Metacritic Film

Friday Night Lights

Starring Billy Bob Thornton, Lucas Black, Garrett Hedlund, Derek Luke, Jay Hernandez, Lee Jackson, Lee Thompson Young, Tim McGraw, and Connie Britton

MPAA RATING: PG-13 for thematic issues, sexual content, language, some teen drinking and rough sports action

Universal Pictures
Action  |  Drama
117 minutes | Color
USA
Released In Theaters October 8, 2004

A true American story of a group of young athletes, their town and their dreams. (Universal)

WRITTEN BY
David Aaron Cohen
Peter Berg
Buzz Bissinger (book Friday Night Lights: A Town, a Team, and a Dream)

DIRECTED BY
Peter Berg

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

70 / 100

Critic Reviews

100 Chicago Tribune Allison Benedikt
There isn't a bad performance here, but besides Thornton, Luke stands out.
100 Empire Ian Nathan
The best sports movie for years, as it's not about sport at all. Forget fears of jingoistic grandstanding, this is an un-American all-American tale that deserves attention.
90 Newsweek
Few films have shown so powerfully the slashing double edge of sports fever.
88 USA Today
One of the best football movies ever, Nights in the end celebrates the game.
88 Chicago Sun-Times
The movie demonstrates the power of sports to involve us; we don't live in Odessa and are watching a game played 16 years ago, and we get all wound up.
88 Philadelphia Inquirer
A smart, sharp, stirring adaptation of the H.G. Bissinger best-seller.
83 Entertainment Weekly
Thornton, giving a splendid, disciplined performance, seamlessly shapes his coach into a believable man of quality rather than star-size charisma.
80 Dallas Observer
The movie works because Berg never forgets to keep his heart in the game and not just his head.
80 LA Weekly
Country singer and sometime actor Tim McGraw excels as the bitter, besotted ex-Panther who can't cut his kid enough slack to follow his own game plan.
80 The Hollywood Reporter
The film lets you get caught up in the excitement of this religion and the addictive nature of those stadium lights. Berg and cinematographer Tobias Schliessler get up close to the action, catching the hits and miscues in all their violent urgency.
80 Chicago Reader Andrea Gronvall
Captures all the action of a tumultuous season while showing the emotional toll on the players.
80 Village Voice Benjamin Strong
Director Peter Berg, an actor himself, gets quietly excruciated performances from the team members.
75 San Francisco Chronicle
Compelling.
75 Boston Globe Staff (Not credited)
It also bears something you rarely experience in a football movie. Friday Night Lights has a soul.
75 ReelViews
Berg's picture is certainly an above average effort that provides a solid emotional punch.
75 Rolling Stone
Thornton gets inside the coach's skin. It's a subtle, soulful performance in a movie that otherwise goes for the jugular.
75 New York Daily News Robert Dominguez
Rousing, action-packed.
75 Seattle Post-Intelligencer
The film goes for a grainy, fast-cut, documentary look that is both a blessing and a curse.
70 Wall Street Journal
For all its energy, fine performances and dramatic confrontations, Friday Night Lights substitutes intensity for insight, dodging the book's harsher findings like a dazzling broken-field runner.
70 Variety
Friday Night Lights is the "Black Hawk Down" of high school football movies. As exclusively as Ridley Scott's picture was about combat, this film concerns football and nothing but.
70 The Onion (A.V. Club)
When Friday Night Lights gets to the big games, the time it's spent creates an atmosphere thick with tension, one akin to the real-world experience of watching a favorite team play for its life.
70 The New York Times
Uplifting and troubling, partly because it is more honest than most sports movies about the high cost and short life span of high school football glory.
70 Washington Post
Honest because it gets a paradoxical truth: There's more to life than football, even when there isn't.
70 Los Angeles Times
Real enough around the edges to hold our attention even if it sacrifices accuracy for storytelling ease.
70 TV Guide
Stands out by virtue of its impressive visual style and the filmmakers' decision not to massage the facts into cliched conflicts with neat, feel-good resolutions that produce the proper sense of uplift.
70 Washington Post Sean Daly
Give credit to Berg for keeping Bissinger's all-too-true ending intact. It's a doozy.
67 Austin Chronicle
The game footage is as engrossing as the real thing, although it comes at the expense of diminished attention to the teen players and their emotional problems.
63 New York Post
The last half hour devoted to the Big Game, staged by a crew from NFL films, is genuinely rousing and inspiring. That's where Friday Night Lights finally shines.
63 Miami Herald
It's all amiably hackneyed, but it sucks you in anyway.
63 Charlotte Observer
It's a passably made, grittily acted slice of life in Texas that veers not an inch from the norm for this sort of picture.
63 The Globe and Mail (Toronto)
In the deck of clichés that is the typical sports movie, it at least does us the courtesy of shuffling the cards a little.
60 Film Threat
The film also benefits from unusually solid writing and a masterfully understated turn by Billy Bob Thornton.
58 Portland Oregonian
Acted with earnest commitment and scored and edited with jazzy, laconic grace, "Lights" tells us absolutely nothing we haven't heard before -- and often -- in sports films
50 Baltimore Sun
Too much about the game and not enough about the town, the players and everything else.
40 Salon.com
There's some good acting in this mess.

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