Metacritic Film

Grandfather, The

Starring Fernando Fernan Gomez, Rafael Alonso, and Cayetana Guillen Cuervo

MPAA RATING: PG for thematic elements and language

Miramax Films
Drama
145 minutes | Color
Spain
Released In Theaters October 8, 1999

Set at the turn of the century, The Grandfather tells the story of love, friendship, honor and betrayal within one powerful Spanish family spanning three generations. (Miramax Films)

WRITTEN BY
Jose Luis Garci
Benito Pérez Galdós (novel)
Horacio Valcarcel

DIRECTED BY
Jose Luis Garci

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

57 / 100

Critic Reviews

80 Los Angeles Times
A wise and beautiful film.
80 The New York Times
Brims with understanding of the complexities of relationships, the frailties of humankind and the possibilities of joy.
75 Chicago Tribune
At once proudly conservative, passionately idealistic and beautifully assured.
75 Boston Globe
A solid, humane, old-fashioned film in the best sense of the term.
70 Film.com
Few movies this year have been quite so rewarding with their 11th hour epiphanies.
70 LA Weekly
The picture's deepest strength, however, is the fire Fernán-Gómez conjures from deep within himself, as if "honor" were an extinct volcano he could will into exploding, given enough anger and time.
65 Mr. Showbiz
It's filled with far too much talk and it never justifies its length, but if you succumb to its old-fashioned Renoir style of storytelling, The Grandfather has its pleasures.
63 New York Post
Undercut by funereal pacing and an ending that seems more than a little contrived.
50 Christian Science Monitor
Old-fashioned storytelling.
50 New York Daily News
Essentially conversations, confrontations, and an extremely pat -- and very verbal -- reconciliation.
50 San Francisco Chronicle
The film's constrained style keeps the drama from reaching a full boil.
50 USA Today
The material has enough meat to enable charitable viewers to drift in and out, but the result is too arch to conjure up much affection.
40 Chicago Reader
Nobody ever shuts up in this schmaltzy, mannered drama.
40 TV Guide
Veers inconsistently between sit-com jokeiness and nostril-flaring melodrama.
30 Village Voice
Not only is the dialogue endless...it's like driving behind a 15 mph geezer on a one-way street.

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