| 100 |
Baltimore Sun
Nolte's gambler-bandit Bob Montagnet is a triumph of imagination, touched with electric existential poetry.
|
| 90 |
Salon.com
This long shot pays off -- in spades. Not only has Jordan made a movie that's looser, hipper, freer and -- abetted by his great cinematographer, Chris Menges -- more sheerly beautiful to look at, he's also made the best movie of his career.
|
| 90 |
Washington Post
Nolte is not only made for the role, he's also rehearsed it in real life.
|
| 89 |
Austin Chronicle
One of Jordan's best films, and almost certainly in Nolte's top two percentile.
|
| 88 |
Chicago Tribune
There's a zest and brilliance in Neil Jordan's racy heist thriller The Good Thief that makes it almost intoxicating to watch.
|
| 88 |
New York Post
So smooth and satisfying it makes the similar "Ocean's Eleven" look like a game of three-card monte.
|
| 88 |
Chicago Sun-Times
Nick Nolte plays a great shambling wreck of a wounded Hemingway hero in The Good Thief, a film that's like a descent into the funkiest dive on the wrong side of the wrong town.
|
| 80 |
Dallas Observer
Nolte’s charisma transforms Neil Jordan's The Good Thief from a vague, mildly exotic, character-driven caper flick to a soulful and engaging misadventure.
|
| 80 |
New York Magazine
Bob is a marvelous creation--a faker who is also the genuine article. He’s the perfect hero for a movie about the world as one big scam.
|
| 80 |
Slate
For all the movie's pixilated transitions, fisticuffs, and hyper-alert climaxes at the roulette table, there's a kind of temperamental evenness that's perfectly in sync with the protagonist.
|
| 80 |
Variety
Sure, it's all been done before, but seldom with this degree of vigor and panache.
|
| 80 |
The New York Times
The ultimate caper, a work of brazen ebullience.
|
| 80 |
LA Weekly
Indeed, The Good Thief is a fairy tale, not just in the plotted fun of the heist and counterheist, or in the clever twist thrown in at the end, but in the grandiloquent myth, so passionately espoused by Melville, of the crook as a man of honor and elegance.
|
| 80 |
Chicago Reader
Melville's seedy characters and engrossing friendships are well preserved, thanks largely to strategic redeployment of his crisp dialogue. As revamped caper films go, this offers considerably more texture than Steven Soderbergh's "Ocean's 11."
|
| 75 |
The Globe and Mail (Toronto)
It's a nifty caper flick that also ponders the aesthetic nature of deception -- in other words, a solid work of craft that doubles as a little meditation on art.
|
| 75 |
Seattle Post-Intelligencer
It's a sumptuous mood piece.
|
| 75 |
USA Today
For a movie that earns its R-rating for drug content and violence atop language and sexuality, it leaves you with the next thing to a mellow smile.
|
| 75 |
Boston Globe
The actor is magnificent -- ravaged, desperate, aware -- and no more so than in a scene toward the end when Bob's cardsharp cool finally breaks. It's a risky scene, the one note of corn, but Nolte brings it home. Too bad the movie doesn't.
|
| 75 |
Philadelphia Inquirer
Cinema as jazz. More precisely, jazz traded by the likes of Charlie Parker, Billie Holliday, Chet Baker -- blurry, opiated, jagged with melancholy and stone cold beautiful.
|
| 75 |
Miami Herald
A sparkling exercise in movie cool.
|
| 75 |
New York Daily News
With his haggard good looks and bearish presence, Nolte is the main event in this colorful three-ring circus of a heist picture.
|
| 70 |
The New Yorker
The Good Thief is too spindly and unconfident for an actor of this bulk, yet without him it would curl up and die. [7 April 2003, p.96]
|
| 70 |
TV Guide
Propelled by a soundtrack as diverse as its international gallery of thieves, Jordan's cheerfully scruffy neo-noir caprice even lays on the religious imagery with a palette knife and sweetens Melville's ending without seeming terminally sappy.
|
| 70 |
The Onion (A.V. Club)
Jordan invests attention in even the most throwaway moments and marginal characters, and his care makes the film a sustained, low-key pleasure.
|
| 67 |
Entertainment Weekly
The trouble with all this is that it's thin movie tinsel that, while lovingly polished, never becomes more than tinsel. The Good Thief has a glib stylishness (the rapid freeze-frames at the end of scenes signify...nothing), yet it lacks a blast of reality to balance its fable.
|
| 67 |
Portland Oregonian
If The Good Thief isn't up to the work that inspired it, it's nevertheless fresh and distinct, a shot of citrus in a movie season far too often tasting of pablum.
|
| 63 |
ReelViews
Lovers of drama featuring quirky characters will find things to appreciate.
|
| 60 |
Film Threat
Darrin Keene
Nolte looks like a man with one foot in the grave and nothing to lose. He single-handedly rescues this caper flick from its own mediocre storyline.
|
| 60 |
Washington Post
In the end, what started off as playful becomes tedious.
|
| 50 |
Christian Science Monitor
The result is yet another remake that should send viewers scurrying to video stores for the original.
|
| 50 |
The New Republic
The Good Thief merely adds a new tinct to the pathos of Jordan's career. Once again we see a director who is better than anything he has so far done.
|
| 50 |
San Francisco Chronicle
Though it ultimately recovers, too much of The Good Thief forgets about Bob, and in the process the movie loses much of its allure and vividness.
|
| 50 |
Rolling Stone
Nolte brings a raspy authority to the role, and director Neil Jordan (The Crying Game) surrounds him with colorful characters.
|
| 40 |
Wall Street Journal
Of the original and the remake, only one film feels authentic, and it's not The Good Thief.
|
| 40 |
Village Voice
His movie (Jordan's) winnows the original's existentialist fable into a busy caper thriller, copping plot devices from Soderbergh's "Ocean's 11" and even straining to Wong Kar-wai its camera's way around the fleshpots of Nice. It's all pizzazz, and the pizzazz is all borrowed.
|
| 40 |
Los Angeles Times
Promising as it seems in theory, everything in this new version, like Lena Lamont's image in "Singin' In the Rain," falls apart as soon as the talking starts.
|
| 25 |
Charlotte Observer
It's as French as a half-smoked Gauloise and, like a half-smoked Gauloise, it stinks.
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