| 100 |
New York Daily News
The stop-the-presses news from The House of Mirth is the number of fine performances from people you never knew had it in them.
|
| 100 |
Rolling Stone
The House of Mirth is not one of those teacup and doily movies; it's harsh and disturbing. Davies does superlatively right by Wharton. There's blood on the walls.
|
| 100 |
Entertainment Weekly
This stunning movie -- one of the very best of the year -- makes a much read American classic feel new and freshly devastating.
|
| 100 |
San Francisco Chronicle
Her (Anderson) performance is a study in the difference between hubris and pride, remarkable for how unshowy but profoundly devastating it is.
|
| 91 |
Portland Oregonian
Anderson, possessed of an eerily Edwardian aspect, is superb, luminous and knowing and convincingly proud and desperate as the situation requires.
|
| 90 |
Village Voice
Leisurely yet streamlined film, brilliantly adapted by British filmmaker Terence Davies from Edith Wharton's most powerful novel.
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| 90 |
Dallas Observer
Davies has nailed Wharton's bitter satire of the flights and follies of New York society in the Gilded Age, and leading lady Gillian Anderson shows dazzling range in her portrayal of the book's doomed heroine.
|
| 90 |
Chicago Reader
The cast as a whole is astonishing--especially Gillian Anderson as Lily and Dan Aykroyd in his finest role to date.
|
| 90 |
Salon.com
Anderson's Lily is the kind of heroine who earns our protectiveness by never begging for it; it's an astonishing performance.
|
| 90 |
Washington Post
Although the cast is uniformly strong, the real revelation here is "The X-Files' " Anderson, who plays Lily with subtle gradations of emotional depth unexpected from someone who has made a career out of deadpan.
|
| 90 |
LA Weekly
Has a marvelous, pent-up passion.
|
| 90 |
Los Angeles Times
Above all else expresses the timeless impact of Lily Bart's plight.
|
| 88 |
Chicago Sun-Times
The movie will seem slow to some viewers, unless they are alert to the raging emotions, the cruel unfairness and the desperation that are masked by the measured and polite words of the characters.
|
| 88 |
USA Today
Terence Davies' deliberately paced, earnest adaptation of Edith Wharton's breakthrough novel quietly captures the grim complexities of New York's social world nearly a century ago.
|
| 88 |
Boston Globe
There was little mirth or innocence in the world that Wharton was able to write her way out of (she was much happier living in Paris), and Davies and his leading lady lift the silks to reveal it as the minefield it was.
|
| 80 |
New York Magazine
Terence Davies's The House of Mirth is a rigorously elegant adaptation of the Edith Wharton novel, and unlike in some other Davies movies, the rigor here doesn't turn into rigor mortis.... This is dourness of a degree you won't find in Wharton, but in its own shadowed terms the film is a triumph.
|
| 80 |
TV Guide
With consummate grace and exceptional style, Terence Davies transformed Edith Wharton's caustic tragedy of manners into a somber, languid dream.
|
| 80 |
Film.com
David D'Arcy
Stick with the film, accept the rules of the time and the meditative rhythm of the language that Davies has woven into his story, and you won't be disappointed. Then read the novel. It's even better.
|
| 75 |
Philadelphia Inquirer
This is very much Anderson's film. The publication of the novel made Wharton's reputation. The release of The House of Mirth should do the same for Anderson.
|
| 75 |
Miami Herald
While House of Mirth is well done as a period piece, it has such an eerie contemporary resonance that you nearly forget about the horses and corsets and lamplight.
|
| 75 |
Baltimore Sun
Anderson brings real gravitas to the unfortunate Lily Bart, in an Oscar-caliber performance that makes one wonder what Academy voters are looking for.
|
| 75 |
Chicago Tribune
Marc Caro
What the movie occasionally lacks is dramatic juice. A reader of the novel will have a greater sense of the obstacles keeping Lily and Lawrence apart than fresh viewers of the movie will.
|
| 75 |
Christian Science Monitor
Wharton's old-school compassion and Davies's taste for artfully wrought melodrama make an unusual but ultimately successful combination.
|
| 70 |
Mr. Showbiz
How well you respond to this handsomely mounted, cold-blooded tragedy will depend on your feelings toward Gillian Anderson's highly theatrical lead performance.
|
| 70 |
Variety
Visually detailed but emotionally dry.
|
| 67 |
Seattle Post-Intelligencer
In the lead, Anderson ("The X-Files") is competent but never quite makes the character come soaring to life.
|
| 60 |
The New York Times
Almost in spite of itself, The House of Mirth is powerful, at times even moving.
|
| 50 |
Austin Chronicle
Viewers unfamiliar with Wharton's novel may have a hard time, especially at first, deciphering all the characters since Davies presents them at a steady clip while providing little background or explanatory material.
|
| 40 |
Slate
I can't recall another movie that cries out so incessantly for running commentary.
|
| 38 |
New York Post
Anderson, in her first major non-Scully film role, is lethally miscast.
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