Metacritic Film

Eye of the Beholder

Starring Ewan McGregor, Ashley Judd, Jason Priestly, k.d. lang, Patrick Bergin, and Genevieve Bujold

MPAA RATING: R for some strong violence, sexuality, language and brief drug content

Destination Film Distribution Corp.
Suspense/Thriller
101 minutes | Color
UK / Canada
Released In Theaters January 28, 2000

A journey into obsession, this is the story of a British intelligence agent (McGregor) so taken with a beautiful killer (Judd) that he cannot bear to apprehend her. Set in the surreal world of a high-tech voyeur, the tale follows him across the country as he embarks on a desperate quest for this enigmatic femme fatale. (Destination Films)

WRITTEN BY
Marc Behm (novel)
Stephan Elliott

DIRECTED BY
Stephan Elliott

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

29 / 100

Critic Reviews

83 Portland Oregonian
Director Stephen Elliott has acquitted himself admirably in creating this serious thriller.
63 Chicago Tribune
Tries to blend old film noir and new high-tech thriller styles with only sporadic impact.
50 New York Post
Watchable even when what's going on makes no sense whatsoever.
50 Rolling Stone
Elliot fails to make the needed connection between the audience and a peeper who has lost his moral balance.
50 TV Guide
As meticulously deranged as its paranoid protagonist.
50 Boston Globe
Never brings its potentially intriguing plot strands into focus.
50 New York Daily News
Truly weird and unworkable thriller.
50 USA Today
Far from being a run-of-the-mill slasher pic.
40 Film.com
Not terribly enjoyable to watch.
40 Village Voice
High-buffed, low-rack pulp.
38 Philadelphia Inquirer
So stupid, so stupefying, so stupendously bad.
31 Mr. Showbiz
Flows like day-old cement.
30 Austin Chronicle
Sitting through the film was an exercise in confusion.
30 Chicago Reader
One very sick and messed-up movie.
30 Variety Deborah Young
A mixed-genre detective pic, thriller and love story that shifts gears too often and doesn't know when to end.
25 Baltimore Sun
A hackneyed psycho-sexual thriller with enough awkwardly executed Hitchcock references to qualify as a bad DePalma knock-off.
25 San Francisco Chronicle
Attempts to convey emotional dislocation and passion at the same time. All we get is distance.
25 Entertainment Weekly
There's not much else for viewers to do but give themselves over to the whims of the bad-movie gods.
25 Seattle Post-Intelligencer
A perfect example of form without content.
20 The New York Times
Impenetrable mess of a movie.
20 Film.com
Self-conscious clunker.
20 Los Angeles Times Eric Harrison
It isn't insultingly bad; it's just incompetent.
20 LA Weekly
Intriguing for a while, then steadily more confusing and finally just incoherent.
12 San Francisco Examiner
The single worst movie David Lynch never made.
10 Newsweek
Hilariously incompetent.
0 Miami Herald
Pretentious, perplexing and plain rock-dumb movie.

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