn't make a case for Lavoe as an important artist.
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