| 100 |
Christian Science Monitor
This movie equivalent of Robert Rauschenberg's artwork "Erased de Kooning" is funny, ornery, and ultimately inspiring.
|
| 100 |
Entertainment Weekly
As he rises to each challenge, you realize that von Trier, the most exalted of prankish sadists, has orchestrated the filmmaking equivalent of the story of Job. The Five Obstructions glories in art, life, and the faith that binds them.
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| 100 |
Los Angeles Times
A complete original. This ingenious, almost indescribable film won't remind you of anything else because there's nothing else like it.
|
| 90 |
Time
The next time you hear a director complain about the studio or his stars or the weather or whatever, think of what Jorgen Leth achieved with Lars von Trier as his boss -- when five obstructions became five splendid opportunities.
|
| 89 |
Austin Chronicle
Riveting, and frankly it's great fun to see Leth best the smirky von Trier five times running.
|
| 88 |
New York Daily News
Staff (Not credited)
A sensational oddity. It sheds light on the creative process, on filmmaking and on the durability of friendship and professional respect despite the odds.
|
| 88 |
Rolling Stone
Keep "Survivor" and "Fear Factor," and give me this spellbinding mind teaser, the ultimate game for movie buffs.
|
| 83 |
Portland Oregonian
It's a treat to be diverted by a film that actually has a brain.
|
| 80 |
LA Weekly
From its very first frames it exerts a powerful fascination.
|
| 80 |
Variety
Though billed as a documentary, The Five Obstructions doesn't easily fall into any category. Perhaps it's best described as a game, in which a pair of Danish film directors from different generations spar with one another in a highly civilized, and surprisingly entertaining, fashion.
|
| 80 |
The New York Times
Watching The Five Obstructions is at once like witnessing two chess masters playing dominoes and like spying on a series of therapy sessions. Mr. von Trier clearly sees himself as a maniacal psychoanalyst.
|
| 80 |
TV Guide
Even those who dismiss Von Trier as a talented sadist might reconsider after seeing this revealing and ultimately poignant documentary -- and the funny thing is, on the surface it's not even about him.
|
| 75 |
Boston Globe
Part of what hooks you to this movie is how Leth outsmarts his taskmaster, and how the two men have divergent, almost incompatible aesthetic ideals.
|
| 75 |
San Francisco Chronicle
In The Five Obstructions, we meet the Danish filmmaker for an extended period, and he's exactly what a fan might hope and expect him to be like: impish, insightful, unpredictable, mildly sadistic and rigorously honest.
|
| 75 |
Seattle Post-Intelligencer
It all feels like a performance for the camera: von Trier as madman producer taunting the elder filmmaker.
|
| 75 |
Chicago Sun-Times
The Five Obstructions clearly calls for a sequel, in which Leth would require von Trier to remake "Dogville," despite Obstructions 6 through 10.
|
| 70 |
The Hollywood Reporter
In this enjoyable if trivial battle between von Trier's psychodrama theatricality and Leth's cool formalism, it's ultimately the viewer who comes out the winner.
|
| 70 |
Village Voice
An unclassifiable film-school exercise--one part documentary, one part psychodrama, and one part mock manifesto--The Five Obstructions mainly serves to illuminate the game-like nature of Lars von Trier's aesthetic project.
|
| 70 |
The Onion (A.V. Club)
The film is also valuable for raising awareness about Leth, whose work hasn't been as widely recognized as that of his European contemporaries, but who now makes an impressive case for his skills, five times over.
|
| 60 |
Film Threat
Staff (Not credited)
As Leth overcomes each obstacle set before him, the film becomes a work of extraordinary artistry, intellectual exhilaration, emotional uplift, and outright affection.
|
| 50 |
Chicago Reader
In short, it's amusing only if you agree not to think very much about it.
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