Metacritic Film

Frequency

Starring Dennis Quaid, James Caviezel, Elizabeth Mitchell, Andre Braugher, Shawn Doyle, Noah Emmerich, and Melissa Errico

MPAA RATING: PG-13 for intense violence and disturbing images

New Line Cinema
Suspense/Thriller
118 minutes | Color
USA
Released In Theaters April 28, 2000

In this mind-bending thriller, director Gregory Hoblit presents a fresh and original take on time travel with the gripping human story of a father (Quaid) and a son (Caviezel) who reach out to one another across parallel universes to stop a terrible crime. (New Line Cinema)

WRITTEN BY
Toby Emnmerich

DIRECTED BY
Gregory Hoblit

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

67 / 100

Critic Reviews

100 Philadelphia Inquirer
Smart, suspenseful, satisfyingly unpredictable.
100 New York Daily News
One of the most skillful, mesmerizing, tense and satisfying time-warp thrillers ever made.
88 Chicago Sun-Times
Likely to appeal to the fans of "The Sixth Sense," "Ghost" and other movies where the characters find a loophole in reality. What it also has in common with those two movies is warmth and emotion.
83 Seattle Post-Intelligencer
A suspenseful, fascinating movie that milks the premise for all it's worth.
83 Portland Oregonian
The star, though, is the script, a rare enough occurrence in Hollywood that it merits special note.
80 Newsweek Jeff Giles
A touching thriller, a movie that's particularly hard to resist if there are things you never said to your own dad because you didn't have the chance, the inclination or the right ham radio.
80 Chicago Reader
Quaid's buoyant earnestness complements the stunning, low-key performance by Caviezel, whose close-ups give new meaning to the idea that still waters run deep.
80 Dallas Observer
Braugher does much to hold this show together, because without him, the reality gets muddled. He's a terrific balancing agent for both Caviezel and Quaid; kudos to casting.
80 Washington Post
It's like a chick flick for men--and the women who love them, sniff-sniff.
75 San Francisco Chronicle
A fairly wonderful movie about fathers and sons and the mystery of time.
75 Chicago Tribune
Corny and far-fetched it may be, but Frequency works - except for some stretches when it doesn't.
75 TNT RoughCut Don Kaye
Succeeds at getting the viewer to buy into its premise, thanks to solid, often moving characterizations and the gripping way the plot is spun.
75 New York Post
Had me watching through misty eyes, at least for the first half.
75 Charlotte Observer
Isn't quite smart enough to untangle one large, insoluble problem at the end.
75 Entertainment Weekly
May be the first time travel fantasy to move grown fellows with 401(k) accounts to tears.
75 Boston Globe
Enough originality and emotional weight to keep you engrossed even when it lapses into some pretty standard moves at the end.
75 Baltimore Sun
An enjoyably complex sci-fi suspense thriller.
75 Christian Science Monitor
Emmerich's screenplay gains emotional punch from its sincere concern for family values, but science-fiction fans may be disappointed by the limited exploration of its fascinating time-travel premise.
75 Miami Herald
A very complicated movie. It is also pretty wonderful.
70 Film.com
Confirming the moral of a thousand "Twilight Zone" episodes: Don't play with time.
70 Rolling Stone
The time shifting raises questions the movie never answers, but it's hard not to enjoy the ride.
70 The New York Times
What makes Frequency work despite is shamelessness is the surreal aura that imbues almost every scene with a sense of heightened feeling.
70 Film.com Moira Macdonald
Worth seeing.
63 USA Today
This surprisingly sentimental science-fiction thriller boasts enough fresh twists to satisfy time-travel junkies.
63 San Francisco Examiner David Armstrong
There's a novel, engaging story trying to transmit through the storm of special effects and convoluted plot twists that mar the movie.
60 Variety
An oddly schizophrenic fantasy thriller that ultimately succumbs to a fatal case of sentimentality.
50 TV Guide
What do you get when you cross a serial-killer movie with a sappy father/son drama and give it a time-travel twist?
50 Austin Chronicle
Due largely to the tremendous innate warmth and conviction of leads Quaid and Caviezel ("The Thin Red Line"), you may find yourself cutting a surprising amount of slack for this patently ridiculous tale.
50 LA Weekly
If the trailer for this one left you feeling you'd pretty much got it, plot point by plot point, so really why bother.
50 Film.com
Disappointingly dumb.
40 Los Angeles Times
After keeping its balance over much treacherous terrain, greedily overreaches and stumbles badly at the close.
20 Mr. Showbiz
As an audience member, you end up feeling like a sucker for even having tolerated that sickly sweet notion about a father, a son, and their silly radio.

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