| 90 |
Wall Street Journal
When movie lovers are looking back on the best of 2001, they will still be marveling at the beauty, intelligence and seemingly effortless mastery of Ms. Blanchett's performance.
|
| 88 |
New York Daily News
But there were few, if any, better performances in 2000 than the one Blanchett gives here, and Raimi's crafty blend of dramatic realism and supernatural knowledge is one of the year's best directing con jobs.
|
| 80 |
Mr. Showbiz
The real revelation, however, is Keanu Reeves. His character is something of a caricature — a violent, white-trash wife-beater — but Reeves' portrayal is joltingly authentic.
|
| 80 |
Rolling Stone
The Gift delivers the lurid goods as a scary, sexy, twist-a-minute whodunit.
|
| 75 |
Entertainment Weekly
It's got the pleasing proportions of a stocking stuffed with agreeable little treats in the absence of an exciting big surprise.
|
| 75 |
Chicago Tribune
For all its craft and achievement, The Gift -- which has a script that may have needed more rewriting and deepening -- is a good, minor effort; it has some real conviction, even anguish. And it has Blanchett, whose gift as an actress is sometimes transcendent.
|
| 75 |
Boston Globe
A solidly crafted, suspensefully written, powerfully acted little juggernaut.
|
| 75 |
Philadelphia Inquirer
At its heart, there's Blanchett, an actress whose instincts are unerring, and dead-on.
|
| 75 |
Chicago Sun-Times
Ingenious in its plotting, colorful in its characters, taut in its direction and fortunate in possessing Cate Blanchett.
|
| 70 |
TV Guide
Blanchett's quietly radiant performance anchors even the most outrageous plot developments, and she's well-supported on all sides.
|
| 70 |
Variety
A good, old-fashioned suspenser.
|
| 70 |
Los Angeles Times
Overly familiar material, even well done, cannot be made more intrinsically interesting than it is. Not even by Cate Blanchett and Keanu Reeves.
|
| 70 |
Film.com
Blanchett projects a wounded dignity that anchors her character even when the film slips into silly hokum; she's never less than fantastic, and as such manages to keep the film on course.
|
| 70 |
Salon.com
If you love actors, it's the sort of thing you might be tempted to see a second time, even after you've found out whodunit, just to examine more carefully the way the performers -- particularly the mesmerizing Cate Blanchett -- weave shining silken threads around what's essentially a pretty uninvolving narrative.
|
| 63 |
USA Today
Tolerance for this movie will likely depend on tolerance for melodramatic, over-the-top finales, especially ones with otherworldly twists.
|
| 63 |
Miami Herald
She (Blanchett) single-handedly forms the human heart of this engrossing, if ultimately preposterous, supernatural thriller.
|
| 60 |
LA Weekly
Here, it's the creepily quiet stuff, the stuff that might be rushed over in a different movie -- Annie shivering alone in bed or being visited by her dead grandmother as she hangs out the wash -- that makes the film more than a generic distraction.
|
| 60 |
The New York Times
The picture is saved from mediocrity by Mr. Raimi's smooth competence, and by the unusually high quality of the acting.
|
| 60 |
Village Voice
A creepily effective button-pusher that owes a bit to the original "Cape Fear" both in Sam Raimi's ruthless direction and Keanu Reeves's unexpectedly robust performance as the most violent redneck peckerwood in a steamy Georgia town.
|
| 60 |
New York Magazine
Were it not for these performances (Blanchett, Ribisi, Swank, Reeves), The Gift would be fairly negligible.
|
| 50 |
Seattle Post-Intelligencer
A clumsy, heavy-handed and unnecessarily sordid occult thriller that somehow has managed to generate a big pre-release buzz.
|
| 50 |
Baltimore Sun
Outside of a strong (and largely misused) cast and an abundance of moody atmosphere, there's precious little to recommend this exploitative mess.
|
| 50 |
Time
She (Blanchett) seems the only guardian of sanity in this good-old-boy Bellevue.
|
| 50 |
Christian Science Monitor
There's too much hokum and too little suspense in the screenplay by Billy Bob Thornton and Tom Epperson.
|
| 50 |
San Francisco Chronicle
Pure ham and cheese.
|
| 40 |
TNT RoughCut
In terms of cleverly hidden exposition, this ain't "The Sixth Sense."
|
| 40 |
Austin Chronicle
So many logical questions go unasked in The Gift, which, ultimately, is the movie's downfall. Mark this package as “Return to Sender.”
|
| 40 |
Dallas Observer
The bottom line, however, is that cheap and unoriginal as The Gift may be, it sucks you in.
|
| 30 |
Washington Post
Curt Fields
So chock-full of stereotypes as to be a filmic Southern Country Safari.
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