Metacritic Film

Hollywood Ending

Starring Woody Allen, George Hamilton, Téa Leoni, Debra Messing, Mark Rydell, Treat Williams, and Tiffani-Amber Thiessen

MPAA RATING: PG-13 for some drug references and sexual material

DreamWorks Distribution LLC
Drama
114 minutes | Color
USA
Released In Theaters May 3, 2002

Allen stars as Val Waxman, a two time Oscar winner turned wash-up, neurotic director in desperate need of a comeback. (DreamWorks)

WRITTEN BY
Woody Allen

DIRECTED BY
Woody Allen

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

46 / 100

Critic Reviews

75 New York Daily News
A bouquet of snappy one-liners and disarming nuttiness.
75 Seattle Post-Intelligencer
His persona clicks, the physical comedy amuses, and its comic vision is tantalizing enough to make us suspect the Old Master still may have at least one masterpiece in him trying to get out.
75 New York Post
A beautifully shot film with a funny French-twist ending.
75 Chicago Tribune
Not perfect, and neither are life or the movies. But you'd have to be blind yourself not to relish its qualities or laugh at its barbs.
75 San Francisco Chronicle
This is an excellent comedy, and the fact that it's made by a filmmaker with even better movies on his resume is nothing to hold against it.
75 Boston Globe Chris Fujiwara
A small film, but its ease and grace are virtues that can't be overrated.
75 Christian Science Monitor
The movie is Allen's most successful in years, even if you don't see it as a self-made commentary on his own career. Credit goes less to the comic dialogue than to the razor-sharp performances of an excellent cast.
75 USA Today
Woody Allen is good for his funniest screen romp in a while, thanks to a few evenly spaced standout scenes of laugh-out-loud intensity.
70 Washington Post
It's a brilliant concept, one of Allen's finest. Love the concept, baby. But the execution is, well, average.
63 Miami Herald
There's a mean little Hollywood satire squirreled away within Hollywood Ending, but you have to look hard to find it.
63 Philadelphia Inquirer
It might not be good enough to make you laugh consistently, but Hollywood Ending looks good enough to eat.
63 Chicago Sun-Times
I liked the movie without loving it. It's not great Woody Allen, like "Sweet and Lowdown" or "Bullets Over Broadway," but it's smart and sly, and the blindness is an audacious idea.
60 New York Magazine
At one point, Val bemoans how stupid the country is, how dumbed-down everything has become. Allen's new movie is far from dumb, but it has an air of abdication about it.
60 The New York Times
Probably the worst thing you can say about Hollywood Ending is that it has one: it turns out that Mr. Allen wasn't being ironic after all, he just made a comedy that feels ironclad.
60 Village Voice
The central conceit is Allen's most amusing since "Bullets Over Broadway."
58 Portland Oregonian
It has all the raw materials for greatness -- a brilliant concept, a sharp cast, the jokes -- and still doesn't come together. You could do a lot worse than Hollywood Ending, but you could also do better.
50 Time
Is comedy a young man's game, like skateboarding or sex? Writing jokes, creating droll characters -- these take ambition, ingenuity and energy, and after decades of devotion to this voracious muse, a fellow can get pooped.
50 The Onion (A.V. Club)
The best thing about the movie is its premise: It's a good idea, taken from before Allen's recent losing streak, but it's stretched too thin for its own good.
50 Variety
For those always on the lookout for the "funny" Allen, this one definitely has its moments, but too much of the picture is flat, dispiriting and frankly unbelievable in fundamental ways that defy the granting of poetic license.
50 ReelViews
Offers slim pickings for viewers, regardless of whether they're fans of Woody Allen or not. And I'm sure the French will love it.
50 Austin Chronicle
That's the ultimate cheat in this pleasant, but trifling affair: Allen has cheated himself out of an actress (Leoni) that could have been Diane Keaton's heir.
50 The Globe and Mail (Toronto)
More than merely stale and dated, Hollywood Ending seems lazy and careless -- the structure is loose to the point of crumbling.
50 Baltimore Sun
The overarching joke, of course, is that most movies are so lousy they might as well have been made by blind men anyway. Hollywood Ending is only mediocre, but you may leave wondering, what's Allen's excuse?
50 Wall Street Journal
It's thanks to her (Leoni) that we stay tuned to Mr. Allen's comic premise long after it has gone from delightfully outrageous to off-puttingly preposterous.
42 Entertainment Weekly
For Woody, it's looking more and more like the end of his days of whine and neurosis.
40 Washington Post
It feels old, tired and given-up-on, maybe three drafts shy of minimal production level.
40 Film Threat
Serves as more proof, as if any were needed, that Allen desperately needs to devote more time to polishing his scripts, and less to heedlessly banging out one film a year, year in and year out.
40 Slate
You can see the potential, and you can also see the places where Allen didn't (couldn't?) rise to the occasion.
40 Rolling Stone
Funny but perilously slight.
40 The New Yorker
Has its satirical charms, but it repeats itself remorselessly, and it has no emotional center. We are so distant from Val that when he gets his sight back we don't feel a thing. [20 May 2002, p.114]
40 TV Guide
He (Allen) seems to have forgotten that comedy is all about timing, letting individual scenes meander -- often to accommodate his own stammering monologues -- and giving viewers far too much downtime in which to consider the staleness of many of the film's gags.
30 Salon.com
No director in the history of moviemaking has expended so much effort in the service of drying up and blowing off the landscape.
30 Newsweek
You know a romantic comedy is in trouble when you root for the hero not to get the girl.
30 New Times (L.A.)
What's particularly scary about Hollywood Ending, however, is that its flaws are exactly the sort of problems that often afflict aging directors, flaws that we've never seen in Allen before -- bad comic timing, slack pacing, an unsteady control of tone, a reliance on jokes that have long since become clichés.
20 Chicago Reader
I only laughed once here, at a Treat Williams reaction shot; the rest of the time I was trying to figure out why Allen made this movie.
20 LA Weekly
It isn't only that there is a dearth of ideas in Hollywood Ending -- however hateful, "Deconstructing Harry" was at least about something -- it's that the whole thing is almost entirely devoid of pleasure.
20 Los Angeles Times
It's as sad and painful to report as it is to experience, but Hollywood Ending makes the conclusion inescapable: Woody Allen has become his own worst enemy.

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