| 100 |
Entertainment Weekly
In this brilliantly sustained climax, Coppola unveils a vision of corruption that embraces the entire world, but he's also reveling in sheer theatrical magic in a way that only a master can.
|
| 100 |
San Francisco Chronicle
This lushly photographed, brilliantly acted and wonderfully entertaining movie has its own claims to uniqueness. It's the most thoughtful of the three films, and its climax brings the entire series into sharper focus. [25 Dec 1990, Daily Datebook, p.E1]
|
| 90 |
Los Angeles Times
Though definitely one of the best American movies of the year--a work of high ensemble talent and intelligence, gorgeously mounted and crafted, artistically audacious in ways that most American movies don't even attempt--it's still a disappointment… It's not the capstone we might have wanted Coppola to make. [23 Dec 1990, Calendar, p.9]
|
| 90 |
Variety
Staff (Not Credited)
Part III matches its predecessors in narrative intensity, epic scope, socio-political analysis, physical beauty and deep feeling for its characters and milieu.
|
| 88 |
Chicago Sun-Times
It's strange how the earlier movies fill in the gaps left by this one, and answer the questions. It is, I suspect, not even possible to understand this film without knowing the first two, and yet, knowing them, Part III works better than it should.
|
| 88 |
ReelViews
One of the most obvious problems with The Godfather Part III is that it covers little new territory. The plot is highly derivative of the original.
|
| 80 |
Chicago Reader
A provocative and stirring climax to the Corleone saga, as well as an autonomous work that sometimes shows Coppola at his near best.
|
| 80 |
The New York Times
One of this film's greatest accomplishments is its making an audience believe that the Corleones and their various partners in crime have been entirely in character during the intervening decades, but have simply neglected to turn up on screen.
|
| 75 |
USA Today
Alas, what you've heard about Sofia Coppola (as Michael's daughter) is true; she swallows words and speaks “valley girl.'' What a difference Winona Ryder would have made. [24 Dec 1990, Life, p.1D]
|
| 70 |
The New Republic
Andy Garcia, who first became noticeable in The Untouchables, has seductive strength, homicidal cool. One reason to look forward to Part IV is that he'll fill the center better than Pacino does. [21 Jan 1991, p.26]
|
| 60 |
Time
With all its boardroom bickering, the plot is a gun that shoots mostly blanks. G3 is too faithful to the deliberate pacing of the first two films: the slow walking into a dark room, the silence surrounding the threats... The film is a slow fuse with a big bang. [24 Dec 1990, p.76]
|
| 50 |
TV Guide
Staff (Non Credited)
One of the most frustrating films of 1990, an epic without epic scope, a muted, strained, unnatural affair that never comes into dramatic focus.
|
| 50 |
Chicago Tribune
An air of embarrassing familiarity hangs over the entire project, as if it were a story told by an aging relative not quite aware of how many times, and how much better, he has been over the same material before. [25 Dec 1990, Tempo, p.1]
|
| 40 |
The New Yorker
Lightning didn't strike three times; the movie is lumbering... I don't think it's going to be a public humiliation, and it's too amorphous to damage our feelings about the first two. [1 Jan 1991]
|
| 40 |
Empire
Barry McIlheney
A dreadful disappointment.
|
| 38 |
Christian Science Monitor
The main performances are generally weak, although the smaller ones are sometimes brilliant, and the yarn never builds much momentum as it leapfrogs from one subplot to another. [28 Dec 1990, Arts, p.14]
|
| 30 |
Washington Post
It's hard to tell if this thing's serious or parody and, if it is parody, whether or not it's intentional. Is it a winky joke, for instance, to have lightweight performer George Hamilton as Pacino's business attorney, or just ridiculous casting? Hamilton's performance points to the latter.
|
| 25 |
The Globe and Mail (Toronto)
More than merely another bad movie, it's the most depressing development yet in Coppola's career. It's a would-be cash cow bred cynically to excrete money, the arty answer to "Child's Play 2" or "Back to the Future III."
|
| 10 |
Washington Post
The Godfather Part III isn't just a disappointment, it's a failure of heartbreaking proportions... It makes you wish it had never been made.
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