Metacritic Film

Flyboys

Starring James Franco, Jean Reno, Philip Winchester, Martin Henderson, Abdul Salis, Jennifer Decker, Tyler Labine, and David Ellison

MPAA RATING: PG-13 for war action violence and some sexual content

Metro-Goldwyn-Mayer
Action  |  Adventure  |  Drama  |  War
139 minutes | Color
France / USA
Released In Theaters September 22, 2006

Flyboys, the first World War I aviation film in over 40 years, is inspired by the epic, courageous tale of the American young men who would become known as the legendary Lafayette Escadrille. They were ordinary boys who volunteered for the First World War looking for adventure, and in the process, they became heroes. Never before has a movie so accurately portrayed the thrill and danger of the aerial dogfights that played such an integral role in the Allied resistance. (MGM)

WRITTEN BY
Phil Sears
Blake T. Evans (also story)
David S. Ward

DIRECTED BY
Tony Bill

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

47 / 100

Critic Reviews

70 LA Weekly
A highly enjoyable programmer about those brave young men and their rickety flying machines.
67 Seattle Post-Intelligencer
As imaginatively as some of them are staged, the action scenes are never authentically gripping. This seems to be the hidden handicap of our new digital filmmaking era in which all big action sequences are generated in the computer and look vaguely like cartoons.
63 TV Guide
While the aerial dogfights are handsome and apparently historically accurate, right down to the tracer bullets that leave graceful, crisscrossing trails in the clouds, they have a video-game feel.
63 Boston Globe
The movie's straightforward and ingratiating, and as pretty-boy history lessons go, it's a lot less obnoxious than "Pearl Harbor."
63 Premiere
Part of what makes these kind of war movies such cinematic comfort food (aside from the moral certainty they strive to convey) is their familiarity. But I wonder if said familiarity is what compels contemporary filmmakers to overstuff the material -- Flyboys is a good two hours and 20 minutes.
60 The Hollywood Reporter
A decidedly old-fashioned war film that reaches for epic sweep but is often bogged down in cliched drama and two-dimensional characters.
60 Variety
Lovingly and knowledgeably made by director Tony Bill, who got his pilot's license as a teenager, pic nonetheless has a lightweight, airbrushed feel; despite the brutal dogfights and inevitable deaths, there's little gravity or resonance.
58 The Onion (A.V. Club)
There's something almost perversely old-fashioned about Flyboys.
50 The New York Times
Despite its empty head and arduous length, Flyboys is ever so nice, in the manner of a Norman Rockwell illustration. The director, Tony Bill, may not be a philosopher but he is a gentleman, moving things along with a tidy, well-mannered hand. In another context, such politesse might feel tonic. Given the state of things, it’s nearly toxic.
50 Chicago Tribune
Just about everything in the video-gamey World War I picture Flyboys rings false, although the planes certainly are terrific.
50 Washington Post
While the music slops and churns and the ground-level bathos rises, the aerial stuff is occasionally stirring.
50 Village Voice Bill Gallo
Here is the War to End All Wars seen from on high--as it was way back when, in "Wings" or the Howard Hughes "Hell's Angels"--a world apart from the grim, futile slaughterhouses of Verdun and the Marne. Among these combatants, you won't find much "All Quiet on the Western Front"–style despair, and the paths of glory are unsullied by doubt or disillusionment.
50 Miami Herald
Flyboys is so schematic and contrived, you can anticipate exactly what scene is going to come next, and who will be the next to die in combat, once you latch onto the structure of the script, which has all the inventiveness and ingenuity of a flow chart.
50 Philadelphia Inquirer
Shot like a Disney period piece (prettily, with spiffy props, shiny vintage vehicles, and costumes just back from the cleaners), Flyboys introduces its squadron the old-fashioned way: with character-establishing setups.
50 Chicago Reader
The aerial dogfights are thrilling, but the script seems to have been written by Snoopy.
50 San Francisco Examiner
Besides some fine dogfight sequences, it often feels threadbare, just an exercise in recycling.
42 Entertainment Weekly Gregory Kirshling
This is a lost opportunity on an epic scale. The actors are so styled and the dogfights so drippy with CG that, as a period piece, the movie almost looks like it's set in the future.
40 Austin Chronicle
While director Bill nails the sheer spectacle of squads of SPADs dovetailing in flames into the wide blue yonder, the earthbound action (much as it was in another sputtering epic, Michael Bay's "Pearl Harbor") is strictly laissez faire.
38 New York Post
The computer-generated flying effects are the only reason to see the movie, but at some point somebody left the computer on too long, so it went ahead and spat out the script.
38 USA Today
Flyboys doesn't succeed as a wartime adventure story or as a period romance. Even the special effects, set in a historical context, are too ho-hum to save this over-long and tedious film.
33 Baltimore Sun
Forget any hope of raffish adventure if you think of seeing Flyboys.
25 The Globe and Mail (Toronto) Kate Taylor
The creators of Flyboys know no image too clichéd, no narrative convention too exhausted and no psychological motivation too pat that it can't do service.

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