Metacritic Film

Elizabeth

Starring Cate Blanchett, Geoffrey Rush, Joseph Fiennes, Richard Attenborough, Sir John Gielgud, and Judi Dench

MPAA RATING: R for violence and sexuality

Gramercy Pictures
Drama
121 minutes | Color
UK
Released In Theaters November 6, 1998

This historical drama chronicles the life of Queen Elizabeth I, from her days as an innocent young woman through her transformation into England's legendary "Virgin Queen." Formidable. Untouchable. Unbeatable... (Gramercy Pictures)

WRITTEN BY
Michael Hirst

DIRECTED BY
Shekhar Kapur

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

75 / 100

Critic Reviews

100 Mr. Showbiz
This historical epic about the "virgin queen" of England's early life moves with the crackling urgency of a contemporary political thriller.
90 Washington Post
The fabulous Elizabeth reinvents English Tudor history as gangster movie.
90 Variety David Rooney
Superior historical soap opera that shrewdly sidesteps all the cliches of British costume drama with its bold, often modern approach.
90 Washington Post
Where Elizabeth really triumphs over its dusty source material is in transforming all this boring history into a real, rip-roaring adventure tale.
90 Film.com
What's best about the film is not the hot romance, but the coldness that lies at its heart.
88 Chicago Sun-Times
The texture of the film is enough to recommend it, even apart from the story.
88 New York Daily News
A fascinating whirl of politics and palace intrigue.
83 Entertainment Weekly
This is a sensual, psychologically modern costume drama influenced by both "The Godfather" and gals' guides to empowerment.
80 Salon.com Laura Miller
A handsome, diverting coming-of-intrigue story studded with meaty performances.
80 Village Voice
Elizabeth's most triumphant aspect is Blanchett's transformation from saucy, spirited toe-tapper to iconic Virgin Queen.
80 Slate
The movie's approach makes for juicy melodrama.
80 The New York Times
This Elizabeth is presented as a glamorously stressed-out modern woman who must cope with a super-intense case of having it all.
80 LA Weekly
Bollywood meets The Godfather.
80 Time
This darkly sumptuous, hypnotically complex movie ought to have many constituencies.
80 Los Angeles Times Jack Matthews
Period movies inevitably reflect more about the period in which they're made than the period of their subject, and rarely has that been more evident -- or more distracting -- than it is with Elizabeth.
78 Austin Chronicle
Despite the florid trailers' emphasis on bodice-ripping romantic imagery, Elizabeth is above all a political thriller.
75 San Francisco Chronicle
Elizabeth works in a number of ways. It's a feminist film. It's also a kind of spy thriller and a superior historical drama.
75 Christian Science Monitor
Acted and directed with great energy and imagination.
75 San Francisco Examiner
History rendered with enough brains and imagination to more than make up for its few stumbles.
75 ReelViews
It's a rousing adventure that keeps the audience involved for the entirety of the two hour running time while opening a window into the culture that gave birth to Christopher Marlowe, Edmund Spenser, Francis Bacon, and William Shakespeare.
75 The Globe and Mail (Toronto)
Bad history it may be, but Elizabeth is a movie that makes you want more, as it plays to the myth of history's great actress-monarch, a character who puts today's tinselly political heros and heroines (royal and not), to shame.
70 Rolling Stone
The film belongs to Blanchett -- this hellcat Virgin Queen is something to see.
70 Newsweek Jeff Giles
Kapur can't decide if he's making an art movie or a melodrama, an opera or a soap opera.
70 New Times (L.A.)
Although frustratingly confusing -- often the viewer can't be sure who is on which side or why -- the film brims with physical grandeur, exquisite costumes, and a captivating performance by Blanchett.
63 Chicago Tribune
The movie -- directed in such a frenziedly self-conscious style you often wonder whether the camera will topple over on his actors.
60 The Onion (A.V. Club)
But much of it, like its subject, is so cryptic, distractingly stylish, and impenetrably posed that it's rough going most of the way.
60 Chicago Reader
Whether the story's bald ironies are historical cliches or just dramatic ones, they convey only platitudes about gender, sexuality, and power.
60 TV Guide Sandra Contreras
The conspicuous lack of emotional resonance makes this film "Queen Margot's" poor cold English cousin.
50 USA Today
A notably undynamic treatment of Protestant Elizabeth I's ascension to the British throne.
30 Film Threat Ron Wells
All of the nutty editing and the loud score just grated on my nerves and failed the story.

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